12
5. Preset Functions Descriptions
5.1 Stereo AGC
The
Comp's dynamic process algorithm includes also a stereo Auto-
matic Gain Control (AGC) "block" that, if used, is able to maintain almost
stable during the time the mean amplitude of the input signal, increasing it
when the "average"of the input signal amplitudes seems to be low and decreasing
it when the "average" of the input signal amplitude seems to be too high.
This process is useful when the sound reaching the input of Comp is coming
from different sources having different output levels and it is necessary to
Take good care in adjusting
Comp input and output levels, in order to
satisfy the dynamics needs of both the processed channels. If you don't hear
any sound, try to swap the Input and Output ends of the TRS cable plugged into
the
Comp. Do not use for the
Comp the effects send/return connections found on
most mixers for effect modules, as they could lead to heavy frequency response
alterations.
MONO IN
If you only want to use Comp for a mono input signal and to connect both of
its outputs back to the mixer, you will need three audio cables. Connect a
channel insert from the console to LEFT mono input of the Comp via TRS,
and another audio cable from the LEFT or RIGHT output of the Comp to
an adjacent mixer input.
STEREO IN - STEREO OUT.
This connection is similar to the one described above. However, by utilizing two
TRS and console channel inserts, we can process a couple of signals or a stereo
signal coming ie.
This operation mode is the one used with the
algorithms from 1 to 8, designed
from a keyboard.
to process audio stereo sources as CD.
Improper level setting when using a dynamic processor is the most common cause
of noise and distortion problems
4.4 Rackmount
The most secure mounting is on an "universal" rack shelf, available from
various rack manufacturers or music dealer.
Up to two Comp's may be
mounted side-by-side in a standard universal EIA 19" equipment rack.
the dynamic process operating as "second block" of the algorithm.
"NORMALIZE" the input level of the
Comp to obtain better performances from
SIGNAL
OUTPUT
INPUT
24 32 bit Digital Compressor Module
10
0
10
MASTER
MIXDOWN
JUMPING UP
DANCE
CLEAN
KICK DRUM
ACOUSTIC
AGC PURE
VARIATIONS
1 2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
POWER
CLASSIC 8
CLASSIC 7
CLASSIC 6
CLASSIC 5
CLASSIC 4
CLASSIC 3
CLASSIC 2
CLASSIC 1
Comp
LTO
R
R
T
TM
COMP
BYPASS
SIGNAL
OUTPUT
INPUT
24 32 bit Digital Compressor Module
10
0
10
MASTER
MIXDOWN
JUMPING UP
DANCE
CLEAN
KICK DRUM
ACOUSTIC
AGC PURE
VARIATIONS
1 2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
POWER
CLASSIC 8
CLASSIC 7
CLASSIC 6
CLASSIC 5
CLASSIC 4
CLASSIC 3
CLASSIC 2
CLASSIC 1
Comp
LTO
R
R
T
TM
COMP
BYPASS
ON OFF
ON OFF