Rear view
(10) Mains supply (230 V) with fuse (315 mA/T)
(11) REMOTE - 9-pin Sub-D connection for remote control
AP 232 for RS 232 interface (PCB), refer to chapter "9. AP 232 Retrofit Kit"
(12) Ground Lift to separate operating ground from mains ground. The ground lift is activated when the
switch is switched to the left.
(13) Master Output, +6 dB, master output R/L balanced, low-impedance outputs (when using long cables)
(14) Master Output, 0 dB, unbalanced, (when using short cables)
(15) Subgroup output, +6dB, subgroup output R/L balanced, low-impedance outputs (when using long cables)
(16) (19) 4 line inputs with gain control
(16) AUX
(17) CD
(18) Tape
(19) Tuner
(20) REC - Record output L/R for the microphone master
L - depending on the jumper configuration as Record output or Send for the insert (refer to chapter 4.5"Insert")
R - depending on the jumper configuration as Record output or Return for the insert (refer to chapter 4.5"Insert")
(21) MIX INP - Stereo input for the connection of mixing consoles or more MIX 10 NGs
L/R - depending on the jumper configuration as Return for the insert (refer to chapter 4.5"Insert")
(22) MIC 1 - MIC 6 - Electrically balanced phoenix inputs with gain control and phantom power (can be switched
off on the printed circuit board); refer to chapter "6. Configuration of the Printed Circuit Board"
4.Connections
4.1 Microphone Inputs
On the rear there are six XLR phoenix inputs (22). The connection is balanced: pin 2+3 = AF, pin 1 = shield.
For each input the gain can be adjusted on the rear (1 - 100 mV). The input v o l u m e i s a d j u s t e d w i t h t h e
volume control (1) on the front. Microphone 1 or all microphone inputs can be switched to priority (refer to
chapter "4.1.1 Priority switching").
Caution:
A phantom power of +27V is switched on for all microphone inputs. If you connect devices with unbalanced
outputs switch off the phantom power or add a coupling capacitor. If condenser microphones and devices
with unbalanced outputs are used simultaneously we recommend switching o ff t h e p h a n t o m p o w e r
according to the used input (refer to chapter "6. Configuration on the printed circuit board").
When the MIX 10 NG is equipped with the AP 232 retrofit kit, there are more possible volume adjustments
of the microphone master (refer to chapter "9. AP 232 Retrofit Kit").
4.1.1 Priority Switching
The priority of the privileged microphone inputs is voice-controlled (ducking). The priority switching is
possible for microphone input 1 or all microphone inputs. The faded out signals are reduced by 40 dB. The
deepness of the fade-out and the speed of the fade-out and fade-in can only be adjusted in conjunction
with the AP 232 retrofit kit (refer also to the chapter "9. AP 232 Retrofit Kit")
When the ducking function is chosen for microphone input 1, microphone inputs 2 to 6 and the selected line
input are faded out.
When the ducking function is chosen for all microphone inputs, only the selected line input is faded out.
The fade-out is effected by talking into a microphone which is connected to one of the privileged microphone
inputs. A handheld or desktop microphone unit can be used.
The MIX 10 NG is delivered with the ducking function being deactivated. If you want to use the ducking
function, place the jumpers on the printed circuit board as described in chapter "6. Configuration of the
Printed Circuit Board".
when the MIX 10 NG is equipped with the AP 232 retrofit kit, there are more adjustments of the ducking
function possible (refer to chapter"9. AP 232 Retrofit Kit").
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