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4. PANEL DESCRIPTION
SPO
TLIGHT
1. FLAT:
This is the "default" MODEL. The frequency response is typical of floor
monitor. This Model suits all the applications where reproduction of the
whole audio content is required.
2. VOCAL 1:
This Model is similar to FLAT model but includes a High-pass Filter
to cut out the selected low frequencies. It is advisable to use this
preset for human voice reproduction. Especially male voice. Also very
good for speech.
3. VOCAL 2:
It is similar to VOCAL 1, but we have added a Low-pass Filter to
remove the selected high-frequencies. In this way, all the acoustic
content is dedicated to the Middle frequencies to get the best possible
reproduction of the human voice for stage monitor applications.
4. GUITAR 1:
This Model has been optimized for electric guitar monitoring. But
it can also be used directly connected to a Guitar Preamplifier making
use of digital effects, modelling, ect, both in MONO and in STEREO
systems.
5. GUITAR 2:
This model is great for Acoustic Guitar. The booming frequencies
of the hollow body guitar are taken away while a gentle crispy touch is
added to compensate lack of high frequencies reproduction from the
pick up. Try it with your Acoustic guitar directly connected to the Input
and you will not need a dedicate amplifier anymore.
6. PIANO:
This model has been created for effective monitor of acoustic piano
but it is also suitable for other keyboards such as Rhodes, the Wurlitzer
and it is also good with Hammond style sounds.
7. D SUB:
In this case we have provided this model with a sharp
high-pass filter so that your MS monitor can be used together with a
subwoofer in DRUMFILL systems.
8. TWIN:
In this Model we have created a low-cut and high-frequencies enhance
-ment with the goal of optimizing the frequency response of the MS
Monitor when more than one unit are used together.
9. STAGE:
Very often Stage Monitors are positioned on suspended floor made
of wood or metal. This Model prevent the nasty resonance on low
frequency produced by such positioning.
10. BOOM:
This model must be used when the monitor is positioned on a
microphone Boom for near-field monitoring.
11. SIDEFILL:
To be used with MS Monitor in sidefill position.
12. ANTIFEEDBACK:
With this Model the frequencies that are responsible for
feedback are reduced sharply.
13. LOUDNESS:
It generates the typical "happy face" curve. To be used with
prolonged listening at low SPL.
