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ULTRAMATCH PRO SRC2496

3. APPLICATIONS

Fig. 3.1: Example: A/D conversion of a microphone signal

Fig. 3.1 shows a typical setup for recording a signal source on a

digital recording device (here: hard-disk recording system). If your

HD recording system is equipped with a digital interface, you can

use the ULTRAMATCH PRO to “circumvent” the A/D converter

on the sound card and thus avoid interference signals generated

by the computer. By taking the signals from the subgroup outputs

on your mixing console, you can record several signal sources at

the same time by assigning (routing) them to the corresponding

subgroups.

In practice, the ingenious design of the SRC2496 proves to be

versatile to the point that you can also solve problems which are

not directly related to a normal studio environment. For example,

digital hi-fi recording devices such as MD recorders (Mini Disc)

have  met  with  widespread  popularity  in  home  systems.

Unfortunately, however, such devices cannot record with 32 kHz

using their digital input.

Thus, it is impossible to record digital broadcasting programs

directly to digital; D/A and A/D conversion steps are inevitable.

Not  so  with  the  ULTRAMATCH  PRO,  as  it  can  convert  the

broadcast signal from 32 kHz to any other common sampling rate

and also remove any form of copy protect information.

A second wiring setup shows how to copy tape recordings for

restoring and subsequent archiving purposes on digital media.

Fig. 3.2: Example: A/D conversion of tape recordings

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Since subgroup outputs on mixing consoles, as well as

tape and line outputs on hi-fi amplifiers, usually provide

unbalanced signals only, please note the corresponding

instructions on how to connect the SRC2496 (chapter 5

“INSTALLATION”).

3.1.2 Converting digital to analog

Using the ULTRAMATCH PRO as a digital-to-analog converter

is interesting in all applications, where signals must be made audible

again after digital processing, e.g. to “circumvent” D/A converters

of inferior quality in devices with a digital output (sound card).

This  can  be  useful  if  your  sound  card  is  not  shielded  from

electromagnetic  interference  generated  by  power  supplies  or

graphics cards for example. You can feed the audio signal from

the digital interface of the sound card to one of the digital inputs

on the SRC2496 and then take it from the analog outputs. The

type  of  cable  required  for  connecting  the  sound  card  to  the

ULTRAMATCH PRO depends on the output connector used.

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Detailed information on wiring setups can be found in

chapter 5 “INSTALLATION”.

3.1.3 Parallel A/D and D/A conversion

The SRC2496 offers you the possibility to simultaneously convert

analog signals into digital, and vice versa. In 

A/D and D/A converter

mode

, you can only convert from digital to analog if the CLOCK

switch in the output section has been set to DIG IN. In this case, the

sampling  rate  will  be  determined  by  the  digital  signal  applied.

Otherwise, the ULTRAMATCH PRO can only be operated as an

A/D converter, and the D/A converter function will be muted. In

SRC mode

 the D/A converter is always active.

Summary of Contents for Ultramatch Pro SRC2496

Page 1: ...ENGLISH Version 1 0 July 2002 User s Manual ENGLISH www behringer com ULTRAMATCH PRO SRC2496...

Page 2: ...s or used in a built in installation such as a bookcase or cabinet that may impede the flow of air through the ventilation openings Heat The device should be situated away from heat sources such as ra...

Page 3: ...conversion s Allows direct manipulation of emphasis and copy protection bits s High precision quartz clock generator removes jitter and corrects off tune incorrect sample rates s Extremely fast track...

Page 4: ...n large sales volumes enabling us to get better purchasing terms for components etc Isn t it only fair to pass this benefit on to you Because we know that your success is our success too I would like...

Page 5: ...s two basic functions A D and D A converter or sampling rate converter is currently active Select the function of your choice at the touch of a button The output section gives you the buttons and dis...

Page 6: ...dio signal Any detected error makes the SRC2496 mute all of its outputs to protect down stream audio devices As long as the ERROR LED is lit the ULTRAMATCH PRO cannot process any input signals The EMP...

Page 7: ...ly result in rounding errors and misinterpretations of the analog signals quantization errors In particular signals with a very small amplitude are affected by an audible system error known as granula...

Page 8: ...Fig 2 11 Analog outputs and inputs ANALOG OUTPUTS These balanced analog XLR outputs stereo provide the analog signal generated by conversion from a digital format ANALOG INPUTS Use these balanced anal...

Page 9: ...al media Fig 3 2 Example A D conversion of tape recordings Since subgroup outputs on mixing consoles as well as tape and line outputs on hi fi amplifiers usually provide unbalanced signals only please...

Page 10: ...tudio is met by connecting the equipment to one central sync source For example the console could be the master supplying the remaining devices with a reference signal wordclock However this will only...

Page 11: ...roblems with the format required While some devices specifically need S PDIF signals on the input side others can only output AES EBU With the SRC2496 this problem is now history The input of your ULT...

Page 12: ...110 Ohms 75 Ohms Level 0 2 V to 5 Vpp 0 2 V to 0 5 V pp Clock accuracy Not specified I 50 ppm II 0 1 III Variable pitch Jitter 20 ns Not specified Tab 4 1 Important data for AES and IEC 958 Type II s...

Page 13: ...strates how to correctly connect the balanced input and output connectors Basically it is the same wiring scheme normally used for balanced audio connections such as for example the connection between...

Page 14: ...ally available cable T connectors terminating resistors in specialist computer shops Fig 5 6 Unbalanced connection termination of the wordclock input to the ULTRAMATCH PRO When the ULTRAMATCH PRO is u...

Page 15: ...FS adjustable S N Ratio 105 dB Analog outputs Type XLR balanced Output impedance 160 ohms Converter 24 bit 96 kHz 128 times oversampling delta sigma AKM D A converter Output level 16 dBu 0 dBFS S N Ra...

Page 16: ...lacement by BEHRINGER under the terms of this warranty will be repaired or replaced within 30 days of receipt of the product at BEHRINGER 2 If the product needs to be modified or adapted in order to c...

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