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                                                V-AMP PRO

3. EXAMPLES OF OUTPUT CONFIGURATIONS

Fig. 2.6: V-AMP PRO rear panel (section 2)

The 

S/PDIF

 output provides the digital output signal of your

V-AMP PRO.
The 

AES/EBU

 output (XLR connector) provides the digital

output signal of your V-AMP PRO in an AES/EBU format,

provided that AES/EBU has been selected as digital output

format (please refer to the 2nd note under 

 E).

The 

WORDCLOCK

 BNC jack is used to connect equipment

for the external synchronization of your V-AMP PRO. This

high-impedance  jack  has  no  internal  terminating  resistor

(75 Ohms).
This is the 

MIDI OUT/THRU

 jack of your V-AMP PRO. It is

configured as MIDI OUT but can be set to act as a MIDI

THRU jack (see 

 A).

Use the 

MIDI IN

 to connect a foot controller, for example,

the  BEHRINGER  MIDI  FOOT  CONTROLLER  FCB1010.

See also chapter 8.4.

Fig. 2.7: V-AMP PRO rear panel (section 3)

SERIAL NUMBER

. Please take the time to fill in and return

the warranty card within 14 days after the date of purchase,

so  as  to  benefit  from  our  extended  warranty.  Or  register

online  at  (www.behringer.com).

FUSE  HOLDER/VOLTAGE  SELECTOR

.  Before

connecting the unit to the mains, make sure that the voltage

setting  matches  your  local  voltage.  A  blown  fuse  should

only be replaced by a fuse of the same type and rating. On

some units, the fuse holder can be switched to one of two

positions, i.e. 230 V and 115 V. When operating the unit

outside Europe at 115 V, a higher fuse rating is required

(see chapter 8 “INSTALLATION”).
The  mains  connection  is  on  an 

IEC 

receptacle.  An

appropriate  power  cord  is  included.

3. EXAMPLES OF OUTPUT

CONFIGURATIONS

To  adapt  the  V-AMP  PRO  best  to  different  studio  and  live

situations,  you  can  select  between  five  operating  modes

(CONFIGURATION). Regardless of the settings on the unit itself,

these modes determine in which way the V-AMP PRO’s output

signal is taken. Basically, there are 3 studio and 2 live operating

modes  (with  additional  EQ).  This  also  allows  for  using  the  left

and right output signals differently at the same time. In operating

mode “Live 2”, it is necessary to distinguish between the balanced

XLR outputs (DI OUT) and the 1/4" jack outputs (UNBALANCED).

3.1 Selecting CONFIGURATION modes

Your V-AMP PRO left the factory set in “Studio 1” (S1) mode.

To  change  modes,  you  have  to  switch  to  CONFIGURATION

mode. To do this, press buttons D and E simultaneously. Use the

arrow keys to switch from one mode to another. Press TUNER

to quit CONFIGURATION mode.

3.2 Standard set-up with MIDI foot controller

and (optional) recording system

Set up and wire your V-AMP PRO as shown in fig. 1 on the

enclosed sheet. Connect your headphones to the PHONES jack

if  required.  The  MIDI  foot  controller  enables  you  to  select

programs,  enable/disable  the  tuner  and  control  the  wah-wah

effect  (see  chapter  10).

+

For  this  application  please  select  CONFIGURATION

mode  S1!

+

To  monitor  the  recorded  signal  please  press  button

!

3.3 Hard-disk recording studio

A widely used recording application is to make a “dry” recording

of the output signal while monitoring the signal with effects (see

fig.  2  on  the  enclosed  sheet).  The  advantage  here  is  that  you

don’t have to make a final decision on what effect to use during

mix-down.  For  this  purpose,  connect  the  left  output  of  the

V-AMP PRO to the recording device, and use the right output

for  monitoring  (with  effects).

If  you  have  a  MIDI  foot  controller,  you  can  use  it  to  control

preset, bank and amp model changes. It is also convenient for

switching the tuner on and off.

