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WZ16:2DX

 AND 

WZ12:2DX U

SER 

G

UIDE

11

NO USER SERVICEABLE PARTS INSIDE.

SUPPLY VOLTAGE RANGE:

            100 - 240V

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

47-63Hz ~  30W MAX

WARNING - THIS APPARATUS MUST BE EARTHED.

REFER TO USER GUIDE BEFORE CONNECTING SUPPLY

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.

REPLACE FUSE WITH SAME TYPE AND RATING

WARNING: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE

ATTENTION: REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES.

100 - 240V~     T500mA  250V  20mm

CAUTION

FUSE

OFF

AC MAINS IN ~

ON

~

Connecting Mains Power

Refer to the SAFETY WARNING on page 5 of this Guide.
Check that the correct mains lead with moulded plug has been
supplied with your console.  Read and understand the warnings
and instructions printed on the rear panel and reproduced here.
The power supply accommodates mains voltages within the
range 100-240V without changing any fuses or settings.

It is standard practice to turn connected power amplifiers down
or off before switching the console on or off.  Ensure that the
IEC mains plug is pressed fully into the rear panel socket before
switching on.

E

ARTHING

The connection to earth (ground) in an audio system is important for two reasons:

1.  SAFETY - To protect the operator from high voltage shock associated with the AC mains supply
feeding the system, and

2.  AUDIO PERFORMANCE QUALITY - To minimise the effect of earth (ground) loops which result
in audible hum and buzz, and to shield the audio signals from interference.

For safety it is important that all equipment earths are connected to mains earth so that exposed

metal parts are prevented from carrying high voltage which can injure or even kill the operator.  It is
recommended that the sound engineer check the continuity of the safety earth from all points in the
system including microphone bodies, guitar strings, multicore cases, equipment panels ...
The same earth is also used to shield audio cables from external interference such as the hum
fields associated with power transformers, lighting dimmer buzz, and computer radiation.  Problems
arise when the signal sees more than one path to mains earth.  An ‘earth loop’ (ground loop)
results causing current to flow between the different earth paths.  This condition is usually detected
as a mains frequency audible hum or buzz.

To ensure safe and trouble-free operation please observe the following:

x

  Do not remove the earth connection from the console mains plug.  The console chassis is

connected to mains earth through the power cable to ensure your safety.  Audio 0V is connected to
the console chassis internally.  If problems are encountered with earth loops operate the audio
‘ground lift’ switches on connected equipment accordingly, or disconnect the cable screens at one
end, usually at the destination.  It is useful to carry ground lift cable adapters such as short XLR
male to female leads with pin 1 disconnected.

x

  Avoid running audio cables next to mains, computer or lighting cables, or near thyristor

dimmer and power supply units.  If unavoidable, cross these at right angles.

x

  Use low impedance sources such as microphones rated at 200 ohms or less to reduce

susceptibility to interference.  The console outputs are designed to operate at very low impedance
to minimise interference problems.

x

  Use balanced connections where possible as these provide further immunity by cancelling

out interference that may be picked up on long cable runs.  To connect an unbalanced source to a
balanced console input, link the cold input (XLR pin 3 or jack ring) to 0V earth (XLR pin 1 or jack
sleeve) at the console.  To connect a balanced console output to an unbalanced destination, link
the cold output to 0V earth at the console.

x

  Use professional quality cables and connectors and check for correct wiring and reliable

solder joints.

x

  If you are not sure ... Have your system checked by a competent engineer, or contact your

local Allen & Heath agent for advice.

Summary of Contents for MIXWIZARD WZ12:2DX

Page 1: ...0L L DUG 6HULHV 49 5 2 45 5 6WHUHR XGLR 0L LQJ RQVROHV 8 86 6 5 5 8 8 Publication No AP3429...

Page 2: ...unit to ALLEN HEATH or its authorised agent as soon as possible for repair under warranty subject to the following conditions CONDITIONS OF WARRANTY 1 The equipment has been installed and operated in...

Page 3: ...ating instructions or as marked on the appliance x GROUNDING OR POLARISATION Precautions should be taken so that the grounding or polarisation means of the appliance plug is not defeated A polarised p...

Page 4: ...pond with the coloured markings identifying the terminals in your plug proceed as follows x The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked wi...

Page 5: ...the most efficient service please keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this product SAFETY WARNING Mains electricity i...

Page 6: ...ereo headphones output with auto PFL indicated by a large red LED Monitor switchbank with priority override to select each Aux Stereo return or L R pre or post fader Auxes can be listened to in stereo...

Page 7: ...D 0 O O 6 PRE O AUX 2 O AUX 1 0 6 0 MF1 MF2 LF 60Hz 15 15 15 15 0 60 35Hz 45 15 300 1kHz 0 15 180Hz 0 HF 500Hz 700 1k 15 12kHz 3kHz 15kHz 5k 7k 15 30 20 PAD 10 GAIN 100Hz 30 60 50 30dB 40 10 PEAK L R...

