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WICKS

CM-100

Pipe Organ Module

Page 22

ENGLISH

Family: BOURDONS

Family: BOURDONS

Long name

Display Abbreviation

Chimney Flute 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ChimnyFl8
Quintadeen 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Quintadn8
Rohrflöte 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Rohrflöt8
Rohrgedackt 8' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Rohrgdkt8
Stopped Flute 8' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .StopdFlt8
Stopped Diapason 8' A  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .StpDpsn8A
Stopped Diapason 8' B  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .StpDpsn8B
Quintadeen 5 1/3'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Quintd513
Bourdon 4'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bourdon4
Spindle Flute 4'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SpndlFlt4
Nazardo 2 2/3'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Nazrd223A
Nazard 2 2/3'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Nazrd223B
Tapered Twelfth 2 2/3'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TpdTwl223
Woudfluit 2'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Woudflut2

Family: REEDS

Family: REEDS

Long name

Display Abbreviation

Controbombarda 32'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ctrbomb32
Contra Bombarde 32'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CtrBomb32
Contra Fagotto 32' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CtFagot32
Ophecleide 32' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ophecld32
Bombarde 32'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PdlBmbd32
Bombarde 16'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bombard16
Double Tromba 16'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DbTromb16
Dulciana 16'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Dulcian16
Dulciaan 16'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Dlciaan16
Fagot 16'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fagot16
Fagotto 16' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fagotto16
Fagott 16' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fagott16
Bazuin 16'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PedBazn16
Trompet 16'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PedTrpt16
Posaune 16' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Posaune16
Regaal 16'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Regaal16
Trombone 16' A  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Trombn16A
Trombone 16' B  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Trombn16B
Waldhorn 16'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Waldhrn16
Bombarde 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bombarde8
Clarinetto 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Clarnet8A
Clarinet 8' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Clarnet8B
Corno d'Amore 8' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CornoAmr8
Cornopean 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cornopea8
Echo Trompet 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .EchoTrpt8
Fagotto 8' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fagotto8
Voix Humaine 8' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .FrenchVH8
Hobo 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Hobo8
Hobo d'Amour 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HobodAmr8
Klarinett 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Klarinet8
Kromhoorn 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kromhorn8
Musette 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Musette8
Oboe 8' A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Oboe8A
Oboe 8' B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Oboe8B
Oboe 8' C  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Oboe8C
Orchestral Oboe 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .OrchOboe8
Regaal 8'  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Regaal8

Summary of Contents for Wicks CM-100

Page 1: ...CM 100 CM 100 QUICK REFERENCE GUIDE QUICK REFERENCE GUIDE O R G A N C O M P A N Y by viscount...

Page 2: ...g type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wider blade or the third prong are provided for your safe...

Page 3: ...uction 12 3 2 The whole and split modes 13 3 3 Setting the MIDI channel in whole mode 13 3 4 Setting the MIDI channel in split mode 14 3 5 Additional notes 14 4 Using the Voices Memories 15 4 1 Proced...

Page 4: ......

Page 5: ...s of a pipe organ incorporating the principal physical parameters ie construction geometry materials used and pertaining air pressure etc The fact that the simple reproduction of memorized sound has b...

Page 6: ...re easily accessible on the outside of the instrument The instrument has no internal parts which may be replaced or adjusted in any way by customers In case of malfunction contact only an authorised s...

Page 7: ...e parameter for modification using the cursor keys you can adjust its value by turning this knob Turn the encoder clockwise to increase the value or anticlockwise to decrease o CURSOR S T W X keys the...

Page 8: ...ices respond to the same MIDI channel single manual mo de Press the key to switch on the LED and activate SPLIT multi manual mode in which the instru ment is able to respond to more than one MIDI chan...

Page 9: ...dspeaker as described in point 1 4 of this manual o PHONES connector jack 5 1 4 socket to which a headphone set not supplied can be connected It is important to use good quality headphones with impeda...

Page 10: ...onnectors on the CM100 s rear panel If you have two diffusers system recommended minimum connect them to outputs 1 left diffuser and 2 right diffuser If you have more than two loudspeaker boxes read t...

