background image

Calibrating Lockout Time for Gate Out 

On the back of the 

PI

, there is a trim 

pot labelled CAL LOCK-OUT. This trim 

pot controls how quickly the 

PI

 is able 

to re-trigger. It has been calibrated to 

a period of 100ms, which is equivalent 

to 10Hz, ten drum hits per second, or 

600BPM. This is known as the “lock-

out period”. 

Figure 14 

shows a 10Hz square wave 

in green being sent to the input of the 

PI

, and the 

Gate

 output of the 

PI 

in 

blue. The 

Sustain

 knob is set to 

minimum. Notice both signals are at 

the same frequency of 10Hz. 
In 

Figure 15

 the frequency of the green 

square wave has increased to around 

12Hz. The 

PI

 

Gate

 output in blue is 

now half the frequency of the input. 

This happens because the 

PI

 has been 

calibrated to ignore frequencies higher 

than 10Hz in order to prevent misfires 

and undesired hits. The 

PI 

is still synchronized with the input 

signal, but it is outputting half the tempo. 

Depending on your preference, the lock-out period can be adjusted. For example, if you find the 

PI

 is 

not responding to very rapid drum hits, you can turn the CAL LOCK-OUT trim pot counter-clockwise a 

small amount. This will allow the 

PI

 to respond to faster drum hits. Keep in mind that this adjustment will 

also increase the potential for extra undesired triggers on the gate output. 

On the other hand, if you typically use an input signal with long 

decays or less frequent hits, you can turn the trim pot clockwise 

to increase the lock-out period and prevent undesired gates. 

This is similar to adjusting the 

Sustain

 knob in order to clean up 

drums with a long decay, but the trim pot doesn’t change the 

pulse width of the 

Gate

 output. Setting the lock-out period with 

the trim pot is useful in 

Gen

.

 mode, as it enables you to adjust 

the 

Sustain

 pot freely to control the envelope shape, without 

worrying about undesired triggers. 

The following procedure explains how to set a precise lock-out 

period. You’ll need a frequency counter, oscilloscope, or some 

way to detect frequency or fast BPMs. We’ll use five hits per 

second, or 5Hz as our desired lock-out frequency. 

1. Tune a square wave or clock signal to the desired frequency 

and patch it into the 

PI

’s input jack. In 

Figure 16

 the input 

signal is a 5Hz square wave in green. 

2. Turn 

Sustain

 down fully, and adjust 

Sensitivity 

so that the 

PI is firing pulses out the 

Gate

 jack. 

3. Adjust the CAL LOCK-OUT trim pot until the 

PI 

gate output 

is half the frequency of the input (2.5Hz). In 

Figure 16, 

the 

blue signal is the 

Gate

 output.  

4. Slowly

 

turn the trim pot counter-clockwise until the

 

frequencies match, as shown in 

Figure 17

At this point, the lock-out period will be 5Hz and no frequencies 

faster than this will generate pulses. You can test to make sure 

this was done correctly by increasing the frequency of the input signal and verifying that 

the 

PI

’s output frequency jumps down to half the input frequency. 

Page   of 

13

16

Figure 14

Figure 15

Figure 17

Figure 16

The trim pot is small 

and delicate, so 

adjust it gently using 

the proper sized 

screwdriver (2.0mm 

flat-head or #00 

Phillips screwdriver).

Summary of Contents for Percussion Interface (PI)

Page 1: ... gain stage options a modular level audio output jack a 1 4 6 35mm input jack and envelope attenuation capabilities The PI Expander connects to the PI with an included ribbon cable and does not require a separate power header The two modules are only available together as a pair Percussion Interface and PI Expander features Sensitivity knob Low Medium High gain switch and clipping LED Sustain cont...

Page 2: ...cks PI Expander 5 Setting Input Gain 6 Using the PI with Various Sources 7 Envelopes in Gen Mode 8 Envelopes in Follow Mode 9 Velocity Sensing 10 Preventing Misfires and Undesired Gates 12 Calibrating Lockout Time for Gate Out 13 Sidechaining with the PI 14 Electrical and Mechanical Specifications 15 My Patch Notes 16 Page of 2 16 ...

Page 3: ...oriented towards the bottom of the module 3 On the back of the PI Expander you will see one 8 pin header Using the provided 8 pin ribbon cable plug one end of the cable to the PI Expander and the other end to the 8 pin header on the back of the Percussion Interface The red stripe on the cable should be orientated towards the bottom of both modules 4 Using the included screws securely attach the Pe...

