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Power requirements and amplifier recommendations

150W is sufficient to gig with the 1x12” models alongside a reasonably restrained drummer, 100W likewise 

for the 2x12” models. If you are loud enough but your tone feels a bit compressed/one-dimensional/thin 

then you need more power to give your amp the headroom to let the loud peaks through. If you aren’t loud 

enough then you need more power.

Our recommend power range is up to 600W per 12” driver for the ‘Super’ cabs and up to 800W per 12” 

driver for the ‘Big’ cabs. Once you reach 75% of this then adding more power won’t usefully increase your 

loudness but it will help your tone out by giving you more headroom. When we talk about power we mean 

true continuous RMS power or true burst power (500ms). A 20ms burst is all well and good when your peaks 

are caused by the transients of a snare drum or crash cymbal but bass guitar and double bass both have 

a lot of low frequency energy in the transients which means that high power requirement goes on for over 

200ms. This is the main reason why big heavyweight amps tend to be louder or fatter with bass guitar than 

lightweight micro-amps - they can sustain a higher power level for longer, even though their power rating 

may be the same.

The 12XN550 models are an easy load to drive, there are no significant dips or large negative phase swings 

in the impedance plot when cold so even budget amps should perform well (and note that many modern 

budget solid-state amps will be miles ahead of the the typical decent solid-state amps from forty years ago, 

whilst good speakers are as expensive as ever). You don’t necessarily need an expensive amp to sound 

great or get loud with a Barefaced cab. Don’t feel you have to go shopping for an appropriately ‘boutique’ 

amp to match your cab - see how your existing amp works first, however old or inexpensive or low power it 

is.

Please note that a 1000W amp with the volume never past halfway is not a 500W amp - put a ‘hot’ enough 

signal into it and you will get full power.

These recommendations mean that unless you’re doing something silly, using the cab in an unreasonable* 

manner, or are very unlucky, then you will not blow anything. If you do blow something then come to us first - 

our drivers are unique and our electronics are complex - only we know how to get you up and running again. 

Once again, note that even if the volume knobs are on your amp are kept well below maximum it will be 

possible to hit full power with enough signal level coming into the amp. 

*It is reasonable to expect any 12XN550 cab to have similar max output to other high quality modern bass 

cabs of twice the size, or cheaper/older bass cabs of three or four times the size. Expecting more than this is 

unreasonable and asking for trouble!

Notes on woofer break-in

The 12XN550 drivers have extremely high power handling and maximum excursion. This requires very 

tough suspension to support the cone and consequently this suspension is tight when the woofers are brand 

new. As the woofer is used the suspension loosens up, resulting in significantly increased bass response 

(both depth and fatness) and the speaker becoming easier for an amplifier to drive, as well as the mids and 

treble becoming cleaner and smoother as the ability of the surround to damp the cone vibrations improves. 

This change occurs in a reverse exponential manner, so the change is most rapid early on, particularly in the 

first five minutes of loud use. 

It may take a number of gigs or loud rehearsals for your cab to settle into its long-term parameters (and thus 

tone and performance). The midrange and treble response will also improve as the softer suspension allows 

the cone to move as designed, both in its pistonic behaviour and the multiple bending modes, giving unique

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ly even power response for such a large high excursion driver. Note that we test every cab before it leaves 

the factory, and part of that process is a frequency sweep from 100Hz down to 20Hz and back up again, at 

fairly high level - this brief test alone does about half the breaking in, so you will never hear the full break-in 

change with one of our cabs.

6. Technical appendix

Summary of Contents for Super Series

Page 1: ...User Manual V 3 1 Copyright 2015 Barefaced Limited...

Page 2: ...air of feet from their packaging and fit carefully Don t push too hard with the bolt or you may push the t nut out from the inside of the cab let the threads on the bolt engage in the t nut and then t...

Page 3: ...dations 2 c Super Midget 2 d Super Midget amplifier power recommendations 3 Big Series 3 a Big Baby II and Big Twin II 3 b Try these settings 3 c Big Baby II and Big Twin II amplifier power recommenda...

Page 4: ...if you have the space courier resistant packaging is not cheap or easy to come by and there may come a day when you want to ship your Barefaced cab to a lucky secondhand buyer All Barefaced Gen 3 mode...

Page 5: ...le or 4 pole speakon wired 1 and 1 or a 1 4 jack wired tip Both sockets are wired in parallel so you can daisy chain further cabs in parallel You can daisy chain as many as you like as long as you don...

Page 6: ...mpression Super Compact SC 8 ohms 150W 450W 600W 120 5dB Super Twin ST 4 ohms 100W 900W 1200W 126 5dB SC SC 4 ohms 100W 900W 1200W 126 5dB SC ST 2 7 ohms 75W 1350W 1800W 129 5dB SC SC SC 2 7 ohms 75W...

Page 7: ...and a second lead from the first cab to the second cab daisy chaining With the HF control at max you hear everything upwards of 3kHz coming from the tweeter Turn the HF control down and the crossover...

Page 8: ...SM 8 ohms 150W 450W 600W 120dB SM SM 4 ohms 100W 900W 1200W 126dB SM Super Compact 4 ohms 100W 900W 1200W 126dB SM Compact 4 ohms 100W 900W 1200W 126dB SM Super Twin 2 7 ohms 75W 1350W 1800W 129dB SM...

Page 9: ...un below your amp s minimum nominal imped ance Running two leads from your amp out to two separate cabs is electrically identical to run ning one lead from the amp to the first cab and a second lead f...

Page 10: ...a pick grinding thunder but just enough added clarity to separate the notes and percussively drive the groove 4 70s Larry Graham tapewound slap HF control almost off amp pretty clean thumpin and pluck...

Page 11: ...compression Big Baby 2 BB2 8 ohms 150W 600W 800W 122dB Big Twin BT2 4 ohms 100W 900W 1600W 128dB BB2 BB2 4 ohms 100W 900W 1600W 128dB BB2 BT2 2 7 ohms 75W 1500W 2400W 131dB BB2 BB2 BB2 2 7 ohms 75W 15...

Page 12: ...oth worlds Because the pickups are hearing two different points on the string the midrange output from each is not in phase thus you get a midrange cut If you just had one pickup 4 band EQ and compres...

Page 13: ...the amp and cab are part of that instrument 4 a Cab positioning with single cabs The Gen 3 12XN cabs have huge max LF output and very good dispersion They are designed to work best with at least one b...

Page 14: ...rge acoustic spaces keep them close together so they couple and so that their direct soundfields do not cause nulls where they re out of phase separated subs at outdoor gigs exhibit a power alley of i...

Page 15: ...driving a huge amount of sub 30Hz energy into the cab Please contact us for help before you blow a very expensive loudspeaker If you ve gone through all this list and it s still sounding distorted th...

Page 16: ...nal into it and you will get full power These recommendations mean that unless you re doing something silly using the cab in an unreasonable manner or are very unlucky then you will not blow anything...

Page 17: ...ually loud then the Big Twin II is the best choice Super Midget If you want something with a similar vibe to this but a bigger and somewhat louder sound then the Big Baby II is the obvious choice If y...

Page 18: ...ig Twin II use both in your LOUD rock band use one in your function band use the second as a PA sub when your function band s PA can t do enough bottom can be purchased with optional top hats for pole...

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