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XENYX XL3200/XL2400/XL1600

Quick Start Guide

27

Specifications 

XL3200

XL2400

XL1600

Equalizer

EQ Mono Channels

LOW

80 Hz / ±15 dB

HIGH MID

100 Hz to 2 kHz / ±15 dB

LOW MID

400 Hz to 8 kHz / ±15 dB

HIGH

12 kHz / ±15 dB

LOW CUT

80 Hz, 12 dB/oct.

EQ Stereo Channels

LOW

80 Hz / ±15 dB

LOW MID

300 Hz / ±15 dB

HIGH MID

3 kHz / ±15 dB

HIGH

12 kHz / ±15 dB

Channel Inserts

Type

¼" TRS jack, unbalanced

Max. input level

+22 dBu

AUX/MON Send

Type

XLR connector, electronically balanced

Impedance

approx. 75 Ω

Max. output level

+22 dBu

FX Send

Type

¼" TRS jack, balanced

Impedance

approx. 75 Ω

Max. output level

+22 dBu

AUX/FX Returns

Type

¼" TRS jack, unbalanced

Impedance

approx. 20 kΩ

Max. input level

+22 dBu

Subgroup Outputs

Type

¼" TRS jack, unbalanced

Impedance

approx. 75 Ω

Max. output level

+22 dBu

Group Inserts

Type

¼" TRS jack, unbalanced

Max. output level

+22 dBu

Main Outputs A/B

Type

XLR connector, electronically balanced

Impedance

approx. 240 Ω balanced, 120 Ω unbalanced

Max. output level

+25 dBu

Main Inserts

Type

¼" TRS jack, unbalanced

Max. input level

+22 dBu

Speakers

Type

¼" TRS jack, unbalanced

Impedance

approx. 75 Ω

Max. output level

+22 dBu

Phones A/B Output

Type

¼" TRS jack, unbalanced

Max. output level

+22 dBu / 600 Ω

XL3200

XL2400

XL1600

Mono Inputs

Microphone Inputs (XENYX Mic Preamp)

Type

XLR connector, electronically balanced,  

discrete input circuit RF rejection filters

Mic E.I.N.

1

 (20 Hz - 20 kHz)

@ 0 Ω source resistance

-127 dB / 129.7 dB A-weighted

@ 50 Ω source resistance

-126 dB / 128.3 dB A-weighted

@ 150 Ω source resistance

-125 dB / 126.5 dB A-weighted

Frequency Response

To Direct Out

<10 Hz - 50 kHz (-1 dB) 

<10 Hz - 100 kHz (-3 dB)

To Insert Send

<10 Hz - 90 kHz (-1 dB) 

<10 Hz - 170 kHz (-3 dB)

Gain range

0 dB to +60 dB

Max. input level

+24 dBu @ 0 dB Gain

Impedance

approx. 2.6 kΩ balanced

Signal-to-noise ratio

120 dB / 122 dB A-weighted (0 dBu In @ +22 dB Gain)

Distortion (THD + N)

typ. 0.0008 %

Line Input

Type

¼" TRS jack, electronically balanced

Impedance

approx. 20 kΩ balanced, 10 kΩ unbalanced

Gain range

-10 dB to +40 dB

Max. input level

+22 dBu @ 0 dB Gain

Channel Inserts

Type

¼" TRS jack, unbalanced

Max. input level

+22 dBu

Channel Direct Outs

Type

¼" TRS jack, balanced

Impedance

approx. 75 Ω balanced

Max. input level

+22 dBu

Crosstalk

2

Main fader closed

100 dB

Channel muted

90 dB

Channel fader muted

85 dB

Frequency Response (Mic In 

 Main Out)

<20 Hz - 20 kHz

+0 dB / -1 dB

<10 Hz - 160 kHz

+0 dB / -3 dB

Stereo Inputs

Type

2 x ¼" TRS jack, balanced

Impedance

approx. 20 kΩ balanced, 10 kΩ unbalanced

Gain range

-20 dB to +20 dB

Max. input level

+22 dBu @ 0 dB Gain

CD/Tape In

Type

RCA connector

Impedance

approx. 10 kΩ

Max. input level

+22 dBu

XL3200

XL2400

XL1600

CD/Tape Output

Type

RCA connector

Impedance

approx. 1 kΩ

Max. output level

+15 dBu

Main Mix System Data

3

 (Noise)

Main mix @ -∞,  

channel fader @ -∞

-110 dB / -114 dB A-weighted

Main mix @ 0 dB,  

channel fader @ -∞

-95 dB / -98 dB A-weighted

Main mix @ 0 dB,  

channel fader @ 0 dB

-92 dB / -95 dB A-weighted

Power Supply

Power consumption

70 W

65 W

60 W

Fuse

(100 - 240 V~, 50/60 Hz) T 2,0 A H 250 V

Mains connector

Standard IEC receptacle

Physical/Weight

Dimensions (H x W x D)

7.1 x 21.3 x 35.8" 

180 x 910 x 540 mm

7.1 x 21.3 x 27.8" 

180 x 705 x 540 mm

7.1 x 21.3 x 19.5" 

180 x 495 x 540 mm

Weight (net)

32.8 lbs / 14.9 kg

25.8 lbs / 11.7 kg

19.0 lbs / 8.6 kg

1)  Equivalent Input Noise 
2)  Measuring conditions: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain 
3)   20 Hz - 20 kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; 

channels ¹⁄₃  as far left as possible; channels ²⁄₄ as far right as possible; reference = +6 dBu

BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, 
modifications may be made from time to time to existing products without prior notice. Specifications and 
appearance may differ from those listed or illustrated.