Page 4: ...um pulse width is 5ms and the maximum is 0 5s Envelope Decay Knob The Env Decay knob sets the decay time of the envelope The envelope has an exponential curve Follow Gen Switch The Follow Gen switch selects between two envelope modes In Gen mode the envelope has a sharp attack followed by a sustain period and an exponential decay The attack and sustain period are synchronized with the gate output ...

Page 5: ...utputs an attenuated inverted envelope signal This jack functions like the Env Out jack located on the Percussion Interface module except that it can be attenuated with the Inv Level knob Audio Out Jack The Audio Out jack outputs an amplified version of the input signal It can be used as a pre amp for microphones or other low level signals to boost them to modular level The gain boost amount is de...

Page 6: ...ithout the PI Expander the gain range can be set using a jumper on the back of the Percussion Interface Note that if the jumper is missing completely the default setting will be MEDIUM GAIN Page of 6 16 L M H switch position Range Use Cases L Low Gain 0 2x gain Best for modular level and some professional line level signals M Medium Gain 0 20x gain Best for instrument line and some low impedance m...

Page 7: ...as possible The HIGH GAIN setting on the PI is typically the best setting for high impedance microphones Low Impedance Microphones Low impedance microphones such as professional vocal or drum microphones typically require setting your PI to MEDIUM GAIN In some situations LOW GAIN and HIGH GAIN settings will perform better so experiment to find the best setting Acoustic drums will often have a long...

Page 8: ...ger the PI In Gen mode it s easy to adjust Sensitivity until unwanted envelopes and gates are no longer generated Another use case for Gen mode is to trigger a PI with one part of a drum say the snare head but not with another part of the drum say the rim By setting the L M H switch and Sensitivity knob appropriately and placing the microphone in a location where it picks up the head louder than t...

Page 9: ...w mode the Decay knob controls how quickly the envelope decays when the input amplitude falls The envelope attack is always very rapid Figure 5 illustrates the envelope shape when Decay is set fully counterclockwise You ll notice the envelope begins to resemble the input source more closely This can be used as an audio output as a frequency modulation source or in other creative ways In Follow mod...

Page 10: ...in to respond to the dynamic range of a normal playing style A basic procedure for finding a good velocity sensitivity range is as follows 1 Flip the switch to Follow 2 Turn Sensitivity all the way up 3 While hitting the drum with maximum velocity turn Sensitivity down until the gate no longer triggers 4 Nudge Sensitivity up until the PI gate begins to fire again At this setting the Env Out and In...

Page 11: ...result in very little signal when the object is struct Attaching it more firmly or to a more firm section of the object can help in this situation Using a standard drum mic attached to a drum is a good way of introducing dynamics to your setup Drum mics are durable and typically easy to attach Clipping a microphone to the rim of a drum will enable you to use the rim as a trigger source more accura...

Page 12: ...second misfire we need to adjust the Sensitivity or Sustain Adjusting Sensitivity In Figure 12 we ve turned the Sensitivity knob down until only one pulse is generated This technique works best when using samplers drum machines or any source with repetitive sounds and consistent amplitudes Adjusting Sustain With input sources of variable or inconsistent amplitude such as an acoustic drum or a live...

Page 13: ...e the lock out period and prevent undesired gates This is similar to adjusting the Sustain knob in order to clean up drums with a long decay but the trim pot doesn t change the pulse width of the Gate output Setting the lock out period with the trim pot is useful in Gen mode as it enables you to adjust the Sustain pot freely to control the envelope shape without worrying about undesired triggers T...

Page 14: ...fires 6 Listen to the audio being ducked as you adjust Inv Level and Env Decay to set the amount of effect and recovery speed When triggered the Inv Out signal will jump low causing the VCA to drop the volume of the audio As the inverted envelope decays it rises back to its resting voltage and the audio source increases in volume The Inv Level knob controls the amount of decrease in the audio sign...

Page 15: ... 54dB 500x Clip light turns blue when signal post gain exceeds 2 5Vpp Gate is triggered when signal post gain exceeds 6 3Vpp Clip light flashes red when signal clips on Audio Out jack exceeds 10 8V Gate Out jack 1k output impedance 8V gate trigger signal 6ms 0 5s pulse width Env Out jack jack on PI main module 1k output impedance 9V peak sustain 60mV resting off 15ms attack time 70ms 6s exponentia...

Page 16: ...My Patch Notes Page of 16 16 Env Level Inv Level Env Out Inv Out Audio Out Input PI EXPANDER PERCUSSION INTERFACE IN Sensitivity Sustain Env Decay Follow Gen Gate Env Out ...

Reviews: