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WZ16:2DX

 AND 

WZ12:2DX U

SER 

G

UIDE

28

L

L FADER

MONO

AUX SENDS 1-6

R MIX

INSERT

-2dBu

45=5

TIP=  +

TIP=  +

-10dBV

0L[:L]DUG

+
-

+ 4dBu OPTION

+
-

L-R

AUX2

TO MONITOR

AUX1

L MIX

INSERT

POST

PRE

-2dBu

L-R

MONITOR

A-B
LEV

PFL MIX

MONITOR SELECT

EFFECT

AUX2

AUX3

AUX4

AUX5

AUX6

ST1 (EFFECTS)

ST2

STEREO 3-4

STEREO 5-6

ALL UP=  L-R

AUX1

STEREO 1-2

PFL

ACTIVE

AUX MIX

MASTER

TO MONITOR

RI

G

HT

LE

F

T

AU

X

 1-

6

PF

L

RIGHT OUT

R FADER

BAL

2 =  +

+ 4dBu

TIP=  +

TIP=  +

B OUT

LEFT OUT

-2dBu

BAL

2 =  +

L-R

+ 4dBu BAL OPTION

A-B

+ 4dBu

HEADPHONES

A OUT

L

R

LEV

MONITOR METERS

MONITOR

R

TIP=  +

AUX OUT

+ 4dBu BAL OPTION

R

L/MONO

BALANCED

TIP=  +

BALANCED

0dBu

DIRECT OUT

RING=  -

0dBu

TIP=  +

INSERT

RING=  RETURN

TIP=  SEND

PRE-FADE

LF

MF2

MIC/LINE INPUTS

INPUT

DISABLE

2=  +

PAD

-30dBu

+
-

GAIN

FILTER

-

LO-CUT

MF1

HF

4 BAND EQUALISER

POST-ON

PRE-ON

PRE-EQ

POST-EQ

FADER

PFL

ON

PEAK

PAN

POST-FADE

AUX

1

2

PRE

3

4

POST

5

6

P 48V ON

RIAA OPTION

DUAL STEREO INPUTS

R

R

L/MONO

INPUT A

L/MONO

INPUT B

4 BAND EQUALISER

ON

ON

GAIN

GAIN

LF

MF1

HF

MF2

MONO

PRE-ON

PRE-EQ

PRE-EQ

POST-EQ

POST-EQ

PEAK

POST-ON

POST-ON

PRE-ON

MONO

PFL

PAN

MONO

FADER

ON

5

AUX

1

2

POST

3

PRE

4

6

(WZ12:2 ONLY)

-

-

ON

BALANCED

+ 4dBu OPTION

TIP=  +

-10dBV

TIP=  +

-

+

-

+

-

-

TO MONITOR

L-R

AUX1

+

+

FROM EFFECTS

STEREO RETURN 1 (EFFECTS)

STEREO RETURN 2

1-16

EFFECT

1-8

9-16

EFFECT

+

AUX 5

AUX 6

MODE

SINGLE

DUAL

TO STEREO RETURN 1

R

L

EFFECTS

PFL DC

IMPEDANCE BALANCED

ST1 INPUT

L/MONO

R

ST2 INPUT

MONO

IMPEDANCE BALANCED

-2dBu

IMPEDANCE BALANCED

';

DQG

#49=5

';

MONO

PRE

POST

POST

PRE

Summary of Contents for MIXWIZARD WZ12:2DX

Page 1: ...0L L DUG 6HULHV 49 5 2 45 5 6WHUHR XGLR 0L LQJ RQVROHV 8 86 6 5 5 8 8 Publication No AP3429...

Page 2: ...unit to ALLEN HEATH or its authorised agent as soon as possible for repair under warranty subject to the following conditions CONDITIONS OF WARRANTY 1 The equipment has been installed and operated in...

Page 3: ...ating instructions or as marked on the appliance x GROUNDING OR POLARISATION Precautions should be taken so that the grounding or polarisation means of the appliance plug is not defeated A polarised p...

Page 4: ...pond with the coloured markings identifying the terminals in your plug proceed as follows x The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked wi...

Page 5: ...the most efficient service please keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this product SAFETY WARNING Mains electricity i...

Page 6: ...ereo headphones output with auto PFL indicated by a large red LED Monitor switchbank with priority override to select each Aux Stereo return or L R pre or post fader Auxes can be listened to in stereo...

Page 7: ...D 0 O O 6 PRE O AUX 2 O AUX 1 0 6 0 MF1 MF2 LF 60Hz 15 15 15 15 0 60 35Hz 45 15 300 1kHz 0 15 180Hz 0 HF 500Hz 700 1k 15 12kHz 3kHz 15kHz 5k 7k 15 30 20 PAD 10 GAIN 100Hz 30 60 50 30dB 40 10 PEAK L R...

Page 8: ...O 5 O O O O 4 AUX O O 3 AUX O O 2 AUX 1 AUX 0 0 6 0 6 6 PO ST PRE 0 0 6 6 0 6 PE AK L ON R PAN PRE PO ST C 20 30 10 10 O O PAD 20 10 30 60 40 30dB PAD GAIN 30 50 180Hz MF1 MF2 60Hz LF 15 15 45 35Hz 6...