Page 8: ...O 5 O O O O 4 AUX O O 3 AUX O O 2 AUX 1 AUX 0 0 6 0 6 6 PO ST PRE 0 0 6 6 0 6 PE AK L ON R PAN PRE PO ST C 20 30 10 10 O O PAD 20 10 30 60 40 30dB PAD GAIN 30 50 180Hz MF1 MF2 60Hz LF 15 15 45 35Hz 6...

Page 9: ...dBu Headphones TRS jack Tip L Ring R Note Balanced XLR s Pin 2 hot Pin 3 cold Balanced jacks Tip hot ring cold INPUT MIC LINEINPUTS 9 INSERT MadeintheUKbyALLE N HE AT H DUAL 1 16 EF FE CT L M INSERT 1...

Page 10: ...ion and refit the two screws PRECAUTION Do not transport or carry the console with the locking screws removed Do not attempt to remove the connector pod from the console 19 RACK MOUNTING Mount the con...

Page 11: ...phone bodies guitar strings multicore cases equipment panels The same earth is also used to shield audio cables from external interference such as the hum fields associated with power transformers lig...

Page 12: ...etween more affordable 2 wire signal ground unbalanced effects units or signal processors and mixing console may be utilised Refer to the following diagram for unbalanced to balanced connections DEALI...

Page 13: ...e channel direct output taps the signal off post fader pre fader if the internal link option is changed for connection to external processing or recording equipment This is ideal for multitrack record...

Page 14: ...ng for the venue to drive the PA loudspeakers Or connect to a 2 track recorder for studio or location recording Stage Monitor and Cue Sends Set up a pre fade aux mix to send a monitor or cue mix to th...

Page 15: ...result in feedback AUXILLIARY SENDS You can set up to 6 separately balanced mixes using the aux send controls Up to 6dB of boost is available Aux 1 and 2 are set pre fader for monitor sends such as s...

Page 16: ...her MONITOR SENDS to the performers or as EFFECTS SENDS to external signal processing equipment The output can be listened to using the aux master AFL system MONITOR SENDS are normally set pre fader P...

Page 17: ...lifier or recorder input is too sensitive for the console 4dBu output Simply turn down the amplifier or recorder level trim If none is available then insert an attenuator pad between the console and c...

Page 18: ...an engineers listen wedge Here are a few applications of the versatile A B output SING LE DUAL SELECT MO NO 20 30 5 10 0 5 R 10 L 5 6 6 3 4 4 3 5 1 2 2 1 LO CALMO NITO R MONOOUT ALTL RO UT 3 6 9 16 2...

Page 19: ...NAME EFFECT NAME EFFECT 1 Stage 9 Karaoke Stereo Vocal Echo Effect 2 Room 10 Ping Pong L R repeat effect 3 Hall Short Reverbs of increasing length and differing brightness 11 Chorus Stereo chorus eff...

Page 20: ...lding down the BANK key on power up Whilst continuing to hold the BANK key use the SELECT key to step through channels 1 16 The FX1 8 LEDs will light in sequence to indicate MIDI channels then the BAN...

Page 21: ...WZ16 2DX AND WZ12 2DX USER GUIDE 21 This page is left intentionally blank...

Page 22: ...Decay 2 1 10 Damping 7 1 10 Level 15 0 99 16 Ph Rev PH Speed 30 0 99 Depth 90 0 99 Feedback 70 0 97 Level 90 0 99 PL Pre dly ms 30 0 99 Decay 5 1 10 Damping 9 1 10 Level 20 0 99 1 Stage St Pre dly ms...

Page 23: ...redelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 CA Cathedral W 94 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 CA Cathedral H 76 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 Ar Arena W 9...

Page 24: ...dB PAD GAIN 30 50 180Hz MF1 MF2 60Hz LF 15 15 45 35Hz 60 15 HF 1k 500Hz 700 12kHz 15 0 15 0 15 0 1kHz 300 15 0 3kHz 7k 5k 15kHz 15 100Hz AUX O O 6 AUX O O 5 O O O O 4 AUX O O 3 AUX O O 2 AUX 1 AUX 0 0...

Page 25: ...z 30 60 50 30dB 40 10 PEAK L R O N 0 AUX POST O PAN 6 O C 6 0 O O AUX 5 O O 6 0 PRE POST 6 O AUX 4 O AUX 3 0 6 O O 20 30 10 PAD 0 O O 6 PRE O AUX 2 O AUX 1 0 6 0 MF1 MF2 LF 60Hz 15 15 15 15 0 60 35Hz...

Page 26: ...x Stereo in ear monitor mix from LR x Engineers listen wedge from AB output x Engineer speaker similar to musicians x Monitor switches check on stage sound x Aux 5 and 6 used as internal FX sends x FX...

Page 27: ...T1 ST2 INPUT SENSITIVITY The stereo return inputs are set for nominal low level 10dBV operation as is common with much of the external equipment available today The console level controls let you adju...

Page 28: ...SERT RING RETURN TIP SEND PRE FADE LF MF2 MIC LINE INPUTS INPUT DISABLE 2 PAD 30dBu GAIN FILTER LO CUT MF1 HF 4 BAND EQUALISER POST ON PRE ON PRE EQ POST EQ FADER PFL ON PEAK PAN POST FADE AUX 1 2 PRE...

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