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Audient AZTEC Operation Manuals Download Page 60

60

Care and maintenance

Care and maintenance

©

aud

ient 

6/2002

Cleaning

Cleaning

The Aztec control surface can be kept  clean of dust
using a soft long-haired brush. Be careful to brush away
from the front of the console to avoid any possible
contamination of the faders.

Marks can be removed using a soft lint-free cloth
damped with Isopropyl alcohol if necessary. DO NOT
USE ANY OTHER FORM OF CHEMICAL CLEANING
AGENT.

Areas are left at the top and bottom of the Aztec fader
panels for fixing marking tape - any adhesive residue left
by such tape can usually be remove as described above
but it is wise not to leave tape attached to the console
surface for prolonged periods.

Removing modules

Removing modules

Always disconnect the Aztec PSU from the mains

Always disconnect the Aztec PSU from the mains

supply and from the Aztec console before attempting

supply and from the Aztec console before attempting

to remove any of the modules from the frame.

to remove any of the modules from the frame.

Modules are retained using either 2 or 4 M4 x 16 socket
head screws. Once removed modules can be pulled up
vertically revealing the ribbon cables that connect them
to the console infra-structure. These cables are long
enough to allow the module to be lifted just clear of the
console surface  - be careful not to strain them by trying
to pull the module too far out. The ribbon cables can
then be disconnected making sure the orientation for
reconnection has been memorised.

When replacing modules be careful to dress the ribbon
cables so that they fold neatly down between the adja-
cent modules and do not snag on any of the component
legs of these modules.

Summary of Contents for AZTEC

Page 1: ......

Page 2: ...notice Audient plc makes no warranty of any kind with respect to the material in this document and shall not be liable for errors contained herein or for incidental or consequential damages related to the use of the material No part of this document may be reproduced without the prior written consent of audientplc ...

Page 3: ...ono Input module Auxiliary sends 25 25 Mono Input module Routing and Pan Mono Input module Routing and Pan 26 26 Mono Input Fader section Mono Input Fader section 27 27 Sub Group module Metering Sub Group module Metering 28 28 Sub Group module Matrix Sub Group module Matrix 29 29 Sub Group module Aux and Group Masters Sub Group module Aux and Group Masters 30 30 Stereo Auxiliary module Meter Selec...

Page 4: ...Connector wiring details Data connections Connector wiring details Data connections 48 48 Block schematics Block schematics Mono input Mono input 49 49 Stereo Return and Ambience input Stereo Return and Ambience input 50 50 Sub Group and Auxiliary outputs Sub Group and Auxiliary outputs 51 51 Main outputs Main outputs 52 52 Matrix and Meter select Matrix and Meter select 53 53 Talkback Signal gene...

Page 5: ...r moisture If the Aztec or its PSUs should become so exposed REMOVE the mains power immediately CABLES PROTECT the mains power cord from damage though impact or abrasion HEAT ALWAYS s site the Aztec and its PSUs away from sources of heat including direct sunlight and ensure adequate ventilation around PSUs and around the ventilation grills on the console RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE D...

Page 6: ...combined with the feedback of many respected sound reinforcement professionals Separate L C and R buses with individual trims on each of the Main output faders 12 VCA Sub Groups with VCA Solo 8 Audio Sub Group outputs with balanced inserts 8 Mono and 2 Stereo Auxiliary outputs with balanced inserts 12 x 8 Matrix with balanced inserts 4 band EQ with parametric mids sweep HF and LF with switched Bel...

Page 7: ...r sends are required the Master level controls for each of the Sub Group and Auxiliary outputs may be swapped by depressing the GRP AUX swap buttons on each Sub Group output module The function of the rotary control and fader are shown by the LED adjacent to each The Solo and Mute functions swap with the level control but output connections are unaffected MASTER SOLO SOLO GRP AUX SWAP MUTE 0 6 AUX...

Page 8: ...A fully balanced level variable direct record out is available on jack and in groups of 8 channels on D sub connectors wired in accordance with Tascam DA98 format This allows simple connection to one or more 8 track recorders Recording Recording continued The Aztec LCR MAIN output bus routing system uses two controls a Left Right pan control and a Blend control This allows a centre cluster to be u...