Page 9: ...dBu Headphones TRS jack Tip L Ring R Note Balanced XLR s Pin 2 hot Pin 3 cold Balanced jacks Tip hot ring cold INPUT MIC LINEINPUTS 9 INSERT MadeintheUKbyALLE N HE AT H DUAL 1 16 EF FE CT L M INSERT 1...

Page 10: ...ion and refit the two screws PRECAUTION Do not transport or carry the console with the locking screws removed Do not attempt to remove the connector pod from the console 19 RACK MOUNTING Mount the con...

Page 11: ...phone bodies guitar strings multicore cases equipment panels The same earth is also used to shield audio cables from external interference such as the hum fields associated with power transformers lig...

Page 12: ...etween more affordable 2 wire signal ground unbalanced effects units or signal processors and mixing console may be utilised Refer to the following diagram for unbalanced to balanced connections DEALI...

Page 13: ...e channel direct output taps the signal off post fader pre fader if the internal link option is changed for connection to external processing or recording equipment This is ideal for multitrack record...

Page 14: ...ng for the venue to drive the PA loudspeakers Or connect to a 2 track recorder for studio or location recording Stage Monitor and Cue Sends Set up a pre fade aux mix to send a monitor or cue mix to th...

Page 15: ...result in feedback AUXILLIARY SENDS You can set up to 6 separately balanced mixes using the aux send controls Up to 6dB of boost is available Aux 1 and 2 are set pre fader for monitor sends such as s...

Page 16: ...her MONITOR SENDS to the performers or as EFFECTS SENDS to external signal processing equipment The output can be listened to using the aux master AFL system MONITOR SENDS are normally set pre fader P...

Page 17: ...lifier or recorder input is too sensitive for the console 4dBu output Simply turn down the amplifier or recorder level trim If none is available then insert an attenuator pad between the console and c...

Page 18: ...an engineers listen wedge Here are a few applications of the versatile A B output SING LE DUAL SELECT MO NO 20 30 5 10 0 5 R 10 L 5 6 6 3 4 4 3 5 1 2 2 1 LO CALMO NITO R MONOOUT ALTL RO UT 3 6 9 16 2...

Page 19: ...NAME EFFECT NAME EFFECT 1 Stage 9 Karaoke Stereo Vocal Echo Effect 2 Room 10 Ping Pong L R repeat effect 3 Hall Short Reverbs of increasing length and differing brightness 11 Chorus Stereo chorus eff...

Page 20: ...lding down the BANK key on power up Whilst continuing to hold the BANK key use the SELECT key to step through channels 1 16 The FX1 8 LEDs will light in sequence to indicate MIDI channels then the BAN...

Page 21: ...WZ16 2DX AND WZ12 2DX USER GUIDE 21 This page is left intentionally blank...

Page 22: ...Decay 2 1 10 Damping 7 1 10 Level 15 0 99 16 Ph Rev PH Speed 30 0 99 Depth 90 0 99 Feedback 70 0 97 Level 90 0 99 PL Pre dly ms 30 0 99 Decay 5 1 10 Damping 9 1 10 Level 20 0 99 1 Stage St Pre dly ms...

Page 23: ...redelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 CA Cathedral W 94 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 CA Cathedral H 76 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 Ar Arena W 9...

Page 24: ...dB PAD GAIN 30 50 180Hz MF1 MF2 60Hz LF 15 15 45 35Hz 60 15 HF 1k 500Hz 700 12kHz 15 0 15 0 15 0 1kHz 300 15 0 3kHz 7k 5k 15kHz 15 100Hz AUX O O 6 AUX O O 5 O O O O 4 AUX O O 3 AUX O O 2 AUX 1 AUX 0 0...

Page 25: ...z 30 60 50 30dB 40 10 PEAK L R O N 0 AUX POST O PAN 6 O C 6 0 O O AUX 5 O O 6 0 PRE POST 6 O AUX 4 O AUX 3 0 6 O O 20 30 10 PAD 0 O O 6 PRE O AUX 2 O AUX 1 0 6 0 MF1 MF2 LF 60Hz 15 15 15 15 0 60 35Hz...

Page 26: ...x Stereo in ear monitor mix from LR x Engineers listen wedge from AB output x Engineer speaker similar to musicians x Monitor switches check on stage sound x Aux 5 and 6 used as internal FX sends x FX...

Page 27: ...T1 ST2 INPUT SENSITIVITY The stereo return inputs are set for nominal low level 10dBV operation as is common with much of the external equipment available today The console level controls let you adju...

Page 28: ...SERT RING RETURN TIP SEND PRE FADE LF MF2 MIC LINE INPUTS INPUT DISABLE 2 PAD 30dBu GAIN FILTER LO CUT MF1 HF 4 BAND EQUALISER POST ON PRE ON PRE EQ POST EQ FADER PFL ON PEAK PAN POST FADE AUX 1 2 PRE...

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