29
E
6.2 Preset table
Preset
Filter 1
Filter 2
Filter 3
Filter 4
Filter 5
Filter 6
Filter 7
Filter 8
Filter 9
Filter 10 Filter 11 Filter 12
1
L
SI
SI
SI
SI
SI
SI
SI
SI
SI
AU
AU
AU
R
SI
SI
SI
SI
SI
SI
SI
SI
SI
AU
AU
AU
2
L
SI
SI
SI
SI
SI
SI
SI
AU
AU
AU
AU
AU
R
SI
SI
SI
SI
SI
SI
SI
AU
AU
AU
AU
AU
3
L
AU
AU
AU
AU
AU
AU
AU
AU
AU
AU
AU
AU
R
AU
AU
AU
AU
AU
AU
AU
AU
AU
AU
AU
AU
4
Couple
125 Hz
160 Hz
200 Hz
250 Hz
315 Hz
400 Hz
500 Hz
630 Hz
800 Hz
1 k
1.25 k
1.6 k
5
Couple
40 Hz
63 Hz
100 Hz
160 Hz
250 Hz
400 Hz
630 Hz
1 k
1.6 k
2.5 k
4 k
6.3 k
6
L
SI
SI
SI
AU
AU
AU
AU
AU
PA def
PA def
PA def
PA def
R
SI
SI
SI
SI
SI
AU
AU
AU
PA def
PA def
PA def
PA def
7
L
SI
SI
SI
SI
SI
SI
SI
SI
PA def
PA def
PA def
PA def
R
SI
SI
SI
SI
SI
SI
SI
SI
PA def
PA def
PA def
PA def
8
Couple
PA
PA
PA d.
PA d.
SI
SI
SI
SI
SI
SI
SI
SI
40 Hz
80 Hz
1 Oct.
1 Oct.
-8 dB
-4 dB
9
L, R
SI
SI
SI
SI
SI
SI
SI
AU
AU
PA
PA
PA
SI
SI
SI
SI
SI
SI
SI
AU
AU
PA
PA
PA
10
Couple
SI
SI
SI
SI
SI
SI
SI
AU
AU
PA
PA
PA
MONO: 9 single shot filters attenuate room resonances before 3 automatic filters destroy variable feedbacks
Channels coupled, changes on one channel are valid for both
2 x MONITOR AS FEEDBACK DESTROYER ONLY: 7 single shots / 5 automatic filters for most monitor setups
MONO AUTO PILOT: 12 Filters per channel constantly chase and destroy feedbacks.
STEREO PARAMETRIC EQ: Preset with 12 ISO frequencies, all set to 2/3 Oct., Gain + 0 dB
STEREO FREE
STEREO PARAMETRIC EQ: Preset with 12 ISO frequencies, all set to 1/3 Oct., Gain + 0 dB
2 x MONO: Sample monitoring, left for handheld (lead) microphone(s), right for fixed (backing) ones
MONO PARAMETRIC AND SINGLE SHOT FILTERS: A good start for a monitor equalization
STEREO FOH EQ, providing 4 parametric EQ’s (low roll off in filter 1 and 2), plus 8 single shot filters
MONO FREE
Tab. 6.2: Factory presets
6. APPENDIX
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