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ToolMod® Pro-Audio Module System
TM222 Stereo Mastering Compressor

3

This pot determines if and how much the density of the mix modulates the release ti-

me. With low density signals (short peaks only), the LT-INT setting causes no changes 

while with high density signals (constant high levels) the release time is increased. This 

function is similar to the ‚Auto-Release‘ feature of some compressors; however, you 

can adjust the amount of ‚autogain‘ instead of switching over to a preset value. All to 

the left, LT-Int is disabled. The more to the right, the higher is the influence on the 

release time. Please note that the integration time depends on the setting and can be 

up to 25 sec. Therefore, it takes some time before the effect of a changed setting is 

stable. (You can ‚reset‘ LT-Int just by turning the pot all to the left for a second and 

than go back to new setting).

Ratio

The Ratio pot determines the relation between input and output level above threshold 

and  therefore  the  magnitude  of  the  compression.  With  an  input  level  10  dB  above 

threshold and a ratio of 2 the output level is 5 dB above threshold. With a ratio setting 

of 5, 10 dB above threshold is reduced to 2 dB. All to the left, no compression takes 

place. The maximum ratio is 20 : 1. With this setting, the TM222 works as a limiter. 

Practical values for mastering are in the range from 1.2 to about 3.

Gain - controls the output level

The gain pot only controls the output level of the compressor. It does not change the 

compression itself. The control range is 

±

 20 dB. The 0 dB position has a center click 

and is internally calibrated.

Autogain - automatic compensation of the gain reduction

The autogain circuitry keeps the output level constant independent of the THR, Ratio, 

and Attack setting. With autogain you don‘t need to readjust the output gain after a set-

ting has been changed. The AUOGAIN-OFF switch disables the function. The reference 

level for the compensation can be internally adjusted. The factory standard setting is 

+ 6 dBu ~ + 4 dBV. You can specify other levels with the order. Autogain and gain ope-

rate independently. You can manually change the gain if autogain is active or not.

ENV - Envelope, improves low frequency compression performance

Compressing bass signals with short, pump-free release time settings, can cause dis-

tortion due to the regulation within the period time of the bass signal. With short re-

lease times, the ripple rejection of the control voltage that actually is the rectified 

audio signal is low. The ripple on the control voltage causes an additional modulation 

of the audio signal that results in distortion. This physical effect limits the minimum 

pump free release time related to the gain reduction and the spectral density of low 

frequency signals. The envelope circuit improves the performance of the compressor 

by a special filter that reduces the compression of bass signals and increases the re-

lease time with such signal a little. 

Knee – determines the transition into the compression around the threshold level

The Knee pot determines the ratio in the transition range above the threshold. All to the 

left at 0 dB, there is no transition range at all. As soon as the level exceeds threshold, 

it is compressed with the ratio that is determined by the setting of the ratio pot. The 

knee range can be set to a maximum of 12 dB. With this setting, the ratio increases 

from 1 : 1 over a level range of 12 dB to the setting of the ratio pot. Using such a set-

ting with high ratio values can make higher compression possible or reduce the negati-

Summary of Contents for TM222

Page 1: ...2 Stereo Mastering Compressor comes with many additional functions to achieve high loudness gain without the typical compres sor sound The module is best suited for mastering dynamics proces sing and as master compressor for mixing The TM222 is available in horizontal and vertical versions Both ver sions are electrically identically and differ only in the lettering of the faceplate and the orienta...

Page 2: ... Steps 2 to 5 are interim values between the two extremes Use Crest to set the basic characteristic of the compres sor In most cases the interim values 2 to 5 are the best choice The crest setting al so determines the minimum attack and release time This is only important if you se lect RMS or position 5 ATTACK determines the attack time of the compressor This pot determines the attack time of the...

Page 3: ...itry keeps the output level constant independent of the THR Ratio and Attack setting With autogain you don t need to readjust the output gain after a set ting has been changed The AUOGAIN OFF switch disables the function The reference level for the compensation can be internally adjusted The factory standard setting is 6 dBu 4 dBV You can specify other levels with the order Autogain and gain ope r...

