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Audio

® 

or American DJ

®

 “Q” Start CD player. When used with a compatible CD player, you can use the 

crossfader to start and stop the CD play. The ON/OFF “Q” START switch activates the fader “Q” start 
feature. When the fader “Q” start feature is activated sliding the 

CROSSFADER (10)

 from left to right 

will play or cue any CD player connected to the 

CONTROLLER JACKS (20)

 on the rear of the unit.

 

For example, connect a compatible dual CD player connect to mixer channels one and two 

 

(refer to your CD player manual for proper set-up). Be sure the Fader “Q” Start feature is 

 

activated on both channels. Slide the crossfader to the channel one position (full left) and 

 

begin playback on CD drive one. Slide the crossfader to the channel position (far right). This 

 

will immediately trigger the play function on CD drive two and return CD drive one to cue 

 

mode. To return to normal fader operation turn the Fader “Q” Start ON/OFF SWITCH to the 

 

OFF position.

12. WOW CONTROL -

 

This button is used to activate the SRS

®

 WOW™ Process created by SRS Labs. 

The WOW™ process is a combination of 3D Stereo Process and the TRU BASS™ Process. WOW™ 
creates  extraordinary  enhancement  to  the  listening  experience.  Ordinary  stereo  presents  a  limited 
spatial presentation, and often lack-luster bass (low frequency) performance. Any sound system can 
deliver an audio performance with drastically improved image size, dynamics and immersion when 
playing a signal processed with WOW™. Because the WOW™ effect combines the 3D Stereo™ Pro-
cess and the TRU BASS™ Process, the processing of the spatial cues surrounds the listener with a 
holographic representation of the performance. In addition bass becomes deep, rich and controlled 
through means that don’t require a speaker with a large woofer or cabinet size. In essence you may 
eliminate the need of a separate sub-woofer.

13. TRU BASS CONTROL -

 This button is used to activate the SRS

®

 (Sound Retrieval System

®

) TRU 

BASS™ Process. TruBass circuity actively monitors the low-frequency content of an audio signal and 
optimizes the frequency and amplitude spectrum of the output signal to enhance bass perception. 
Whether you are limited by space, cost or implementation, for bass previously believed impossible. 
This process creates deep, rich bass in headphones and speaker systems that have poor or little bass 
response. Sub-woofer performance will be enhanced substantially. Unprecedented bass response will 
virtually eliminates the need for large speakers to create low frequency fundamental tones and will in 
several case eliminate the need for a sub-woofer all together. Be sure that the TRU BASS™ process 
will not color the midrange or create bass not present on recordings. This process will only define any 
bass present on a recording.

14. 3D ST CONTROL -

 

This button is used to activate the SRS

®

 (Sound Retrieval System

®

) 3D Stereo 

Process. SRS

®

 retrieves the spatial information from recordings and restores the original three-dimen-

sional sound field. As a result, the reproduced sound is much closer to a live performance. Like live 
performances,  SRS

®

  has  no  critical  listening  position  (sweet  spot).  Listeners  can  move  around  the 

room and continue to be immersed in full three-dimensional sound. A microphone does not possess 
the ability to interpret the direction a sound is coming from in the same way that the human ear does. 
However, when the audio source is recorded, directional audio cues are still present in the recording. 
By breaking down the stereo signal into its various signal components, it is possible to isolate and 
restore these spatial cues and place them in the proper space relative to the direct sounds, such as 
a soloist or dialogue. These spatial cues are restored by the use of Head Related Transfer Functions 
(HRTFs), which process ambient sounds via patented frequency response correction curves.

15. WIDTH CONTROL -

 

This knob is used to control the amount of SRS

®

 3D process that is applied 

to the output source signal.

16. TRUE BASS LEVEL -

 

This knob is used to control the amount of "TRU BASS" process that is 

applied to the output source signal.

©

American Audio

®

   -   www.americanaudio.us   -   Q-D6 SRS™ Instruction Manual Page 9

 Q-D6 SRS™   

 

  

  

 

 

      

                   Controls and Features Cont.    

