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10

EURORACK UB1622FX

-PRO

/UB1832FX

-PRO

/UB2222FX

-PRO

/UB2442FX

-PRO

2.3.7 XPQ Surround function (UB1832FX-PRO only)

Fig. 2.14: Control elements of the surround function

The  XPQ  surround  function  can  be  enabled/

disabled with the 

XPQ TO MAIN 

switch. This is

a  built-in  effect  that  widens  the  stereo  width,

thus  making  the  sound  more  lively  and  trans-

parent. Use the 

SURROUND 

control to determine the intensity of

this  effect.

VOICE CANCELLER

Here, you have a filter circuitry that lets you almost

entirely remove the vocal portion of a recording. The

filter  is  constructed  in  such  a  way  that  voice

frequencies  are  targeted  without  majorly  affecting

the rest of the signal. Additionally, the filter seizes only the middle

of the stereo image, exactly there where the vocals are typically

located.

+

Connect  the  signal  sources  you  wish  to  process

using  the  Voice  Canceller  to  the  CD/TAPE  INPUT

connectors.  The  Voice  Canceller  circuitry  is  not

available  for  other  inputs.

Possible applications for the Voice Canceller are obvious: you

can very simply stage background music for Karaoke events. Of

course, you can also do this at home or at your rehearsal room

before you hit the stage. Singers with their own band can practice

singing  difficult  parts  using  a  complete  playback  from  a  tape

player or a CD, thus minimizing rehearsal time.

2.3.8 CD/Tape input, CD/tape output

Fig.  2.15:  2-track  connectors  and  lamp  socket

CD/TAPE INPUT

The 

CD/TAPE INPUT

 jacks (RCA) are designed to accept a

2-track  recorder  (e.g.  DAT  recorder),  or  they  can  be  used  as

stereo line input. The output signal of a second EURORACK or

the BEHRINGER ULTRALINK PRO MX882 can also be connected

here. If you connect the output of a hi-fi amplifier (with a source

selection switch) to the TAPE INPUT, you can easily listen to

additional  sources  (e.g.  cassette  recorder,  MD player,  sound

card,  etc.).

Using the voice canceller function (UB1832FX-PRO only), you

can process all signals being brought into your mixing console

via  these  connectors.

CD/TAPE OUTPUT

These connectors are wired in parallel to the MAIN OUT and

carry the main mix signal (unbalanced). Connect this to the inputs

of your recording device. The final output level can be adjusted

via the high-precision MAIN MIX fader.

+

If  you  connect  a  compressor  or  a  noise  gate  post

2-track  output,  the  main  mix  fader  will  probably  not

be  able  to  create  a  satisfactory  fade-out  effect.

2.3.9 Lamp socket (UB2442FX-PRO only)

Use this BNC socket to connect a gooseneck lamp (12 V DC,

max. 0.5 A).

2.3.10 Level meter and monitoring

Fig. 2.16: Control room and phones sections of the

UB2442FX-PRO

TAPE

The 

TAPE

 switch routes the signal from the TAPE IN jacks to

the  level  meter,  the  CONTROL  ROOM  OUT  outputs  and  the

PHONES jack—this is a simple way to check recorded signals

via monitor speakers or headphones.

SUBS 1-2 or SUB

The 

SUBS 1-2

 switch routes subgroup 1-2 to the level meter,

CONTROL ROOM OUT and phones.

SUBS 3-4

The 

SUBS 3-4

 switch performs a similar function for subgroup

3-4 (UB2442FX-PRO only).

MAIN  MIX

The 

MAIN MIX

 switch sends the main mix to the CONTROL

ROOM OUT and the PHONES output as well as to the level meter.

CTRL ROOM & PHONES

Use this control to adjust the control room output level and the

headphones volume.

TAPE TO MAIN

When the 

TAPE  TO  MAIN

  switch  is  depressed,  the  2-track

input is routed to the main mix and thus serves as an additional

input for tape machines. You can also connect MIDI instruments or

other signals here that do not require any further processing. At

the same time, this switch disables the main mix to tape output link.