Page 9: ...ition only the Centre bus is fed With Blend at 12 o clock all three buses are active R L C LR BLEND PAN RIGHT CENTRE LEFT 15 15 15 18 18 18 21 21 21 12 12 12 9 9 9 6 6 6 3 3 3 0 0 0 3 3 3 6 6 6 9 9 9 12 12 12 18 18 18 24 24 24 30 30 30 36 36 36 R L C LR BLEND PAN RIGHT CENTRE LEFT 15 15 15 18 18 18 21 21 21 12 12 12 9 9 9 6 6 6 3 3 3 0 0 0 3 3 3 6 6 6 9 9 9 12 12 12 18 18 18 24 24 24 30 30 30 36 3...

Page 10: ... Solo System Three main modes are provided PFL AFL and Solo in place These modes are set from the Master Module Default mode is PFL AFL is selected by depressing the AFL button VCA Solos are also provided and these are explained in the VCA Masters section Solo in place mode can only be invoked by pressing and holding the large illuminated SIP button down for 3 seconds In this mode all channels oth...

Page 11: ...d by 10dB and are automatically monitored on both the Main Monitor and on the Headphones systems but automatic switching can be disabled for either by depressing the Solo OFF buttons in the Master module monitor sections Solo d AFL signals are metered on the L C R Master module LED bargraph displays PFL has a dedicated bargraph display PFL RIGHT CENTRE LEFT 15 18 21 12 9 6 3 0 3 6 9 12 18 24 30 36...

Page 12: ... SET key adjacent to the channel fader Pressing any of the VCA assignment keys enables assignment mode The VCA selection set using these keys can then be loaded to input channels by depressing the channel set key s The stored assignment is displayed on the column of 12 LEDs adjacent to each channel fader VCA SET VCA ASSIGN CENTRAL CONTROL PANEL CH FADER SET KEY SAFE KEY VCA ASSIGNMENT KEYS VCA ASS...

Page 13: ...o clear the assignment then finally press the channel set key to clear the channel settings Individual channels may be completely isolated from the Central Control commands by pressing the SAFE key To set To set VCA assignment key s Channel set key VCA assignment key s Channel set key To clear To clear VCA assignment key 1 x 2 Channel set key VCA assignment key 1 x 2 Channel set key Assigning chan...

Page 14: ...t modules Each VCA master fader has an associated Mute and Solo switch The central control of the VCA assignment and Mute operation has enabled full VCA Solo functionality to be provided Selecting a VCA Master Solo key will automatically Solo all input channels assigned to that VCA Master 10 10 10 0 0 0 5 5 5 5 5 5 10 10 10 20 20 20 30 30 30 40 40 40 50 50 50 70 70 70 MUTE MUTE SOLO SOLO ...

Page 15: ...keys or randomly using the UP and DOWN keys A previewed scene can be loaded by simply pressing the NOW key Whether stored as a Scene or not the control surface status is stored every 10 seconds The latest stored settings before a power down are recalled after power up Each block of 8 input channel faders the VCA Master fader block and the Central Control panel are provided with Isolate switches to...

Page 16: ...tored Scene depress STO and hold it down for 2 seconds until the display stops flashing To insert a Scene between two existing Scenes press the INS insert key and then the UP DOWN keys to select one of the 9 Sub Scenes nnn 1 to nnn 9 and then press STO When scrolling through Scenes using the UP DOWN keys the currently active Scene is indicated by illumina tion of the left hand decimal point indica...

Page 17: ... required Scene and then press NOW to recall it When scrolling through Scene memories in this way the scroll speed will increase if the UP DOWN keys are held down Unused locations are again skipped and the currently active Scene is indicated by illumination of the left hand decimal point indicator in the display Automation Previewing Scenes Automation Previewing Scenes Pressing the PRV Preview key...

Page 18: ...g Scenes DEL 4s DEL 4s Clears the displayed Scene Clears the displayed Scene NOW 4s DEL 4s NOW 4s NOW 4s DEL 4s NOW 4s Clears all Scene memories Clears all Scene memories Previewing Scenes Previewing Scenes PRV PRV PRV PRV Previews the displayed scene Previews the displayed scene PRV NEXT PRV NEXT Previews the next stored scene Previews the next stored scene PRV NEXT NOW PRV NEXT NOW Previews the ...