+

If  you  select  CONFIGURATION  mode  S2  for  this

application,  the  cabinet  simulation  is  active  both  on

the  left  and  right  channels.

+

Please  select  CONFIGURATION  mode  S3  to  use  the

left  output  without  cabinet  simulation!

3.4 Live set-up in combination with a

full-range monitor system

When  you’re  playing  on  stage,  it  is  extremely  important  to

monitor  your  guitar  sound  properly.  To  this  end,  the

V-AMP  PRO  is  ideally  connected  to  a  monitor  system  with

sufficient power to reproduce the V-AMP PRO’s sound potential

to the full (see fig. 3 on the separate sheet).

+

For  this  application,  please  select  mode  L1  under

CONFIGURATION.  The  additional  3-band  EQ  can  be

set with the BASS, MID and TREBLE controls. As this

is  a  global  EQ,  it  has  no  effect  on  the  setting  of

these  three  controls  stored  with  a  preset.

Summary of Contents for V-amp pro

Page 1: ...Version 1 0 September 2002 User s Manual V AMP PRO ENGLISH...

Page 2: ...lation such as a bookcase or cabinet that may impede the flow of air through the ventilation openings Heat The appliance should be situated away from heat sources such as radiators heat registers stov...

Page 3: ...rchasing terms for components etc Isn t it only fair to pass this benefit on to you Because we know that your success is our success too I would like to thank all of you who have made the V AMP PRO po...

Page 4: ...put format External synchronization of your V AMP PRO is possible via word clock and what is more the V AMP PRO features an additional analog speaker simulation giving you unprece dented flexibility B...

Page 5: ...44 1 48 or 96 kHz sample rate or external synchronization via word clock see tab 2 1 in this user s manual Use the arrow keys to select the appropriate sample rate with respect to the receiving devic...

Page 6: ...inet model the V AMP PRO will also select a default speaker simulation automatically as soon as you plug in your headphones This improves the aural impression when using headphones The standard cabine...

Page 7: ...necessary to distinguish between the balanced XLR outputs DI OUT and the 1 4 jack outputs UNBALANCED 3 1 Selecting CONFIGURATION modes Your V AMP PRO left the factory set in Studio 1 S1 mode To chang...

Page 8: ...sts of a maximum of five ingredients s amp simulation including GAIN EQ and VOLUME settings s cabinet simulation s pre amp effect such as noise gate compressor auto wah and wah wah s post amp multi ef...

Page 9: ...P PRO makes it child s play for you to choose one of the legendary guitar amps be it for Brit Pop Blues Heavy Metal or whatever In addition you can tailor the sound of the respective amp to suit your...

Page 10: ...n a Mesa Boogie Dual Rectifier top Unlike the Trem O Verb this amp produces a more modern high gain sound The tone control is most effective at high gain settings MODERN HI GAIN Here too the tone cont...

Page 11: ...e music please press the TAP button twice in time to the music 6 1 Effect descriptions The following section contains short descriptions of the effects that can be produced using the multi effects pro...

Page 12: ...for tuning your guitar you can change the preset reference pitch A For clarity s sake let s look at this in more detail The so called concert pitch A has been raised steadily over time For example th...

Page 13: ...xclusive data from other MIDI devices provided that the MIDI function button A has been activated in EDIT mode However this means that all presets on the V AMP PRO will be overwritten automatically Yo...

Page 14: ...mpedance 75 Nominal output level 0 5 V peak to peak not grounded unbalanced Format AES EBU and S PDIF switchable Sample frequency 44 1 48 96 kHz internal 44 1 96 kHz wordclock sample rate converter WO...

Page 15: ...Effect Par 2 6 47 N request only Y pre Effect Par 3 6 48 N request only Y pre Effect Par 4 6 49 N request only Y Delay Type 0 2 7 50 Y Y Delay Time hi 0 117 8 51 Y Y Delay Time lo 0 127 8 52 N request...

Page 16: ...ler s invoice Any product deemed eligible for repair or replacement by BEHRINGER under the terms of this warranty will be repaired or replaced within 30 days of receipt of the product at BEHRINGER 2 I...

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