background image

For each function you will need the appropriate cable 
connectors.

Example: As line output: stereo jack, tip + ring = hot, sleeve =
mass -> on mono jack.

For special AER link function, see the graphics in chapter 10.

The link function enables all the signals of the amplifiers
connected to be monitored on each amplifier even with diffe-
rent effect settings. The only restriction is that the levels are 
interdependent. But in connection with an active speaker sy-
stem (pre master function, see above) you have a complete 
PA–system which can be easily handled from the stage.

At the 

aux in 

inputs left/ right you can connect a CD/ MD play-

back signal and mix it to the overall signal with the 

aux level

control. The signal is connected to phones as well as to 
L- and R –out.

With the 

presence

control you can influence the tone colour of

the acousti

Cube 3

by damping the whole treble range above 

4 kHz. Thus you have the possibillity of adjusting your 
acousti

Cube 3 

easily  for use with the different instruments

(e.g. violin, classical and steelstring guitar, harmonica, etc.). 
As a factory setting, maximum treble reproduction and trans-
parency were adjusted.

The electronic balanced XLR-output 

di

is for the connection

with a mixing desk. Its output signal is the total output signal,
post-EQ. The 

di-pre post

effect switch allows switching the 

effects to the 

di

signal. With the 

di level

-control the output le-

vel can be adjusted to the mixing desk.

With the 

usb

connection you can connect the acousti

Cube 3

with your PC to change the effect parameters and design your
own effects. Please use the supplied USB A/B cable. For instruc-
tions please read the handbook Manual acousti

Cube 3

Soft-

ware.The 

master control

socket is a DIN–multipin–socket.

Here you can connect the Acousticube footswitch with the sup-
plied DIN–cable.

4.1 Further Operating Elements

Connections to module, rear (left to right, top to bottom)

At the 

tuner

output, a line level is provided. You can connect a

tuner parallel to your instrument without having to reconnect
the instrument or connect the tuner into the signal path. 

At the 

phones

output a stereo headphone-amp with max. 

2 x 100 mW / 32 Ohms provides you with monitoring possibili-
ties. Here the direct signal of channel 1 and channel 2 are mo-
no, but the effect parts are stereo. The master control serves as
volume control. The power amplifier and the loudspeaker are
not in operation.

The 

sub

output is for the connection with the active auxiliary

AER bass-box SUB12/400A. A special filter system relieves the
loudspeaker system of the acousti

Cube 3

.

At 

line out

the total output signal is located. Here you can

connect the active stereo extension AER CX8 and adjust the 
final volume parallel with the master level. 

L–out in connection with the R–out output as pre master total
outputs can be used 

a) as parallel monitor paths or 
b) for direct connection with an AER PA –system such as 
AS281 or AS Q8 in combination with Sub 550D or CX8 in com-
bination with SUB12/400 (pre master function see above).

Record 

ch 1/ ch 2 

bears the unmixed signals of channel 1 + 2,

post EQ, without effect and pre master. Here you have access
to the unmixed channel signals, e.g. for recording purposes.

master insert

The insert effect loop is input and output on a

stereo jack for serial looping of effects with 

tip = send = output and ring = return = input.

You can also use it for:

1. 

one additional line out

2. 

the link between two or more AER amps with insert 
function (AG8, acoustiCube or Compact Classic or 
Domino)

acousti

Cube 3

C

-8-

tuner

phones

sub

line

L-out

R-out

record

ch1/ch2

master

insert

aux in

aux

level

presence

DI

level

notch

di-pre post

effect

DI

USB

master ctrl.

send

return

pan

return

mic input

Caution:

Risk of electric shock.

Do not open.

1=gnd 2=pos 3=neg

made in germany

effect 2

s
p

ser/par

Summary of Contents for acousti Cube 3

Page 1: ...ers addressed much of what is mentioned may be obvious Nevertheless we recommend you take the time to read through the manual That can help us to identify and correct mistakes and ambiguities The acou stiCube 3 is a very complex amplifier yet simple in its basic operation This manual will be constantly updated Please be so kind as to contact us via email info aer amps com so that we can provide yo...

Page 2: ... cautions to reduce to a minimum the risk of injury by fire or el ectric shock Always operate your acoustiCube 3 in a safe place where no one can trip over the cables to avoid accidents or damages Do not operate your acoustiCube 3 near devices with strong el ectromagnetic fields such as large mains transformers genera tors neon lights etc Do not lay the signal cable parallel to power lines Ensure ...

Page 3: ...pressed in line modus for three seconds mic sources with mic level balanced and unbalanced 48V phantom supply 48V for mic function is switched on when mode switch is pressed in mic modus for three seconds E P Electret microphone Piezo pick up mode tip switch for input mode section pad switch to adjust input sensitivity gain input level control colour switch to activate mid range contour filter mut...

