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Functions (Front Panel) Cont.

(11) CUE MIXING CONTROL - Mixes the signal to be monitored. The monitor signal comes from the Prefader. This
means it will not be affected by the channel faders. You can monitor each channel individually. Connect your head-
phones to the HEADPHONES jack (14). Slide the CUE MIXING CONTROL (11) to CUE and select the desired channels
with the CUE switches (7). When you slide the CUE MIXING CONTROL to PGM (PFL switches without function), you
can cue the output signal of the mixer. If the CUE MIXING CONTROL is set to the center position, you can cue both the
channel signal you selected and the output signal. With the CUE LEVEL control (12), you can adjust the phones volume
without changing the output signal.
(12) CUE LEVEL CONTROL - Adjusts the headphone output level. 
(13) MASTER FADER - Adjusts the level of the master output.
(14) HEADPHONES JACKS - Use this jack to connect the headphones. Headphones from 8 Ohms to 600 Ohms can be
used. 16 Ohms is recommended. The headphone input is conveniently located on the face panel.
(15) MIC 1 JACK - You can connect microphones with 1/4 inch (6.3mm) jack plug or XLR-plug.
(16) BNC-JACK FOR GOOSENECK LAMP - 12V DC 
(17) ASSIGN SWITCH - Used to select which channel is to be mixed with another.
(18) MIC 1 & 2 VOLUME CONTROL - Adjust the microphone volume of MIC 1 and MIC 2.
(19) MIC BASS, MID, AND TREBLE CONTROL - Use these controls to fine-tune the MIC 1 signal.  Increase the LOW’s
by turning the MIC BASS CONTROL to the the right, increase the MID’s by turning the MIC MID CONTROL to the right,
and increase the HIGH’s by turning the MIC TREBLE CONTROL to the right.
(20) SPLIT CUE - Control and monitor headphone signal.  Slide fader to the left to hear the source music from channel
or channels selected by CUE BUTTONS (7).  Slide fader to the right to hear PROGRAM MIX (PGM) output.  The
smooth CUE MIXING fader is designed for fast and frequent headphone monitoring.
(21) MASTER BALANCE CONTROL - Used to adjust how much of the signal is sent to the left and right MASTER OUT
jack (31).
(22) PAN CONTROL - The balance control for each channel, or how much left and right signal for the specific channel.
There is a PAN CONTROL for each of the 3 channels.
(23) ZONE VOLUME, (24) ZONE BASS/TREBLE -  Use ZONE VOLUME (23) and ZONE BASS & TREBLE (24) knobs
to control the output signal for the ZONE. (ie. other rooms in a club, another amplifier, a satelite speaker system, a
microphone paging system or the DJ control booth monitors).

Inputs and Outputs
(Rear Panel)

LINE 1

CH-1

PHONO 1

AUX 1

LINE 2

CH-2

PHONO 2

AUX 2

MASTER

OUTPUT

REC

MIC 1

34

39

35

32

36

26

AUX 2   PHONO 2

AUX 1   PHONO 1

GND

115

AC VOLTAGE

SELECTOR

AC INPUT 115/230V

FUSE 0.5A, F, 250V

27

30

33

GND

LIGHT

CONTROL

PLAYER CONTROL

2

1

37

29

25

31

CH-3

MIC 2

LINE 3

LINE 4

BOOTH

RIGHT   BALANCED OUTPUT  LEFT

28

38

25

American DJ

®

AUDIO • Q-2422 User Instructions page 6

Summary of Contents for Q-2422/X

Page 1: ...Q 2422 USER INSTRUCTIONS djs wanted American DJ AUDIO Los Angeles CA 90058 USA...

Page 2: ...or each channel 12V BNC light connector for gooseneck light Left right turntable ground connectors conveniently located on rear panel Bass mid and treble control for each channel Master volume control...

Page 3: ...ly The arising condensation of water might damage your device Leave the device switched off until it has reached room temperature Never put any liquids on the mixer or close to it Should any liquid en...

Page 4: ...hannels are set properly For recording connect your tape recorder or cassette deck to the REC OUT jacks 30 The REC OUT level will not be influenced by the MASTER FADER 13 Connect your microphone to ei...

Page 5: ...FF Q START Start and stop the CD Player with the slide of the fader The ON OFF Q START 9 switch activates this FADER Q START feature When in the ON position the FADER Q START allows the signal to retu...

Page 6: ...BASS MID AND TREBLE CONTROL Use these controls to fine tune the MIC 1 signal Increase the LOW s by turning the MIC BASS CONTROL to the the right increase the MID s by turning the MIC MID CONTROL to t...

Page 7: ...REC OUT level is not influenced by the MASTER FADER 13 31 MASTER OUT Parallel output of P A output Connect with the input of a power amplifier 32 MIC 1 2 JACKS Connect your microphone with 1 4 inch 6...

Page 8: ...To Noise Ratios Line Better than 85dB Microphone Better than 78dB Phono Better than 80dB Frequency Response Line 20Hz 20KHz 0 5dB Microphone 20Hz 20KHz 0 5dB ChanneI EQ Bass Mid Treble 35dB 15dB Talko...

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