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  This is an effect used heavily by scratchers and performer DJ's. The mixer simulates this effect when you 

 

  hold down the X and Y fader buttons. The speed of the transform is preset and will only effect any channel 

 

  assigned to the fader assign button being depressed.

4.     CHANNEL FADER - These faders are used to control the output signal of any source assigned to its 
 

  particular channel.  

5.     SPLIT CUE - This button will activate the "Split Cue" function. When used with a set of stereo head-
 

  phones, the Split Cue function assign the Cue signal the left channel of the headphones and assigns the 

 

  Program (main output) signal to the right channel of the headphones. Essentially splitting the cue signal 

 

  in half. Please note that this function will only work with a set of stereo headphones. 

6.    CUE LEVEL VOLUME CONTROL - This knob is used to adjusts the headphone output level. 

7.  

CUE MIXING CONTROL - This functions allows you to monitor the Cue level as well as the Program 

 

 (main output) level in your headphones. A channels Cue Level may only be monitored if the channels 

 

 Cue function is selected. To selceted a channels cue function depress the Cue Button (22) that is directly 

 

 associated with the specific channel you wish to monitor. You may use the mixing function to blend 

 

 both the Cue level and the Program level together. You can vary the output level to either hear more 

 

 or less of either of the two levels. Turning the Cue Mixing knob to the CUE position (counter-clockwise) 

 

 will allow you to hear more of the Cue level. Turning the knob to the PGM (clockwise) position will allow

 

 you to hear more of the Program level (main output). You may also use the Cue Mixing Control to hear 

 

 either the Cue level or the Program level exclusively. If the knob is in the full CUE position you will only 

 

 hear the cue level, if the knob is in the full PGM position you will only hear the main output. This function

 

 will esspecially be useful for occasions when an external monitor is not available.  

8.    CROSSFADER CURVE ADJUSTMENT - This adjustment allows you to adjust the geometry or "shape" 
 

 of the crossfader response curve. The response curve can be adjusted from smooth to harsh (Instant). 

 

 The smooth adjustment - full counter clockwise - allows for a long running crossfade. This adjustment 

 

 will usually be used for normal DJing. The harsh adjustment - full clockwise adjustment - allows for a 

 

 short crossfade. This adjustment will usually be used for scratching and cut effects.

9.    TALKOVER BUTTON - When this button is depressed, all signals except the microphone level are 
 

 decreased by 15dB. A red indicator LED will glow when the talkover function is engaged. In the OFF 

 

 position all signals remain at their standard levels. 

10. MIC 3 INPUT JACK - Combination Microphone Plug. This jack will accept a standard 1/4 plug or XLR 
 

 3-pin balanced male plug.  The volume output level will be controlled by the Channel 3 Fader (4).

11.  CHANNEL GAIN CONTROL - This adjustment is used to adjust an audio source signal input gain for a 
 

 channel. Never use the gain control to adjust output volume. Setting the gain level properly will ensure a 

 

 clean output signal. To properly set the gain level controls:

 

  1. Be sure the Master Volume Control (16) is set to minimum (zero output).

 

  2. Set the Channel Fader (4) to level 7.

 

  3. Begin play on an audio source connected to the channel you are adjusting.

 

  4. Be sure the LED Level Indicator Function Switch (15) is set to the PFL/MASTER position.

 

  5. Turn  the  CUE (22) function on for the channel you are adjusting.

 

  6. Use the GAIN Control to adjust an average output volume of +4 dB in the LED Level Indicator (14).

12.  CUT BUTTONS - These buttons are used cut out the Treble, Mid or Bass frequencies of the incoming 
 

 audio signal. When these buttons are depressed the selected frequency level is cut by 100%.  When a 

 

 Cut Button is depressed a LED located directly above the specific button will glow indicating the 

 

 cut function has been activated. Depressing the Cut Button once again will disengage Cut function.

13.  CHANNEL EQUALIZER "ROTARY KILLS" - BASS/MID/TREBLE CONTROL - Each of the three 
 

 channels come with a signal output EQ. These controls are used to increase or decrease the LOW's, 

 

 MID’s, and HI’s of the output signal. The Q-MX2 features "Rotary Kills" with a -30dB to +20dB gain control. 

©

American DJ Supply

®

 - www.americandj.com - Q-MX2 BPM  User Instructions page 5

 FRONT PANEL - CONTROLS AND FUNCTIONS CONT.

Summary of Contents for Q-MX2 BPM

Page 1: ...Q MX2 BPM USER INSTRUCTIONS...

Page 2: ...ee channels American DJ AUDIO Los Angeles CA 90058 USA Specifications subject to change without notice Q MX2 BPM User Instructions page 2 Featuring Fader Q Start Professional products designed for the...

Page 3: ...ludes several inno vative features that pack a big punch The Q MX2 BPM comes with a 2 year limited war ranty Please read and understand this manual completely before attempting to operate your new mix...

Page 4: ...commended Two different headphone jacks are conveniently located on the mixer one on the face and one on the front side panel Always be sure the Cue Level Volume 6 is set to minimum before you put the...

Page 5: ...esponse curve The response curve can be adjusted from smooth to harsh Instant The smooth adjustment full counter clockwise allows for a long running crossfade This adjustment will usually be used for...

Page 6: ...ain a true stereo sound level the balance control knob set to the 12 O clock or center position 19 BOOTH LEVEL VOLU M E CONTROL This rotary knob is used to control the booth level volume The booth lev...

Page 7: ...moving the mixer fader from left to right you can start and pause a compact disc player In other words when the mixer crossfader is to the left X position and you move it at least 20 to the right Y po...

Page 8: ...ape Decks to LINE inputs Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs Turntables should only be connected to Phono inp...

Page 9: ...by the Voltage Selector 24 on the rear of the unit Be sure the power switch is in the OFF position before making any type of connections to the mixer Also be sure the power on all units being connecte...

Page 10: ...a typical DJ Set Up consisting of a microphone turntables CD players and a tape deck Note Turntables can only be connected to the Phono Line Level RCA Jacks 36 38 and 41 Be sure the Line Level Switche...

Page 11: ...the balanced output jacks whenever possible The balanced output jacks should always be used for cable runs in excess of 10 feet Using the balanced jacks will ensure a clean signal through out the ent...

Page 12: ...s desired to only fit one way so don t worry about the connectors orientation 5 Connect the new crossfader to the ribbon cable and replace in reverse order Operating Determinations When installing thi...

Page 13: ...m 3dB Microphone 59 dBV 1 2mV 3K Ohms 3dB Phono 51 dBV 2 8mV 47K Ohms 3dB Aux 14 dBV 200mV 47K Ohms 2dB Output Sensitivity Level Impedence Note 0dBV 1Vrms Rec Out RCA 10dBV 316mV 1K Ohms 3dB Master Ou...

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