Page 11: ...ons chapter of the advanced manual 1 4 Positioning the loudspeaker boxes 1 4 Positioning the loudspeaker boxes As mentioned in point 1 2 one of the key features of the CM 100 is the implementation of...

Page 12: ...WICKS CM 100 Pipe Organ Module Page 8 ENGLISH 4 boxes configuration outputs 1 2 3 and 4 5 boxes configuration outputs 1 2 3 4 and 5 6 boxes configuration outputs 1 to 6...

Page 13: ...that occurs in the organ s pipes due to wear over time and variations in temperature The values range from pipes perfectly tuned to 8 maximum pitch instability TRANSP Transposer sets the transpositio...

Page 14: ...particularly impor tant because it was the temperament in normal use in Europe in the 16th and 17th Centuries until the early 18th Century Here are the six temperaments available on the CM 100 WERCKME...

Page 15: ...ll appear on the instrument s display There is one demo track associated to each of the VOICE MEMORY keys simply press the key of the demo you wish to hear and it will start to play The display will i...

Page 16: ...ster instrument which will send it the data necessary for your performance such as the notes to be played the volume the expression and other data This communication takes place by means of the MIDI p...

Page 17: ...ously this mode is particularly useful when the CM 100 is to be controlled using organs which have several manuals each of them with its own stop setup 3 3 Setting the MIDI Reception Channel in WHOLE...

Page 18: ...lue to be changed and then modify it using the encoder Note that When a stop is selected for modification both its value on the display and the light in the rocker Tab switch on the panel flash A stop...

Page 19: ...stop setup you require just press the SET key and keeping it pressed press the key from 1 to 8 of the voice memory of your choice To recall a voice memory simply press the key which contains the progr...

Page 20: ...nd on all six line outputs 5 2 Reverb effect settings 5 2 Reverb effect settings There is a REVERB LEVEL trimmer on the CM 100 front panel When the trimmer is turned to the minimum setting the reverb...

Page 21: ...ted when the LED is on 5 4 T 5 4 Tremulant effect settings remulant effect settings The CM 100 allows you to adjust the two fundamental parameters that set the character of the tremu lant effect the S...

Page 22: ...ection is confirmed by pressing ENTER the display will show For greater convenience the CM100 s voice library has been subdivided into families each containing the voices belonging to a specific type...

Page 23: ...e usual way when you press ENTER the new voice selected will replace the one present in the selected stop To confirm this has taken place the display will show the following video page reminding you t...

Page 24: ...8 Ottava 8 Ottava8 Principal 8 B PedPrinc8 Prestant 8 Prestant8 Principal 8 A Principl8 Prinzipal 8 A Prinzip8A Prinzipal 8 B Prinzip8B Prinzipal 8 C Prinzip8C Open Diapason 8 B SndOpDpn8 Octave 4 A F...

Page 25: ...Harmonic Flute 4 HarmFlut4 Major Flute 4 MajFlute4 Night Horn 4 NightHrn4 Offenfl te 4 Offnfl t4 Spitzfl te 4 Sptzfl t4 Waldfl te 4 Waldfl t4 Flute Twelfth 2 2 3 FlutTw223 Blockfl te 2 Blckfl t2 Picco...

Page 26: ...e 32 CtrBomb32 Contra Fagotto 32 CtFagot32 Ophecleide 32 Ophecld32 Bombarde 32 PdlBmbd32 Bombarde 16 Bombard16 Double Tromba 16 DbTromb16 Dulciana 16 Dulcian16 Dulciaan 16 Dlciaan16 Fagot 16 Fagot16 F...

Page 27: ...B Klaroen 4 PedKlarn4 Schalmei 4 Schalmei4 Shawm 4 Shawm4 Family MIXTURES Family MIXTURES Long name Display Abbreviation Mixture Mixture Family CORNETS Family CORNETS Long name Display Abbreviation Ko...

Page 28: ...WICKS CM 100 Pipe Organ Module Page 24 ENGLISH NOTES NOTES...

Page 29: ...a particular installation If this equipment does cause harmful interference to radio or television reception which can be determinated by turning the equipment off and on the user is encuraged to try...

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