Summary of Contents for Xenyx XL1600

Page 1: ...Check Out behringer com for Full Manual XENYX XL3200 XL2400 XL1600 Premium 32 24 16 Input 4 Bus Live Mixer with XENYX Mic Preamps and British EQs...

Page 2: ...port andkindlyreadthetermsandconditions ofourlimitedwarrantycarefully Registeringyour purchaseandequipmentwithushelpsusprocess yourrepairclaimsquickerandmoreefficiently Thankyouforyourcooperation 3 Re...

Page 3: ...do Support de nuestrap ginaweb behringer comyleercompletamente lost rminosycondicionesdenuestragarant alimitada Elregistrarsucompraylosdatosdeesteaparatonos ayudar aprocesarcualquierreclamaci ndeunafo...

Page 4: ...CONSERVEZVOTRERE UD ACHAT ILESTVOTREPREUVE D ACHATETPREUVEDEGARANTIE CETTEGARANTIE LIMIT EESTNONAVENANTESANSPREUVED ACHAT 2 Enregistrement en ligne Pensez enregistrervotrenouveauproduitBEHRINGER d sl...

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Page 6: ...utra maneiraaplic vel dadatadacompradoprodutooriginal 3 Sobavalida odasolicita odegarantia oproduto reparadoourepostoser devolvidoaousu riocomofrete pagoantecipadamentepelaMUSICGroup 4 Solicita esdega...

Page 7: ...esetinserts Verkabelungsbeispiel Eing ngeundInserts Exemplodecablagem entradaseinserts Hook upexample outputs Ejemplodecableado salidas Exempledec blage sorties Verkabelungsbeispiel Ausg nge Exemplode...

Page 8: ...3 10 4 22 2 9 11 14 17 12 13 18 20 23 24 19 21 16 15 6 7 8 1 3 4 2 5 17 18 23 24 20 21 22 14 12 13 11 9 19 10 25 26 27 29 30 31 32 33 28 35 34 36 37 38 39 40 43 42 41 44 46 45 47 53 54 55 56 57 58 59...

Page 9: ...path Use this function to deactivate the reverb effect of a vocalist who makes announcements between songs The corresponding MUTE LED indicates that the channel is muted 81 SOLO Press the SOLO switch...

Page 10: ...e 4 subgrupos Con el regulador PAN se determina a cu l de los dos grupos accede la se al en caso de tope izquierdo Sub 1 o 3 en caso de tope derecho Sub 2 o 4 45 MIC TRIM Con el regulador MIC TRIM se...

Page 11: ...Main Mix ainsi que les sous groupes 1 2 et 3 4 Par exemple si vous utilisez un sous groupe pour un ensemble de voix vous pouvez router sur le m me sous groupe l effet qui traite chaque signal voix po...

Page 12: ...Sie auf welche der beiden Gruppen das Signal gelangt bei Linksanschlag Sub 1 bzw 3 bei Rechtsanschlag Sub 2 bzw 4 45 MIC TRIM Mit dem MIC TRIM Regler stellen Sie die Eingangsverst rkung des Mikrofone...

Page 13: ...todos os sinais FX 1 ouFX 2 dos canais de entrada Se n o estiver aberto nenhum regulador FX SEND o processador de efeitos n o receber qualquer sinal de entrada 78 MON Com os bot es reguladores MON pod...

Page 14: ...ratio 120 dB 122 dB A weighted 0 dBu In 22 dB Gain Distortion THD N typ 0 0008 Line Input Type TRS jack electronically balanced Impedance approx 20 k balanced 10 k unbalanced Gain range 10 dB to 40 d...

Page 15: ...igh Mid 3 kHz 15 dB Agudos 12 kHz 15 dB AUX MON Send Tipo conector XLR sim trica electr nica Impedancia aprox 75 Nivel m x de salida 22 dBu FX Send Tipo jack est reo de 6 3 mm balanceada Impedancia ap...

Page 16: ...diums LOW MID 300 Hz 15 dB Hauts m diums HIGH MID 3 kHz 15 dB Aigus HIGH 12 kHz 15 dB AUX MON Send Type connecteur XLR sym trie lectronique Imp dance env 75 Niveau de sortie max 22 dBu FX Send Type ja...

Page 17: ...3 mm Stereoklinkenbuchse symmetrisch Impedanz ca 75 Max Ausgangspegel 22 dBu AUX FX Returns Typ 6 3 mm Stereoklinkenbuchse symmetrisch Impedanz ca 20 k Max Eingangspegel 22 dBu Subgroup Ausg nge Typ 6...

Page 18: ...15 dB AUX MON Send Tipo jaque mono de 6 3 mm n o balanceada Imped ncia ca 75 N vel m x de sa da 22 dBu FX Send Tipo jaque mono de 6 3 mm n o balanceada Imped ncia ca 75 N vel m x de sa da 22 dBu AUX F...

Page 19: ...chunsereGarantiebedingungen fallszutreffend 2 Funktionsfehler SolltesichkeinMUSICGroup H ndlerinIhrerN hebefinden k nnenSieden MUSICGroupVertriebIhresLandeskontaktieren deraufbehringer comunter Suppor...

Page 20: ...We Hear You...

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