POWER

The blue 

POWER

 LED indicates that the device is switched on.

+48 V

The red “

+48 V

” LED lights up when phantom power is switched

on.  Phantom  power  is  required  to  operate  condenser

microphones.

+

While  phantom  power  is  switched  on,  do  not

connect  or  disconnect  microphones  on  the  mixer

(or  the  stagebox/wallbox).  Connect  any  micro-

phones  before  switching  on  phantom  power.

Additionally,  monitor/PA  speakers  should  be  muted

before you activate the phantom power supply. After

switching  on,  wait  approx.  one  minute  before

adjusting the input gain so that the system has time

to  stabilize.

LEVEL METER

The high-precision level meters always give you an accurate

display of signal level.

2. CONTROL ELEMENTS AND CONNECTORS

All manuals and user guides at all-guides.com

Summary of Contents for EURORACK UB1622FX-PRO

Page 1: ...Version 1 3 June 2004 User s Manual EURORACK UB1622FX PRO UB1832FX PRO UB2222FX PRO UB2442FX PRO ENGLISH All manuals and user guides at all guides com a l l g u i d e s c o m...

Page 2: ...e of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third pro...

Page 3: ...is simple to use you ll soon appreciate that I both personally and in my capacity as musician and sound engineer put you the end user first and that these products were only possible because of the p...

Page 4: ...designed to give you both an overview of the controls as well as detailed information on how to use them In order to help you understand the links between the controls we have arranged them in groups...

Page 5: ...se so as to be entitled to benefit from our extended warranty Alternatively you can use our online registration option available on the world wide web www behringer com You will find the serial number...

Page 6: ...riven too high If this happens back off the TRIM control and if necessary check the setting of the channel EQ meter you have to press the SOLO switch and set the MODE switch in the main section to PFL...

Page 7: ...ontrols have the same characteristics as the EQ in the mono channels Both mid range bands are of the peak filter type A stereo EQ is superior to two mono EQs on a stereo signal as two separate EQs wil...

Page 8: ...ixed with any dry channel signal UB1622FX PRO and UB1832FX PRO On these consoles this function is performed by the AUX SEND 2 control FX SOLO You can use the SOLO switch to separately monitor the aux...

Page 9: ...ols for monitor mix with effect STEREO AUX RETURN FX On consoles UB1622FX PRO and UB1832FX PRO this is the STEREO AUX RETURN 2 on consoles UB2222FX PRO and UB2442FX PRO this is the STEREO AUX RETURN 3...

Page 10: ...and carry the main mix signal unbalanced Connect this to the inputs of your recording device The final output level can be adjusted via the high precision MAIN MIX fader If you connect a compressor or...

Page 11: ...nction activated Solo in Place audio signals from channels with PAN controls that have not been moved fully left or right are displayed at a lower volume than in the PFL function As a rule solo signal...

Page 12: ...vocal track enhanced with reverb in parallel to a dry vocal track when doing the mix down later on you can freely determine the amount of reverb added The UB2442FX PRO has the effect output on the rea...

Page 13: ...ate mains cable is supplied with the equipment POWER switch Use the POWER switch to turn on the mixing console The POWER switch should always be in the Off position when you are about to connect your...

Page 14: ...Use either mono plugs or use stereo plugs to link the ring and shaft or pins 1 3 in the case of XLR connectors Fig 6 2 XLR connections Caution You must never use unbalanced XLR connectors PIN 1 and 3...

Page 15: ...nce approx 240 symm 120 unbalanced Max output level 28 dBu 22 dBu UB1622FX PRO Control room outputs Type 1 4 TS connector unbalanced Impedance approx 120 Max output level 22 dBu Headphones outputs Typ...

Page 16: ...are not covered by this warranty s improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals s connection or operation of...

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