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LTO

LTO

TM

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the subwoofer will be mounted in the trunk or rear firewall and will be the furthest speaker from the
listener/driver, so this will often be the 'zero reference'. If the subwoofer's sound enters the passenger
cabin via a vent, consider the mouth of the vent to be the zero reference point.

(2) measure the distance (in millimetres) from the midrange driver in the left front door to the driver's head.

(3) deduct the measurement calculated at (2) from the measurement calculated at (1) . The resulting figure

represents the distance by which the zero reference (let's suppose it is the subwoofer) is further from the
driver's head.

(4) Set the

value to "mm" in the

menu. From the

menu, go to the output channel that feeds

the front left midrange driver. Now input the distance in millimetres calculated at [3]. The RM2 will convert
the distance to a time delay figure. The front left midrange driver will now be "virtually aligned" with the
subwoofer, measured at the driver's head.

When applied in this way to all speakers in the system (note: no delay should be added to the 'zero reference'
speaker), the result is an improvement in the apparent stage position, height, depth and the location and
focus of the performers on the 'virtual stage' that extends across the dashboard.
The final result will depend on several factors, including the accuracy of your measurements and the
directional characteristics and mounting angles of your speakers. As with most things in car audio, a lot of
experimentation is usually required to get the very best results. But that's what makes it such fun, right?!

The UCS PRO has no analog input or output gain controls - gain adjustment is

handled entirely in the digital domain. The maximum signal level that can be handled by the A/D converters is
2.2V.

Select MODE

.

should show in the display. Press ENTER. Now you can set the level for Input

A (typically the left channel) in 0.5dB steps between

30.0dB and

6.0dB by adjusting the rotary control.

Press NEXT and repeat the procedure above for Input B (right channel).

Units

Utility

Delay

Edit Input Gain

Input Gain (Edit Menu):

Parameter & Functions Set-up Guide

Summary of Contents for UCSPRO-RM2

Page 1: ...LTO LTO TM UCSPRO RM2 User s Manual Version 1 1 English PRELIMINARY...

Page 2: ...th your Alto Mobile UCS PRO audio processor Retain for future reference Avoid installing and or using the UCSPRO RM2 in a location that could interfere with the operation of the vehicle or its control...

Page 3: ...signal in a number of ways These include multiband parametric equalization high pass and low pass filters digital channel delay time alignment phase alignment multichannel dynamic control compressor l...

Page 4: ...parameters of the UCS PRO is achieved in one of two ways either by using the UCSPRO RM2 Programmer or by connecting a suitable computer to the 9 pin RS232 serial interface and running Alto s dedicated...

Page 5: ...t on the rear of the UCSPRO RM2 Programmer The connectors are shaped in such a way that they will fit together only when correctly aligned Line up the two terminals carefully and then gently exert eve...

Page 6: ...112b10 or other computer grade extension data cable Ask your Alto dealer or local computer retailer Avoid using a cable length of more than 5 meters with long cables inferior types of cable and in are...

Page 7: ...ntially step through the 4 options Each option provides access to the following parameters accesses the menus for loading and saving presets accesses the menus for adjusting delay time on the input an...

Page 8: ...h Press ENTER The LCD screen now presents you with several options for setting gating on off the attack time and the release time Use the buttons marked with arrows to select from these various option...

Page 9: ...p unless you are sure you no longer want the original set up To Load a preset previously stored in the memory of the UCS PRO select MODE should show in the display with a flashing number below it The...

Page 10: ...other application is to use a very small amount of delay on one channel only this can give an added sense of stereo width that while artificial can provide quite a striking effect Input Delay Delay I...

Page 11: ...river s head When applied in this way to all speakers in the system note no delay should be added to the zero reference speaker the result is an improvement in the apparent stage position height depth...

Page 12: ...on a CD The noise gate cuts signal output whenever the signal level drops below a presetable THR The RG setting dictates the level range through which the gate will remain closed usually this will be...

Page 13: ...typically the right channel Press ESC to quit this mode 5 band full parametric equalization is provided on each of the Input channels Frequency Gain Bandwidth Q and EQ Type can be set independently f...

Page 14: ...ift occurring towards the lower end of the frequency scale Bandwidth adjustment is disabled in this mode This provides an EQ contour typical of that produced by a graphic equalizer It creates a shelve...

Page 15: ...nter frequency can be increased or reduced by 15dB preset in mode Press NEXT to step through each of the 5 bands for Input A following the same procedure as before to set the individual parameters Aft...

Page 16: ...i e filter bypass type with 6dB 12dB 18dB or 24dB per octave slope type with 12dB 18dB or 24dB per octave slope type with 12dB 24dB or 48dB per octave slope Choosing the Linkwitz Riley 48dB octave fi...

Page 17: ...ch one When you have completed all the settings press ESC to quit this mode Which filter settings you should choose will depend largely on the speakers you are using Since it is vital to set up crosso...

Page 18: ...dio head unit and the input stage of your power amplifier s The optimum settings will ensure the lowest possible noise and no distortion While set up by ear is possible the best results will require u...

Page 19: ...ss ESC to quit this mode the selectable values are Normal or medium setting and allowing a choice of 3 reaction speeds combining attack and release times You can choose whether the Comp Limiter reacts...

Page 20: ...elect the threshold from an ever reducing scale the scale can be set to dBu or Volts via the menu The Comp Limiter intervenes compressing or limiting the signal above the level threshold you set here...

Page 21: ...able to the RM2 A feature retained from the pro audio version of the device It allows the current in car temperature to be keyed in using the rotary control The system uses this value to compensate fo...

Page 22: ...Use the rotary control to select or Lock Fig 5 Now use the right arrow key to move down to the password entry box the first digit will flash Think of a memorable 4 digit password can be letters or num...

Page 23: ...led Partial Lock disabled disabled disabled disabled disabled disabled disabled enabled enabled enabled enabled enabled enabled Lock Utility Utility Lock Preset Selection Delay Adjustment All Edit fun...

Page 24: ...pro and car audio versions share the same software but not all the functions are enabled in the hardware of UCS PRO RM2 The following parameters should therefore be ignored PRESET MENU PRESET MENU Ma...

Page 25: ...cts caused by the following conditions are not covered by this warranty Misuse neglect or failure to operate the unit in compliance with the instructions given in the user or service manuals b Connect...

Page 26: ...Tel 886 4 22313737 email info altomobile com Fax 886 4 22346757 All rights reserved to ALTO MOBILE All features and content might be changed without prior notice Any photocopy translation or reproduc...

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