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Using DaVinci Resolve
1
Adjusting the ‘lift’
With your first clip selected on the color timeline, click on the ‘lift’ dial underneath the
first color wheel. Slide it back and forth and watch how it affects your image. You’ll
see the brightness of the dark regions of your picture increase and decrease. Set it to
where you want the dark areas to look their best. If you decrease the lift too much,
you’ll lose details in the blacks and you can use the parade scope to help avoid this.
The optimal position for blacks on the waveform is just above the bottom line of the
parade scope.
2
Adjusting the ‘gain’
Click on the ‘gain’ dial and slide it back and forth. This adjusts the highlights which are
the brightest areas of your clip. The highlights are shown on the top section of the
waveform on the parade scope. For a brightly lit shot, these are best positioned just
below the top line of the waveform scope. If the highlights rise above the top line of the
waveform scope, they will clip and you will lose details in the brightest regions of
your image.
3
Adjusting the ‘gamma’
Click on the ‘gamma’ dial underneath the color wheel and slide it back and forth. As
you increase the gamma you’ll see the brightness of the image increase. Notice the
middle section of the waveform will also move as you adjust the gamma. This
represents the mid tones of your clip. The optimal position for mid tones generally falls
between 50 to 70% on the waveform scope. However, this can be subjective based on
the look you are creating and the lighting conditions in the clip.
You can also use the curves palette to make primary color corrections. Simply click to create
control points on the diagonal line inside the curve graph, and drag them up or down to adjust
the master RGB contrast at different areas of image tonality. The optimum points to adjust are
the bottom third, mid, and top third of the curve line.
There are many more ways of doing primary color correction in DaVinci Resolve. Check the
DaVinci Resolve manual to learn how to use them all.
The curves palette is another tool you can use to make primary color corrections,
or enhance specific areas of your clip when using a power window.
Secondary Color Correction
If you want to adjust a specific part of your image then you need to use secondary corrections.
The adjustments you have been doing up until now using the color wheels and lift, gamma and
gain adjustments affect the whole image at the same time and so they are called primary color
corrections.
44
Summary of Contents for Blackmagic Video assist
Page 55: ...2017 6 Blackmagic Video Assist...
Page 63: ...Video Assist 1 3 SD Video Assist LCD LCD 1 2 63...
Page 64: ...LCD SDI HDMI 100 90 3 50 50 64...
Page 76: ...1 2 3 Video Assist 1 2 dBFS 0dBFS 0dBFS 20 12dBFS 12 6dBFS 1 2 Blackmagic Video Assist 4K 76...
Page 78: ...2 78...
Page 79: ...0 100 100 RGB RGB RGB 3 RGB 79...
Page 80: ...RGB Blackmagic Video Assist 4K 100 0 RGB 80...
Page 81: ...0 100 10 81...
Page 90: ...DaVinci Resolve 3 DaVinci Resolve DaVinci Resolve 4 1 90...
Page 91: ...DaVinci Resolve 2 I O 3 4 DaVinci Resolve 1 2 3 N 91...
Page 92: ...DaVinci Resolve DaVinci Resolve 1 DaVinci Resolve 2 3 4 5 92...
Page 93: ...DaVinci Resolve 1 2 2 1 2 UI 2 D 2 1 2 1 93...
Page 94: ...DaVinci Resolve 1 2 Video 1 3 1 2 5 1 94...
Page 95: ...DaVinci Resolve DaVinci Resolve DaVinci Resolve DaVinci Resolve 95...
Page 96: ...DaVinci Resolve 2 96...
Page 97: ...DaVinci Resolve 1 1 2 3 50 70 RGB 3 1 3 1 DaVinci Resolve DaVinci Resolve Power Window 97...
Page 99: ...DaVinci Resolve HSL Power Window Power Window 1 2 3 Power Window DaVinci Resolve 99...
Page 108: ...Manuel d utilisation et d installation Fran ais Blackmagic Video Assist Juin 2017...
Page 161: ...Installations und Bedienungsanleitung Juli 2017 Blackmagic Video Assist Deutsch...
Page 214: ...Manual de instalaci n y funcionamiento Blackmagic Video Assist Espa ol Junio 2017...
Page 267: ...2014 6 Blackmagic Video Assist...
Page 270: ...Video Assist SD Video Assist LP E6 1 2 LP E6 Video Assist 12V SD SD CARD SD CARD 12V POWER 270...
Page 275: ...LCD Video Assist SD Video Assist LCD LCD 1 2 275...
Page 276: ...LCD SDI HDMI 100 90 50 50 276...