Summary of Contents for 640282055895

Page 1: ...ring American Audio Los Angeles Ca 90058 USA www americanaudio us Kerkrade Netherlands www americandjeurope com 7 06 is a trademark of SRS Labs Inc SRS WOW technology is incorporated under license fro...

Page 2: ...eather Crossfader 2 Phono 1 Aux 2 Line Inputs Fader Q Start Q Start Compatible for use with compatible American Audio CD Players 26dB Rotary Kills for Treble Bass and Mids on both channels High output...

Page 3: ...ug POWER CORD PROTECTION Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them paying particular attention to cords at plugs c...

Page 4: ...in any way doing so will void your manufactures warranty 8 Never plug this mixer in to a dimmer pack 9 Do not let insecticides benzene or thinner come in contact with the surface of the unit 10 This...

Page 5: ...ns Please be sure to make any connections before plugging the mixer in to an electrical outlet All fader and volume controls should be set to zero or minimum position before the mixer is switched on I...

Page 6: ...n average output level of about 4dB on you master level meter HEADPHONES To avoid sever hearing damage always be sure the headphone level is set to mini mum before plugging them in Never put the headp...

Page 7: ...e gain level properly will ensure a clean output signal To properly set the gain level controls 1 Be sure the MASTER VOLUME CONTROL 4 is set to level 4 2 Set the CHANNEL FADER 9 to level 8 3 Begin pla...

Page 8: ...ection will decrease the amount of midrange app lied to a channel signal turning the knob in a clockwise direction will increase the amount of midrange applied to a channel signal CHANNEL BASS CONTROL...

Page 9: ...t of an audio signal and optimizes the frequency and amplitude spectrum of the output signal to enhance bass perception Whether you are limited by space cost or implementation for bass previously beli...

Page 10: ...reble applied to microphone signal MICROPHONE BASS CONTROL This knob is used to adjust the low frequency levels of the microphone with a maximum signal gain of 10dB or maximum signal decrease of 10dB...

Page 11: ...ight channel input and the white represents the left channel input 24 CHANNEL 1 LINE 1 RCA INPUT JACKS DO NOT CONNECT TURNTABLES TO THESE JACKS These Jacks are used for line level inputs Connect CD pl...

Page 12: ...will be driving an amp or other audio equipment with a balanced input or whenever you will be running a signal line greater than 15 feet Always use these jacks whenever possible 31 9V AC INPUT Connec...

Page 13: ...Q D6 SRS Typical Mixer Set Up CASSETTE DECK American Audio www americanaudio us Q D6 SRS Instruction Manual Page 13...

Page 14: ...Q D6 SRS Typical Mixer Output Connections Set Up Speaker Cables RCA to 1 4 Patch Cables American Audio www americanaudio us Q D6 SRS Instruction Manual Page 14 CASSETTE DECK RCA to RCA Patch Cables...

Page 15: ...l Page 15 The crossfader is Hot Swapable which means it may be replaced at any time even when power is applied Only replace with American Audio Part Feather Fader Plus Replacing with any other model f...

Page 16: ...mited to the repair of the product or replacement thereof including parts at the sole discretion of American Audio All products covered by this warranty were manufactured after January 1 1990 and bear...

Page 17: ...300 Ohms 0dB 1V 2dB REC OUT RCA 10dB 316mV 2 2K Ohms 2dB PHONES LOAD 32 OHMS 0dB 1V 33 Oms 2dB Cue Mixing at Center Maximum Output Load 100K OHM THD 1 MASTER RCA MORE THAN 18dB 8V PHONES Load 32 ohms...

Page 18: ...3D ST 8 5 4dB at 100Hz Single L or R Input WOW 15 5 4dB at 100 10KHz Single L or R Input SRS Output Noise A Weighted Master Volume Min TRU BASS Less Than 66dBV TRU BASS VR MAX 3D ST Less Than 80dBV W...

Page 19: ...oup of Companies 4295 Charter Street Los Angeles CA 90058 USA Tel 323 582 2650 Fax 323 582 2610 Web www americanaudio us E mail info americanaudio us is a trademark of SRS Labs Inc SRS WOW technology...

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