Allen Organ Company Renaissance 230, Owner'S Manual

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R-230, -250, -270 SECTION II 9
R-250 STOPLIST
PEDAL ORGAN
Contre Violone 32’ String tone at 32’ pitch.
Diapason 16’ The 16’ member of the Pedal principal chorus.
Strongest pedal flue stop.
Bourdon 16’ Stopped flute tone of weight and solidity.
Lieblichgedackt 16’ Softer stopped flute of delicacy and definition.
(Swell expression) Useful where a soft 16’ pitch is required.
Octave 8’ 8’ member of the Pedal principal chorus.
Flûte 8’ Stopped flute tone of 8’ pitch, useful in adding clarity to a pedal
line in combination with the Bourdon 16’ or Lieblichgedackt
16’.
Choralbass 4’ Pedal 4’ principal tone.
Mixture III Compound stop of principal tones. One pedal produces three
distinct pitches at octave and fifth relationships to the pedal
being pressed. Used to crown the Pedal principal chorus.
Posaune 16’ Sixteen foot reed that lends strength and “snarl” to the Pedal
line.
Tromba 8’ Harmonically full, more like trombone tone than trumpet tone.
Excellent reed chorus voice. Works very well as a solo reed
voice of medium brightness.
Great to Pedal Connects all Great stops to the Pedal.
Swell to Pedal Connects all Swell stops to the Pedal.
MIDI on Pedal Opens MIDI channel to the Pedal.