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Analogue)Synthesizers)

analogue)solutions)–)Telemark)–)2015))

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Brief!Overview!

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Telemark)is)a)selfLcontained)TRUE)analogue)synthesiser.)The)voice)and)modulation)circuitry)are)
entirely)analogue,)using)all)discrete)and)opLamp)components.)

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Telemark) has) a) similar) sound) and) specification) to) the) classic) Oberheim) SEM,) but) with) many)
additional) features) such) as) MIDI,) Noise,) sample) and) hold) and) more) modulation) choices.) Note)
however,)Telemark)is) not) intended) to) be) and) is) not) a) clone) of) the) SEM.) If) you) want) a) true) SEM)
sound,)buy)a)SEM!

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Applications

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MONO!SYNTHESISER

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Telemark)is)for)use)any)time)you)need)analogue)sound)effects,)fat)basses,)screaming)leads,)beeps,)
tones,) zaps,) and) all) the) other) crazy) sounds) associated) with) analogue)synthesis.)Use)in)place)of)

your)boring)digital)synths)and)DSP)soft)synths.

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EFFECTS!PROCESSOR

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Telemark)has)an)audio)input)socket,)so)you)can)feed)external)sounds)into)the)onLboard)analogue)
filters)for)analogue)processing.)

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DRUM!SYNTH

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Telemark)is)more)than)capable)of)creating)electronic)percussion)such)as)kicks,)snares)and)hats.)
Record)one)track)at)a)time)in)your)DAW)and)build)up)the)percussion.)

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Summary of Contents for Telemark

Page 1: ...Telemark Telemark K User Manual...

Page 2: ...oltage Controlled Filter VCF 15 Filtering External Sound Sources 16 Envelope Generators 17 Voltage Controlled Amplifier L VCA 18 Low Frequency Oscillator L LFO 19 Patch Panel Sockets General 21 Panel...

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Page 4: ...en Telemark was designed by a musician of electronic music and used in many of the music production We like to think we know what makes a good synth and that is reflected in the design of Telemark So...

Page 5: ...and is not a clone of the SEM If you want a true SEM sound buy a SEM Applications MONO SYNTHESISER Telemark is for use any time you need analogue sound effects fat basses screaming leads beeps tones z...

Page 6: ...elemark Advantages Additions Plenty of signal patch points Telemark can be more fully integrated into an existing modular system Cross patching between the two is possible The patch points enable addi...

Page 7: ...h the ambient temperature Keep away from heat sources such as radiators ovens heaters etc Never allow it to get wet Do not operate it near water like pools sinks bathrooms etc Do not place beverages o...

Page 8: ...tter which was around you insert the plug into the end of the power supply lead Plug the power leads into the rear of Telemark Early TelemarkLSK uses standard IEC power cable supplied It will either b...

Page 9: ...gue Synthesizers analogue solutions Telemark 2015 9 P a g e MIDI Telemark has MIDI In to play the synth from a MIDI keyboard sequencer or DAW MIDI Thru outputs a copy of what comes into the MIDI In so...

Page 10: ...ing the tune controls of VCO2 tune it to VCO1 Circuit in Details Here follows details on all the sockets and controls with brief simplified explanations of what the circuits do We have not gone into t...

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Page 12: ...o the square wave This will have the effect of thickening up the VCO sound Extreme settings of modulation may result in the sound cutting out which can be used for creative effect Turn this knob antiL...

Page 13: ...o the square wave This will have the effect of thickening up the VCO sound Extreme settings of modulation may result in the sound cutting out which can be used for creative effect Turn this knob antiL...

Page 14: ...from VCO1 to the mixer Saw Pulse VCO2 level Turning the control clockwise in increasing amounts sends VCO2s pulse wave signal to the mixer Turning the control antiLclockwise in increasing amounts sen...

Page 15: ...reate squidgy sounds and pulse hits Modulation Amount Turning the control clockwise will increase the amount that the modulation source selected by the MOD SOURCE switch outlined below will modulate t...

Page 16: ...uced and use the various VCA modes and envelopes if you wish to contour the sound level and add additional effects Note The rear panel input sockets are wired direct to the mixer input Filter Type rot...

Page 17: ...the time it take the envelope signal to return to zero when the key is released SUSTAIN Controls the level the envelope will hold at when a key is pressed and the attack cycle has completed EG1 ASR E...

Page 18: ...ty controller dynamics to change the volume If MIDI2 source is MIDI volume controller 7 then MIDI volume changes can be realised Typically MIDI Velocity would be the best modulation source GATE When G...

Page 19: ...parameters for example for sweeping the filter cutLoff up and down either slowly for a nice sweep or faster for a wahLwah type effect It could be used to modulate the VCO pitch for vibrato The LFO bl...

Page 20: ...mark 2015 20 P a g e Sample and Hold S H is a term that in this instance basically means a modulation is created that has a new random signal level each time the LFO completes a cycle each time the LF...

Page 21: ...individually from Oberkorn s two gate trigger outputs and the two VCOs can be controlled from separate sequencer CV outputs The patch sockets are clearly labelled and hold no secrets If you have a ba...

Page 22: ...ect to program rather than via a DAW To change the MIDI channel and CV2 controller Press and hold the PROG button Press a MIDI key or move a MIDI controller Release the key controller Then release the...

Page 23: ...itch Bend MIDI data is sent to the MIDI OUT socket and will also control the on board MIDI to CV converter to affect the pitch of both VCOs equally MOD WHEEL The mod wheel will send MIDI controller on...

Page 24: ...nal is fed out here from the MIDI to CV converter HEADPHONE The signal is mono Level is controlled together with the main output socket level using the volume control on the front panel EXT1 IN This a...

Page 25: ...kets to an external analogue synth the internal MIDILCV converter will be disconnected from the internal voice circuits In summary the signal flow is such Internal MIDILCV converter L CV Gate out Sock...

Page 26: ...e output volume is high enough Ensure the mixer level controls are turned to some sound source like the VCOs or Noise Certain extreme filter settings may filter out all of the signal or produce low le...

Page 27: ...les in the top panel Top trimmer is Tune Middle is Scale Bottom is High End VCO1 1 Monitor VCO1 2 Turn Fine and Course Tune controls to centre 3 With MIDI connected play C4 4 Monitor the VCO1 output a...

Page 28: ...e the L buttons to edit the value There are four L buttons L1 decreases data by 1 1 increases data by 1 L10 decreases data by 10 10 increases data by 10 OCT OCT You can quickly alter the keyboard octa...

Page 29: ...Pitch bend range L 0L7 semitone range PAGE3 7 F TUNE 8 P SCALET 0000 255 000 255 7 8 A very fine tune setting This is used to trim the internal MIDILCV DAC Normally there would be no need to alter th...

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Page 34: ...Output volume EG1 ASR envelope with trigger LED EG2 ASR envelope with trigger LED LFO Speed Output Mode Square Triangle Gate External CV Noise Generator Keyboard Wheels White noise Velocity sensitive...

Page 35: ...CA Mode switch Output volume EG1 ASR envelope with trigger LED EG2 ASR envelope with trigger LED LFO Speed Output Mode Square Triangle Gate External CV Noise Generator White noise Sample and Hold For...

Page 36: ...y where the product has been subject to alteration misuse accident neglect such as extremes of temperature and or moisture or to wear resulting from normal use At the sole discretion of Analogue Solut...

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Page 38: ...nalogue Synthesizers analogue solutions Telemark 2015 38 P a g e Telemark k user manual Analogue Solutions web www analoguesolutions com web www analoguesolutions co uk email info analoguesolutions co...

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