Page 19: ...ress that key Quick Scene assignments can be deleted by pressing the Quick Scene Key and then depressing it again for 2seconds Note that this action deletes only the Quick scene assign ment and not the numerically stored Scene QUICK SCENE 1 8 QUICK SCENE 1 8 Recalls the Scene as Recalls the Scene as signed to signed to the Quick Scene key the Quick Scene key QUICK SCENE 1 8 QUICK SCENE 1 8 2secs Q...

Page 20: ...t display will now be blank Then to view or edit midi message settings depress the SET switch on the relevant Aztec Input channel The active MIDI channel number 0 15 is shown in the 7 segment display and this can be modified using the UP and DOWN keys Once the MIDI channel number has been selected depressing the Input channel SET key will toggle the MIDI message from NOTE ON to NOTE OFF to no mess...

Page 21: ...s can be stored within each Scene Once this number has been reached press ing a Channel set key while in MIDI mode will have no effect Setting MIDI messages Setting MIDI messages MIDI MIDI Sets MIDI mode Sets MIDI mode Selects MIDI Channel Selects MIDI Channel CH SET CH SET Edits and displays NOTE ON NOTE OFF settings Edits and displays NOTE ON NOTE OFF settings MIDI MIDI Stores MIDI settings and ...

Page 22: ...22 Module Functions Module Functions audient 6 2002 ...

Page 23: ... variable from unity to 60dB inverts the polarity of the Mic and Line inputs LINE selects balanced line level input with gain range from 10dB to 25dB D IN selects direct post mic amp balanced D sub input for easy show archive remix D OUT direct variable level post mic amp balanced output with jack and D sub interfaces for easy interface to recorders 12dB per octave Hi pass filter adjustable from 2...

Page 24: ...riable from 0 7 to 4 providing fine musical control or incisive problem solving power LO MID equaliser with 15dB boost and cut variable from 0 1kHz to 2kHz with Q variable from 0 7 to 4 providing fine musical control or incisive problem solving power BASS equaliser with 15dB boost and cut variable from 25Hz to 500Hz and selectable bell or shelving characteristics INS IN opens the pre EQ pre fader ...

Page 25: ...ary buses 1 8 with pre post switching for 1 2 3 4 5 and 6 7 8 All sends have 6db of gain available Send to Stereo Auxiliary bus A with level pan and pre post switching The send control has 6dB of gain available Send to Stereo Auxiliary bus B with level pan and pre post switching The send control has 6dB of gain available 0 0 0 0 0 0 0 0 0 0 dB dB dB dB dB dB dB dB dB dB PRE PRE PRE PRE PRE PRE PK ...

Page 26: ...dio Sub Group SG PAN enables panning between odd and even Sub Groups MAIN routes the post pan signal to the L C R buses BLEND adjusts the relative levels of signals sent to the L R and C Main buses allowing for accurate L R panning as well as centre image enhancement Left Right and odd even PAN pot with 3dB centre drop Advanced virtual bus reference design ensures outstanding bus crosstalk and noi...

Page 27: ...ssigned by first enabling the required VCA Sub Group or Groups on the Central control panel below the Master module and then simply using the SET button to load the VCA selection into the channel s memory The VCA assignment along with the Mute status can be stored as part of any one of the 999 Automation scene stores Whether stored as part of a Scene or not the Channel VCA assignments and Mute Sol...

Page 28: ...Metering Metering 15 18 21 12 9 6 3 0 3 6 9 12 18 24 30 36 8 Sub Group output modules are fitted in each Aztec console The 16 LED peak reading meter can be set to monitor Sub Group Auxiliary or Matrix out puts using the METER SELECT switches on the adjacent Stereo Auxiliary output module ...

Page 29: ... Sub Group Auxiliary or Main L C R outputs as well as from an external balanced XLR input Matrix input level controls 1 8 1 2 and 7 8 are shown other pairs are identical can be switched in pairs to derive their signals from either the Sub Group or Auxiliary output buses All controls have 6dB of gain available Matrix input level controls with feeds from the Main L C R buses The Matrix output has a ...