Page 4: ... with tone control effect stereo reproduction of external effect and aux in R out line out adjustable via pre master with tone control effect stereo reproduction of external effect and aux in record ch1 ch2 stereo jack tip channel 1 and ring channel 2 including tone control without effect pre master master insert effect loop input return ring output send tip for serial effect looping or connec tio...

Page 5: ... voltage selector switch 115 230V ground lift ground lift switch which disconnects signal ground from protective conductor speaker out socket for passive bass box e g AER SUB 12 250P acoustiCube 3 C 5 Model AcoustiCube 3 S N 040000097 230 115 V Fuse 3 15 A 0 4 0 0 0 0 0 6 7 9 ...

Page 6: ...he active tone control affects the clip control Short flickering is not dangerous Still you should en sure that it stays that way To be on the safe side gain or volu me of the source instrument microphone should be slightly reduced to guarantee perfect and distortion free reproduc tion If necessary you can mute the amp s channel with the mu te control Mute can be operated via footswitch but the ef...

Page 7: ... not on channel 2 Middle internal effect on channel 1 2 As far as it will turn right internal effect on channel 2 not on channel 1 With the return level you determine the effect level of the internal effect If the effect is not necessary set the return level to the zero position as far left as it will turn acoustiCube 3 C 7 program channel pan return 2 1 1 Memory 2 acoustiCube 3 display acoustiCub...

Page 8: ...d DIN cable 4 1 Further Operating Elements Connections to module rear left to right top to bottom At the tuner output a line level is provided You can connect a tuner parallel to your instrument without having to reconnect the instrument or connect the tuner into the signal path At the phones output a stereo headphone amp with max 2 x 100 mW 32 Ohms provides you with monitoring possibili ties Here...

Page 9: ...cient effect 2 In addition a further stereo effect unit called effect 2 can be connected The send socket needs to be connected to the input of the effect unit The return socket is stereo and accepts both output channels of the effect unit An insert cable might be required see Wiring Diagram The effect return and effect pan controls correspond to the controls at the front effect 1 Please consider I...

Page 10: ...oard ME 32 New features Balanced piezo input stage 100 effects two with memory function and switchable via AER footswitch Mute master control function via pedal connection on AER footswitch From 12 1998 New speaker system Beyma 8 BX L New power amplifier with two step limiter 2000 New outfit with WB spatter lacquer From 04 2000 Revised effect chart corrected assignment selectable phaser and combin...

Page 11: ...ch 24 3 Soft small Church 25 4 mid Church 26 5 large Church 27 6 Wood small Church 28 7 mid Church 29 8 large Church 30 9 xlarge Church 31 10 Warm large Church 32 11 xlarge Church 33 12 Marble small Church 34 13 mid Church 35 14 large Church 36 15 xlarge Church Cathedral 37 1 Dark Cathedral 38 2 Warm Cathedral 39 3 Marble Cathedral 40 4 Dark long Cathedral 41 5 Warm long Cathedral 42 6 Marble long...

Page 12: ...cal 75 7 mid Vocal 76 8 long Vocal 77 9 slapback Ambient Refelctions 78 10 Chorus Pgr No Grp No description size time Silky 79 1 warm Warm 80 2 fast Deep 81 3 bright fast Mild 82 4 warm slow Frozen 83 5 Phasing Chorus 84 6 Flanger Pgr No Grp No description size time Flanger 85 1 fast Flanger 86 2 metallic fast Flanger 87 3 silky slow Flanger 88 4 spacy warm Combinations Pgr No Grp No description s...

Page 13: ...rn Master Ctrl Stereo lead balanced e g Footswitch Mono lead unbalanced e g Instrument balanced Mic lead unbalanced Mic lead shield shield sleeve tip ring shield shield shield tip ring sleeve shield 1 2 3 1 2 3 tip tip tip ring ring Special AER Insert Cable look at chapter 10 ...

Page 14: ...res Ch 1 2 volume control mute max 40dB gain reduction effects memory 1 2 toggle effect 1 2 on off EQ Channel 1 bass 10 dB 60 Hz middle 6 dB 600 Hz treble 13 dB 13 kHz colour 3 dB bei 100 Hz 6 dB bei 10 kHz channel 2 bass 12 dB 100 Hz middle 12 dB 1 kHz treble 12 dB 10 kHz presence filter 0 16 dB 10 kHz notch filter 24 dB at 120 Hz BW 12 dB 36 Hz analog signal processing AER low distortion limiter...

Page 15: ...acoustiCube 3 C 15 9 Signal Flow Diagram 1 ...

Page 16: ...acoustiCube 3 C 16 9 1 Signal Flow Diagram 2 ...

Page 17: ...ing insert insert line out send return line out return In case of occupied return socket due to the insert operating you can still loop an external effect using the effect send and the aux in sockets external effect aux in L R amp 1 amp 2 amp 3 amp 1 amp 3 amp 2 l out r out link link pre master ...

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