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MORE INFO
Unlike the previous Dyn eq released by Acustica we decided to separate the INPUT TRIM
for the EQ and Compressor.
The Expander isn’t implemented in this DYN EQ; Pressing the dyneq button the MIX knob
disappears. The main difference with Cobal Dyn Eq is the range; it’s more “limited”/smaller.
This plugin of the suite has some different PRESETS. (Acustica decided to add also a STE-
REO version of Dyn EQ;
How to use it
This is not a restrictive explanation about how to use this Dynamic Eq: it’s just our suggest-
ed operating approach, and we invite you to start from here and follow this guide in order to
become familiar with this processor.
Here’s a short description in three steps:
1) EQUALIZE YOUR TRACK
IVORY5 DynEq includes two different equalizers: EQA (active on the input signal path) and
EQB (active only on internal or external sidechain path). SC button activates the external
sidechain (input channels n.3 & 4).
Set EQA as desired, and activate the preamp stage, if need be. EQ A OUTPUT is an output
gain control, and it is used as a final master volume control.
2) COMPRESS YOUR TRACK AND USE THE SIDECHAIN
Compress your track using the dynamic processor module of Dyn Eq in internal sidechain
mode (activating IN button of EQB module) or external sidechain mode (activating IN but-
tons of EQB and pushing SC button).
The input trim also influences the level of the compressed signal.
3) PRESS DYN EQ BUTTON
When you are satisfied with your sound, press the DYN EQ button located in the Control
section. Now you’re starting from a basic flat setting of the eq.
If the signal is above the threshold level of the compressor and exceeds the RANGE control
value, you obtain up to the maximum of the equalization curve, depending on the indicated
gain reduction value.
As previously explained, the Threshold control sets the threshold level for compression;
then if the signal exceeds the Range value, the Dynamic EQ is triggered.
The RANGE control lets you easily adjust the range of the dynamic eq action by setting the
maximum amount of applied gain change.
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Summary of Contents for IVORY5
Page 1: ......
Page 13: ...Gain 8 4 2 0 2 4 8 Frequency 19 Hz Q 12 Gain 8 4 2 0 2 4 8 Frequency 19 Hz Q 4 12 ...
Page 14: ...Gain 8 4 2 0 2 4 8 Frequency 98 Hz Q shelf Gain 8 4 2 0 2 4 8 Frequency 98 Hz Q 20 13 ...
Page 15: ...Gain 8 4 2 0 2 4 8 Frequency 98 Hz Q 12 Gain 8 4 2 0 2 4 8 Frequency 98 Hz Q 4 14 ...
Page 16: ...Gain 8 4 2 0 2 4 8 Frequency 530 Hz Q shelf Gain 8 4 2 0 2 4 8 Frequency 530 Hz Q 20 15 ...
Page 17: ...Gain 8 4 2 0 2 4 8 Frequency 530 Hz Q 12 Gain 8 4 2 0 2 4 8 Frequency 530 Hz Q 4 16 ...
Page 19: ...Gain 8 4 2 0 2 4 8 Frequency 21 Hz Q 12 Gain 8 4 2 0 2 4 8 Frequency 21 Hz Q 4 18 ...
Page 20: ...Gain 8 4 2 0 2 4 8 Frequency 108 Hz Q shelf Gain 8 4 2 0 2 4 8 Frequency 108 Hz Q 20 19 ...
Page 21: ...Gain 8 4 2 0 2 4 8 Frequency 108 Hz Q 12 Gain 8 4 2 0 2 4 8 Frequency 108 Hz Q 4 20 ...
Page 22: ...Gain 8 4 2 0 2 4 8 Frequency 572 Hz Q shelf Gain 8 4 2 0 2 4 8 Frequency 572 Hz Q 20 21 ...
Page 23: ...Gain 8 4 2 0 2 4 8 Frequency 572 Hz Q 12 Gain 8 4 2 0 2 4 8 Frequency 572 Hz Q 4 22 ...
Page 25: ...Gain 8 4 2 0 2 4 8 Frequency 617 Hz Q 12 Gain 8 4 2 0 2 4 8 Frequency 617 Hz Q 4 24 ...
Page 26: ...Gain 8 4 2 0 2 4 8 Frequency 3 3 kHz Q shelf Gain 8 4 2 0 2 4 8 Frequency 3 3 kHz Q 20 25 ...
Page 27: ...Gain 8 4 2 0 2 4 8 Frequency 3 3 kHz Q 12 Gain 8 4 2 0 2 4 8 Frequency 3 3 kHz Q 4 26 ...
Page 28: ...Gain 8 4 2 0 2 4 8 Frequency 24 kHz Q shelf Gain 8 4 2 0 2 4 8 Frequency 24 kHz Q 20 27 ...
Page 29: ...Gain 8 4 2 0 2 4 8 Frequency 24 kHz Q 12 Gain 8 4 2 0 2 4 8 Frequency 24 kHz Q 4 28 ...
Page 30: ...Gain 8 4 2 0 2 4 8 Frequency 665 Hz Q shelf Gain 8 4 2 0 2 4 8 Frequency 665 Hz Q 20 29 ...
Page 31: ...Gain 8 4 2 0 2 4 8 Frequency 665 Hz Q 12 Gain 8 4 2 0 2 4 8 Frequency 665 Hz Q 4 30 ...
Page 33: ...Gain 8 4 2 0 2 4 8 Frequency 3 6 kHz Q 12 Gain 8 4 2 0 2 4 8 Frequency 3 6 kHz Q 4 32 ...
Page 34: ...Gain 8 4 2 0 2 4 8 Frequency 27 kHz Q shelf Gain 8 4 2 0 2 4 8 Frequency 27 kHz Q 20 33 ...
Page 35: ...Gain 8 4 2 0 2 4 8 Frequency 27 kHz Q 12 Gain 8 4 2 0 2 4 8 Frequency 27 kHz Q 4 34 ...
Page 42: ...Ratio 1 1 Ratio 1 4 41 ...
Page 43: ...Ratio 1 6 Ratio 2 42 ...
Page 44: ...Ratio 3 Ratio 6 43 ...
Page 46: ...IVORY5 IAE 4 The dynamic equalizer IVORY5 IAE 5 The dynamic stereo equalizer 45 ...
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