Page 30: ...ub Group Master sections to be interchanged With this switch depressed the Sub Group output level is controlled by the rotary control and the Auxiliary output level by the fader Associated SOLO and MUTE switches swap with the level controls The pair of LEDs in each of the Auxiliary and Sub Group sections indicates the current status In the default setting the Sub Group Master output level is set u...

Page 31: ...dicate the status of the incoming PSU rails All Aztec PSUs have on board switching to allow a second back up supply to be used Large illuminated METER SELECT switches set the meters on the 8 Sub Group output modules to read either the Sub Group Auxiliary or Matrix output levels Stereo Auxiliary module Stereo Auxiliary module Meter Select and PSU status Meter Select and PSU status ...

Page 32: ... balanced Stereo inputs are provided only one is shown here LEVEL provides 15dB input gain adjustment TREBLE equaliser centred on 12kHz with 15dB of boost cut BASS equaliser centred on 50Hz with 15dB of boost cut Sends to 4 of the Mono Auxiliary buses and both the Stereo Auxiliary buses STEREO INPUT 2 TREBLE BASS dB dB dB 0 15 15 LEVEL 0 0 0 0 0 0 5 6 7 8 ST AUX A ST AUX B 6 6 6 6 6 6 dB dB dB dB ...

Page 33: ...0 20 30 40 BLEND adjusts the relative levels of signals sent to the L R and C Main buses BAL adjusts the Main L R balance The overall level of the stereo input signal is controlled by a 100mm fader with 10dB gain available and an associated automation controlled MUTE along with a SOLO switch 8 LED peak reading meter shows post fade signal level Routing to each pair of audio Sub Groups MAIN routes ...

Page 34: ... B shown BAL adjusts the Stereo Auxiliary L R balance The overall level of the Stereo Auxiliary signal is controlled by a 100mm fader with 10dB gain available and an associated automation controlled MUTE along with a SOLO switch 8 LED peak reading meter shows post fade signal level Stereo Auxiliary module Stereo Auxiliary module Stereo Auxiliary Master Stereo Auxiliary Master ...

Page 35: ... levels when a solo is active PFL solo levels are indicated by the fourth meter DIMMERS allow the brightness of the console lamps and LED status indicators to be independently controlled ensuring optimum visibility in bright daylight while allowing discrete illumination in darkened auditoriums The front panel TALKBACK micro phone XLR is duplicated on the Master output connector panel The input is ...

Page 36: ...Solo in place over rides AFL PFL but can only be engaged by holding down the illuminated SIP button for 3 seconds or more ADD enables any number of solos to be selected The system is sensitive to the duration of Solo depression A short push will latch a push 1sec will cancel when released Input Solos temporarily over ride previously selected output Solos indicated by the two LEDS adjacent to the S...

Page 37: ...e selected separately The STEREO AMBIENCE INPUT provides full facilities for creating a stereo audience mix for In Ear monitor feeds The mic input has switchable 48v powering with a high quality pre amp offering up to 60dB gain TREBLE equaliser centred on 12kHz with 15dB of boost cut BASS equaliser centred on 50Hz with 15dB of boost cut Sends to 4 of the Mono Auxiliary buses and both the Stereo Au...

Page 38: ... 15 15 20 20 30 30 40 40 50 50 dB dB dB MUTE MUTE MUTE LEFT CENTRE RIGHT The Main L C R outputs are each equipped with a 100mm fader a MUTE and a TRIM control providing an additional 10dB of gain adjustment The TRIM feature allows the faders to always be operated at the desired position without having to use them to adjust L C R balance ...

Page 39: ...e arranged in 8 channel wide panels All inputs and outputs are fully electronically balanced XLRs are wired Pin 2 hot Jacks are Tip hot Pin 1 of all XLRs and the sleeves of all Jacks are connected to chassis Nominal levels are 4dBu 25 pin female D sub connectors for D In and D OUT are wired according to Tascam DA98 standard Lamp connectors are 4 pin female XLRs with pins 3 and 4 wired ...