Page 277: ...HDTV 1 78 1 16 9 4 3 4 3 SD 2 2 40 1 2 39 1 2 35 1 2 39 1 1 85 1 HDTV 2 39 1 2 39 1 38 4 277...
Page 288: ...1 2 3 Video Assist 1 2 dBFS 0 dBFS 20 12 dBFS 12 6 dBFS 1 2 Blackmagic Video Assist 4K 288...
Page 290: ...290...
Page 291: ...0 100 100 RGB RGB RGB 291...
Page 292: ...RGB Blackmagic Video Assist 4K 100 0 RGB 292...
Page 293: ...Gamma 0 100 Fleshtone Line 293...
Page 302: ...DaVinci Resolve 2 3 DaVinciResolve DaVinci Resolve 4 1 302...
Page 303: ...DaVinci Resolve 2 I O 3 4 DaVinci Resolve 1 2 3 303...
Page 304: ...DaVinci Resolve N DaVinci Resolve 1 DaVinci 2 3 4 5 304...
Page 305: ...DaVinci Resolve 1 2 305...
Page 306: ...DaVinci Resolve 1 2 Video 1 3 1 2 5 1 306...
Page 307: ...DaVinci Resolve DaVinci Resolve DaVinci Resolve DaVinci Resolve 307...
Page 308: ...DaVinci Resolve Lift Gamma Gain Lift Gamma Gain Lift Gamma Gain Lift Gamma Gain 308...
Page 311: ...DaVinci Resolve Power Window HSL Power Window 1 2 3 Power Window DaVinci Resolve 311...
Page 317: ...9 Project and User Settings Start 10 File Import File 11 Autodesk Smoke 2013 317...
Page 320: ...2017 6 Blackmagic Video Assist...
Page 323: ...SD Video Assist Video Assist LP E6 1 2 LP E6 12V SD SD CARD SD CARD 12V POWER 323...
Page 328: ...LCD Video Assist SD Video Assist LCD LCD 1 2 328...
Page 329: ...LCD SDI HDMI Zebra 100 90 Zebra Focus Line Color TV 50 50 329...
Page 343: ...343...
Page 344: ...0 100 100 RGB RGB RGB 344...
Page 345: ...RGB Blackmagic Video Assist 4K 100 0 RGB 345...
Page 346: ...0 100 10 346...
Page 356: ...DaVinci Resolve 2 I O 3 4 DaVinci Resolve DaVinci Resolve 1 2 3 356...
Page 358: ...DaVinci Resolve 1 Edit UI Effects Library Toolbox 2 Cross Dissolve 358...
Page 360: ...DaVinci Resolve DaVinci Resolve Add Track DaVinci Resolve Color DaVinci Resolve 360...
Page 361: ...DaVinci Resolve Scope Color Wheels Primaries Bars Primaries Bars 361...
Page 363: ...DaVinci Resolve HSL HSL 1 2 Qualifier Color Range 3 Highlight 4 Hue Width High Low Soft 363...
Page 364: ...DaVinci Resolve HSL 1 2 Window 3 DaVinci Resolve 364...
Page 370: ...9 Project and User Settings Start 10 File Import File 11 Autodesk Smoke 2013 370...
Page 373: ...2017 Blackmagic Video Assist...
Page 381: ...SD Video Assist 1 2 381...
Page 382: ...SDI HDMI 100 90 50 50 382...
Page 383: ...HDTV 1 78 1 16 9 4 3 4 3 2 40 1 2 39 1 2 35 1 2 39 1 1 85 1 HDTV 2 39 1 2 39 1 38 4 383...
Page 390: ...Blackmagic Video Assist 4K 1 33x 1 66x 2x 180 Blackmagic Video Assist 4K 3D LUT 390...
Page 394: ...1 2 3 Video Assist 1 2 dBFS 0 dBFS 20 12 dBFS 12 6 dBFS 1 2 Blackmagic Video Assist 4K 394...
Page 396: ...396...
Page 397: ...0 100 100 RGB RGB RGB RGB 397...
Page 398: ...RGB Blackmagic Video Assist 4K 100 RGB 398...
Page 399: ...0 100 10 399...
Page 409: ...DaVinci Resolve 2 Media Pool I O 3 4 DaVinci Resolve Media Pool Edit 1 2 3 409...
Page 411: ...DaVinci Resolve 1 Effects Library Edit Toolbox 2 Cross Dissolve 411...
Page 417: ...DaVinci Resolve Power Window HSL Power Window 1 2 Window 3 Power Window 417...
Page 423: ...9 Project and User Settings Start 10 File Import File 11 Autodesk Smoke 2013 423...
Page 426: ...Manuale di istruzioni Giugno 2017 Blackmagic Video Assist Italiano...