Page 4: ...the compressor to modifiy the behavior of the compressor under regulation Like the audio inputs and outputs the side chain insert inputs and output are electronically balanced and have the impedances levels and headroom The side chain output signal is always present while the side chain in sert input is selected by the SIDE CHAIN INSERT switch The O P TO S C switches the signal at the side chain i...

Page 5: ... 2 adjusting the Attack Time Now turn the Attack pot all to the right Due to the very long attack time almost no regulation takes place anymore since it simply takes to long for the compressor to re act Turn the attack pot slowly to the left until you here the compression come up again and find a setting that lets the transient pass thru without causing regulation but is fast enough to fade up the...

Page 6: ...disappears Such a setting is absolutely necessary to increase the density and therefore the subjective impression of higher loudness However with a release time setting in that range another problem appears that limits the minimum release time With short release time settings and low frequencies the control voltage which is actually the rectified audio input signal is no dc voltage but a dc voltag...

Page 7: ... part of the compression characteristic below the threshold and the 2 1 characteristic above threshold is no high enough to cause a big difference in the behavior 8 adding parallel Compression After trying soft knee reduce the threshold and or increase the ratio again and ad just a compression that is a little too high but take care that you make a mental note of the old setting It depends on the ...

Page 8: ...nger attack time setting may cause higher deviations With longer attack times the output level depends on the level of the short peaks that pass the compressor without causing re gulation Therefore the resulting real gain reduction differs from the calculated value that results from the setting of threshold and ratio Without an additional dynamic cir cuit it is not possible to calculate the precis...

Page 9: ...ent left channel 2 connect TRS OUT b EQ compartment right channel with TRS IN b Compressor compartment right channel With these connections the switch SIDE CHAIN INSERT selects the order of equalizer and compressor SIDE CHAIN INSERT not pressed EQ Compressor SIDE CHAIN INSERT pressed Compressor EQ Some notes It is not necessary that eq and compressor are installed next to each other or in the same...

Page 10: ...feedback regulation Important Notes for Feedback Operation The control range of the Ratio pot is different with feedback regulation The maximum Ratio with the Ratio pot all to the right is 3 1 With feedback regulation the O P TO S C switch causes an internal feedback from out put to input DO NOT USE THE O P TO S C SWITCH IF YOU USE FEEDBACK REGULATION ...

Page 11: ...ions in the 1U high and 4U high Frame The above image shows the rear panel of the of a 1U high frame If the module is in stalled in the compartments 1 and 2 the connectors are allocated as follows Input left XLR IN1a Output left XLR OUT1a Input right XLR IN2a Output right XLR OUT2a Side Chain Insert Input left TRS IN1b Side Chain Insert Output left TRS OUT1b Side Chain Insert Input right TRS IN2b ...

Page 12: ...Bu 15 nF 2 kΩ 20 kHz THD 1 26 dBu 20 nF 2 kΩ 20 kHz THD 1 22 dBu CMRR IEC 40 dB 40 Hz 15 kHz Gain internally calibriert to 0 dB 0 3 dB without regulation Fill all to the left Gain 0 dB Gain control range 20 dB the Gain pot controls the output level and does not alter the compression Frequency 3 dB limits 10 Hz to 150 kHz without regulation Response Power Bandwidth for Headroom 30 dBu from 10 Hz to...

Page 13: ...atio Pot LT Int long Time Integration with 0 3 sec Attack Time and adjustable Recovery Time up to 25 sec Increases the static Release Time depending on the density of the Signal Autogain automatic Gain Correction depending on the Threshold Ratio and Attack Settings active at Threshold Setting below 0 dB 6 dBu factory Standard AUTOGAIN OFF disables Autogain Side Chain Insert electronically balanced...

Page 14: ... Conformity Manufacturer Fa Karl Juengling Type of Equipment Audio Signal Processor Product ToolMod Pro Audio Module System consisting of Modules Mounting Frames Power Supply Units and Accessories Compliance Engineer Gerd Juengling Test Basis EN50081 1 1992 EN50082 1 1992 EN61000 3 3 1995 EN60065 1993 Class1 EN61000 3 2 2000 EN60065 2002 EN55013 2001 EN55020 2002 73 23 EWG 93 68 EWG We hereby decl...

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