Page 40: ...rranged on a single panel along with those for the Master module and Stereo Auxiliary module interfaces All inputs and outputs are fully electronically balanced XLRs are wired Pin 2 hot Jacks are Tip hot Pin 1 of all XLRs and the sleeves of all Jacks are connected to chassis Nominal levels are 4dBu Sub Group and Solo outputs are also available on 25 pin female D sub connectors Balanced BUS inputs ...

Page 41: ... module connections Aztec Stereo Auxiliary module interfaces are arranged on a central panel along with those for the Sub Group and Master modules All inputs and outputs are fully electronically balanced XLRs are wired Pin 2 hot Jacks are Tip hot Pin 1 of all XLRs and the sleeves of all Jacks are connected to chassis Connections for the Stereo inputs are arranged on normalled Jacks so that the Lef...

Page 42: ...module connections Aztec Master module interfaces are arranged on a central panel along with those for the Sub Group and Stereo Auxiliary modules All inputs and outputs are fully electronically balanced XLRs are wired Pin 2 hot Jacks are Tip hot Pin 1 of all XLRs and the sleeves of all Jacks are connected to chassis All nominal levels are 4dBu with the exception of the four RCA phono connec tors w...

Page 43: ...connections PSU and Link and Automation connections The 10 pin heavy duty Harting type PSU connector is sited on the Channel 17 24 Input connector panel on all frame configurations The 9 pin female D sub Console Automation link twin 15 Pin female D sub VCA link connectors and the Midi In Out Thru DIN connectors are also on this panel A further 9 pin female D sub provides an RS232 automation data l...

Page 44: ...ons are joined inside the unit and connected to joined inside the unit and connected to metalwork earth metalwork earth Audio D Sub connectors are 25 pin females wired to Tascam DA98 standard PUSH PUSH 2 2 3 3 1 1 All XLR inputs and outputs are fully electronically balanced and are wired Pin 2 hot Pin 1 in all cases is connected directly to the console chassis Jack connections are also fully elect...

Page 45: ...S INPUTS OUTPUTS 1 CH 1 CH 1 SG 1 SG 1 AUX 1 ST AUX A LEFT PFL INPUT 2 CH 2 CH 2 SG 2 SG 2 AUX 2 ST AUX A RIGHT AFL LEFT INPUT 3 CH 3 CH 3 SG 3 SG 3 AUX 3 ST AUX B LEFT AFL CENTRE INPUT 4 CH 4 CH 4 SG 4 SG 4 AUX 4 ST AUX B RIGHT AFL RIGHT INPUT 5 CH 5 CH 5 SG 5 SG 5 AUX 5 MAIN LEFT PFLOUTPUT 6 CH 6 CH 6 SG 6 SG 6 AUX 6 MAIN CENTRE AFL LEFT OUTPUT 7 CH 7 CH 7 SG 7 SG 7 AUX 7 MAIN RIGHT AFL CENTRE O...

Page 46: ...mage be To prevent loudspeaker damage be sure to turn off any power amplifiers sure to turn off any power amplifiers connected to the Aztec console before connected to the Aztec console before turning PSUs on or off turning PSUs on or off Console Linking Console Linking Any Aztec console can be linked to a second console when large num bers of inputs are required Audio buses Audio buses can be lin...

Page 47: ... Input PSU connector panel When linked the two automation controllers operate completely in parallel with no Master Slave hierarchy imposed A second 9 pin D sub male connector provides an RS232 port for future func tionality When coupling the VCA control voltages it is necessary to decide which console will act as the Master and which as the Slave Having decided on the required format link from th...

Page 48: ...s u b D s u b 1 1 Rx N C VCA 1 VCA 1 2 2 N C T 1 O U T VCA 2 VCA 2 3 3 N C R1 IN VCA 3 VCA 3 4 4 Tx N C VCA 4 VCA 4 5 5 0 v 0 v VCA 5 VCA 5 6 6 Tx N C VCA 6 VCA 6 7 7 N C N C VCA 7 VCA 7 8 8 Rx N C VCA 8 VCA 8 9 9 N C N C VCA 9 VCA 9 1 0 1 0 V C A 1 0 V C A 1 0 1 1 1 1 V C A 1 1 V C A 1 1 1 2 1 2 V C A 1 2 V C A 1 2 1 3 1 3 C O M C O M 1 4 1 4 SLAVE C O M SLAVE LINK 1 5 1 5 SLAVE ENABLE SLAVE LINK...

Page 49: ... LEFT AUX A RIGHT AUX B LEFT AUX B RIGHT VCA CONTROL AUX PRE SELECT METER SELECT PEAK SELECT POST EQ OUT VCA IN D IN INSERT BLEND PAN LEVEL LEVEL PAN PAN CHANNEL METER BELL BELL 15dB 15dB 15dB 15dB 1 22kHz 400 8kHz 100 2kHz 20 400Hz Q 0 7 4 Q 0 7 4 BASS TREBLE HI MID LO MID LR C MIC INPUT LINE INPUT SG 3 8 SIMILAR INSERT 18dBu SIG PRES TO 18dBu PRE AUX MUTE LINK VCA MIX BUS SUMMING AMP COMBINING A...

Page 50: ...T RIGHT AUX 5 AUX 6 AUX 7 AUX A AUX 8 AUX B SG 1 2 BLEND PAN AMBIENCE INPUT STEREO RETURN STEREO RETURN METER 20 60dB 15dB 15dB 48V 15dB INPUT GAIN 1 of 2 SIG PRES TO 18dBu MAIN L MAIN R MAIN C AFL L AFL C AFL R PFL SG 1 3 5 7 SG 2 4 6 8 AUX 1 8 AUX A LEFT AUX A RIGHT AUX B LEFT AUX B RIGHT Stereo Return and Ambience input Stereo Return and Ambience input ...

Page 51: ...UP MUTE AUTOMATION SEND RETURN SEND RETURN SOLO MUTE BALANCE AUTOMATION STEREO AUX SUB GROUP TO MATRIX AND METER AUX TO MATRIX AND METER STEREO AUX STEREO AUX LEFT RIGHT SUB GROUP MIX MONO AUX MIX STEREO AUX MIX LEFT STEREO AUX MIX RIGHT SG TO MATRIX AUX TO MATRIX STEREO AUX MONO SUB GROUP AUX LR C 1 of 8 1 of 2 SIG PRES TO 18dBu STEREO AUX METER Sub Group and Auxiliary outputs Sub Group and Auxil...

Page 52: ...R MUTE MUTE MAIN C TO MATRIX AND MONITOR MAIN C SOLO OFF AFL L AFL C AFL R AFL L AFL C AFL R EXTERNAL INPUT LEFT RIGHT LEFT RIGHT CENTRE PFL MAIN MAIN MAIN RIGHT LEFT CENTRE SEND RETURN SEND RETURN SEND RETURN LEFT MIX CENTRE MIX RIGHT MIX PFL MIX AFL MIX 10dBV 10dBV 10dBV 10dBV MASTER 10dB 10dB 10dB LEFT CENTRE RIGHT PHONO PHONO PHONO PHONO AUTOMATION AUTOMATION AUTOMATION SOLO ENABLE PFL MTR AFL...

Page 53: ...x and Meter select GROUP AUX MATRIX METERS 1 8 SELECT SUB GROUP AUX MATRIX GROUP AUX MATRIX METERS 36dBu TO 21dBu MATRIX EXTERNAL INPUT TALK SEND RETURN SOLO MATRIX MUTE AUTOMATION MATRIX OUTPUT MATRIX TO METER AUX MATRIX LEFT CENTRE RIGHT 1 2 1 of 8 3 8 SIMILAR 1 2 SHOWN MATRIX MIX ...

Page 54: ...AIN SG AUX MATRIX TALKBACK GENERATOR 20 60dB 35Hz 9kHz AUX 1 8 BUS IN SUB GROUP BUS IN STEREO AUX MAIN BUS IN SOLO BUS IN OUT PFL MTR AFL L MTR AFL C MTR AFL R MTR FRONT PANEL REAR PANEL 48V TALKBACK GAIN EXTENDER SLAVE INTERFACE Talkback Signal generator and Linking Talkback Signal generator and Linking ...

Page 55: ...VCA1 VCA12 AUTOMATION VCA CONTROL CHANNEL FADER VCA MASTERS VCA BUS 1 VCA BUS 12 AUTOMATION BUS SET AUTOMATION CHANNEL FADER CV BUS 1 CV BUS 12 VCA AUTO SW ITCH VCA CV OUT TO SLAVE VCA CV IN FROM MASTER SERIAL DATA CONSOLE LINK IN OUT THRU MIDI MASTER SLAVE AUTOMATION INTERFACE 1 6 7 12 SOLO ENABLE S OLO A DD S OLO CLE AR SIP Automation Automation ...

Page 56: ... audient 6 2002 21 31 10 20 30 40 50 60 90 EQ INSERT INSERT INSERT D IN 10 0 0dBu D OUT SUB GROUP FADER MAIN FADER CHANNEL FADER CLIP LINE IN SYSTEM GAIN STRUCTURE LEVEL dBu MIC IN CH MTR S G MTR MAIN O P MTR Gain structure Gain structure ...

Page 57: ...outed 95dBu Main Bus noise 48 inputs routed 80dBu CROSSTALK AND MUTE ATTENUATION 1kHz CROSSTALK AND MUTE ATTENUATION 1kHz Fader Mute 90dB Main bus assign 90dB Mic CMRR Mic CMRR 70dB Min gain 75dB Max gain INPUTS all electronically balanced INPUTS all electronically balanced Maximum level Maximum level Mic 2k Ohms 21dBu min gain Line 10k Ohms 35dBu min gain Insert return 10k Ohms 21dBu OUTPUTS all ...

Page 58: ...kgs 121 kgs 32 ch 32 ch 80 kgs 112 kgs DIMENSIONS DIMENSIONS Console Console 52ch 52ch 1068 x 2215 x 367 48 ch 48 ch 1068 x 2087 x 367 40 ch 40 ch 1068 x 1831 x 367 32 ch 32 ch 1068 x 1575 x 367 1068mm 367mm 168mm Flight case Flight case inc wheels inc wheels 52ch 52ch 1500 x 2318 x 480 48 ch 48 ch 1500 x 2190 x 480 40 ch 40 ch 1500 x 1938 x 480 32 ch 32 ch 1500 x 1678 x 480 ...

Page 59: ...chnical data audient 6 2002 1831mm 40CH FRAME 1575mm 32CH FRAME 2215mm 52CH FRAME 2087mm 48CH FRAME INPUTS INPUT FADERS SUB GROUP OUTPUTS VCA MASTER FADERS STEREO AUX OUTPUT MASTER OUTPUT AUTOMATION CONTROL LAYOUTS LAYOUTS ...

Page 60: ... the Aztec PSU from the mains Always disconnect the Aztec PSU from the mains supply and from the Aztec console before attempting supply and from the Aztec console before attempting to remove any of the modules from the frame to remove any of the modules from the frame Modules are retained using either 2 or 4 M4 x 16 socket head screws Once removed modules can be pulled up vertically revealing the ...

Page 61: ...to be inverted and rested on the main module surface without having to remove any of the cables that link to the main modules If the fader block has been re moved to update software by fitting new PIC s this is now quite straightforward On Input fader blocks remove the screws securing the fader motherboard and carefully unplug it from the individual fader cards The processor chip is now accessible...

Page 62: ...SU to a Always refer maintenance of the Aztec PSU to a qualified service agent qualified service agent Disconnect the Aztec PSU from the mains supply and Disconnect the Aztec PSU from the mains supply and from the Aztec console before proceeding with any from the Aztec console before proceeding with any of the following tasks of the following tasks The Aztec PSU is fan cooled The ventilation arran...

Page 63: ...mal use and caution should be exercised if a failure should occur Check the mains voltage setting condition of the mains cord and integrity of the mains supply before replacing the mains fuse Disconnect the console and check the condition of the PSU cable before replacing any of the low voltage fuses or using the 18v reset switch ...

Page 64: ...on replace faulty parts provided the console or relevant sub assembly is returned carriage paid to an authorised Audient service centre We will not provide warranty repair if in our opinion the fault has resulted from unauthorised modification misuse negligence act of God or accident We accept a liability to repair or replace your Aztec as described above We do not accept any additional liability ...

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