background image

 

FRONT & REAR PANEL FEATURES 

 
 

Remote Level Control:

  These two terminals (plus the adjacent 

"

d

" terminal) provide remote volume control of the master level.  

An internal voltage controlled amplifier (VCA) allows remote 
control from up to 2000 feet away, using any 5k~50k

Ω

 linear taper 

potentiometer and/or switch to provide adjustment and/or muting of 
the master level.  Potentiometers are wired with high-side to 
(+10V), low-side to (

d

), and wiper to (C).  Mute switches simply 

connect (C) to (

d

), with no (+10V) connection required. 

 
Music On Hold Level:  

This control adjusts the volume level of a 

Music On Hold output (see below).  To turn the output off 
completely, set this control to the counter-clockwise position (min).

 

 
Music On Hold Output:

  These three terminals provide a 

balanced line-level output as a source for phone systems.  This 
signal is derived from input channel 6.  For unbalanced output, 
wire high to (+) and ground to (

d

)

, leaving (-) unconnected. 

 
Pre Out & EQ In:

  These two RCA jacks provide pre-tone patching 

for external equipment.  When used as an 'insert point' for external 
signal processors, set the associated Link switch to the (off) 
position.  When using Pre Out for recording and/or EQ In for 
stacking, the Link switch may remain in the (on) position.   
 

Line Out & Amp In

:  These two RCA jacks provide post-master 

patching for external equipment.  When used as an 'insert point' for 
external signal processors, set the associated Link switch to the 
(off) position.  When using Line Out for external amps and/or Amp 
In for stacking, the Link switch may remain in the (on) position. 

 
Low Cut:

  This switch controls a low-cut filter (12dB/octave @ 

125Hz) at the amplifier input.  

CAUTION:

  To avoid output fault 

conditions, Low Cut must be used when driving 25/70/100 Volt 
speaker systems (see Installation Instructions on pg. 4).  Also, any 
other system equalization affecting frequencies below 125Hz 
should remain flat or be used as cut-only.  This also precludes 
boosting of the Bass control (see above) in these applications.

 

 

DIP Switches:

  The five DIP switches above each input are used 

to assign specific functions to those individual channels.  Phantom 
Pwr a48 Volts DC phantom power to the channel input, for 
powering condenser microphones.  

CAUTION:

  To avoid damage 

to equipment, assign phantom power only on channels being used 
as inputs for conderser microphones.

  Priority assigns a channel to 

priority.  When signal is present in a priority channel, any non-
priority channels which are assigned to Auto Mute will be muted by 
their selected amounts (see below).  

NOTE:  

A priority channel 

cannot be auto muted by another priority channel, but a priority 
channel can be manually muted (see below).

  Auto Mute assigns a 

(non-priority) channel to be muted whenever signal is present in 
any priority channel.  Manual Mute assigns a channel to be muted 
whenever the Mute/Chime terminal is shorted to ground via a 
switch or contact closure.  Mute Level assigns the amount of 
muting (-80dB or -20dB) which is applied to a channel, when 
triggered by either Auto Mute or Manual Mute.  

NOTE:

  -80dB is 

effectively complete muting (off), whereas -20dB is audible 
attenuation (ducking).

 

 
Peak:

  These red LEDs will light whenever channel signal levels 

reach +10dB (8dB below clipping).  Use this feature to aid in 
proper adjustment of Trim (see below). 

 
Trim:

  These screw-driver controls set the channel gain (0~60dB) 

to compensate for different input signal levels (mic or line).  Adjust 
these controls so the channel Peak indictors flash only on 
occasional peaks. 
 

Mic/Line or Tel Switch (Channel 1 only):

  This switch selects the 

proper impedance and gain for either mic/line input signals or input 
from 600 ohm sources.  The input for Channel 1 includes an 
isolation transformer, which allows connection to most telephone 
system audio ports. 
 

Inputs:

  These plug-in barrier strips provide a balanced input 

connection for each channel.  For unbalanced input, wire high to 
(+) and ground to both (-) & (

d

).  The input for Channel 1 includes 

an isolation transformer. 
 

Summary of Contents for MXA Series

Page 1: ...htning storms or when unused for long periods of time 13 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply co...

Page 2: ...29Aug07...

Page 3: ...ophone line input channels channel 1 selectable for 600 ohm transformer tel input rear panel trim peak indicator on each input channel 48 Volt phantom power selectable on each input channel automatic...

Page 4: ...line tel BIAMP SYSTEMS 120V F U S E F U S E O phantom pwr priority auto mute manual mute 80dB on on on on 20dB phantom pwr priority auto mute manual mute 80dB on on on on 20dB phantom pwr priority au...

Page 5: ...d as cut only This also precludes boosting of the Bass control see above in these applications DIP Switches The five DIP switches above each input are used to assign specific functions to those indivi...

Page 6: ...utputs from the amplifier From the factory a jumper wire is installed from the 4 terminal direct output to the xfmr input terminal For transformer xfmr output connect speaker negative to the com termi...

Page 7: ...al screws for the 100 volt tap and Com connections 4 Strip 0 25 6 4mm of insulation from each lead 5 Slide one piece of the supplied heat shrink tubing on to each wire 6 Crimp the ring lug terminals o...

Page 8: ...range Tone Controls Treble Bass High Pass Filter Power Consumption MXA35 MXA75 MXA150 MXA300 Dimensions all models height 2 rack spaces width depth Weight MXA35 MXA75 MXA150 MXA300 Compliance 35 watt...

Page 9: ...7 BLOCK DIAGRAM...

Page 10: ...epairs or installed in any manner that does not comply with BIAMP Systems recommendations 4 Electro mechanical fans electrolytic capacitors and normal wear and tear of items such as paint knobs handle...

Page 11: ......

Page 12: ......

Page 13: ......

Page 14: ......

Reviews: