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INS Header 

A three-pin header labeled 

INS

 on the back of the 

Listen Four Quarters

 allows you to 

connect another module as an auxiliary stereo input. Whatever signal is fed into the header 

will appear on the outputs without any attenuation. The 

INS

 header has pins for the left 

channel (bottom pin), right channel (top pin), and ground (center pin). The input impedance is 

47k. 
A typical use would be to daisy-chain multiple 

Listen

 modules to create a mixer with eight or 

more channels. To do this, the 

OUTS

 header on one module is connected to the 

INS

 header 

on the other module. See the 

Daisy-chaining

 section for details. 

OUTS Header 

A three-pin header labeled 

OUTS

 on the back of the module allows you to send the main 

output mix to another module with a compatible header. The pin order and pin dimensions of 

this header are the same as the 

INS

 header (see previous section). The output impedance is 

1k. It will not damage the circuitry if the pins are shorted to ground. 
The 

Main Level 

knob controls the level on the 

OUTS 

header. The main outputs and 

headphones outputs are unaffected by the use of the 

OUTS 

header. 

Daisy-chaining 

Multiple 

Listen

 modules can be connected to form 

a large mixer. For example, connecting two 

Listen 

Four

 modules creates an eight channel stereo 

mixer: the four inputs of the first 

Listen Four

 are 

added to the four inputs of the second 

Listen Four 

(see photo on the left).  

You can daisy-chain as many modules as you 

want. Connecting a 

Listen Four Quarters

 after 

the two 

Listen Fours

 in the example above will 

create a 12 channel mixer with 1/4” balanced 

outputs, and two sub-mix outputs. 

You can also connect a 

WAV Recorder 

module to 

the end of a chain of 

Listen 

modules, allowing you 

to record the main outputs without using patch 

cables. 

How to Daisy-chain 

To daisy-chain two modules, use a 3-pin cable to connect the 

OUTS

 header of one module to the 

INS

 header of 

another. You can continue to connect more modules in the same way, 

OUTS

 to 

INS

A suitable connecting cable can be purchased from 4ms Company or many of our dealers. You also can find or 

create your own cable. The cable must fit a single row of three pins with a pin spacing of 0.1” (2.54mm). The pins 

are 0.2” tall (5mm), which is the same spacing, size and length as the pins on standard Eurorack power headers. 

Make sure the same color wire is on top on both sides of the connecting cable. If one side is reversed, the left and 

right channels will be reversed (though no damage or malfunction will occur).  

Main Mixes and Sub-mixes

 

The 

Main Level

 knob controls the level that’s passed to the next 

Listen

 module via the 

OUTS 

header. By 

patching related signals into the same 

Listen

 module, you can create sub-mixes with a single knob for level 

control.  

For example, see the photo above. Two 

Listen Four

 modules are connected such that one module’s 

OUTS

 

header connects to the other module’s 

INS

 header. Let’s say you patch some polyrhythmic drum sounds into the 

first 

Listen Four

, and patch some processed field recordings into the second 

Listen Four

. The output jacks on 

the second 

Listen Four

 will be a mix of everything (the drums and field recordings), and the 

Main Level

 knob will 

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Summary of Contents for Listen Four Quarters

Page 1: ...th mono inputs and a Pan knob Headphone and main 1 4 outputs each with separate Level knob Balanced TRS outputs switchable to stereo Line level output driver with zero impedance capable of driving long cables Low noise cross talk and bleed through Anti pop feature that silences pops and thumps when the power is turned on Headers in back allow for connecting to other Listen Four or Listen Four Quar...

Page 2: ...e Listen Four Quarters with the red stripe on the power cable orientated towards the bottom of the module Note The Listen Four Quarters is reverse polarity protected but incorrectly connecting any module can damage any other on the power bus 3 Using the included screws securely attach the Listen Four Quarters to the rails of your case 4 Power on your Eurorack system Setting up your Listen Four Qua...

Page 3: ...sound source being a consistent distance from the listener as it pans around Channels 3 and 4 Stereo inputs Channels 3 and 4 each have left and right input jacks Patching a stereo signal into these jacks will accurately maintain the stereo image as the signal is mixed into the outputs If you patch a mono signal into the left jack and nothing into the right jack the mono signal will appear on both ...

Page 4: ...ck while the switch is flipped to Stereo TRS the right channel will be grounded and muted This means the right jack will no longer output properly Therefore flip the switch to Balanced if you are using mono cables Besides this potential grounding of the right signal via a mono cable in the left jack no change to the right jack happens when the switch is flipped to either position the right jack al...

Page 5: ... the two Listen Fours in the example above will create a 12 channel mixer with 1 4 balanced outputs and two sub mix outputs You can also connect a WAV Recorder module to the end of a chain of Listen modules allowing you to record the main outputs without using patch cables How to Daisy chain To daisy chain two modules use a 3 pin cable to connect the OUTS header of one module to the INS header of ...

Page 6: ...ten Fours and a WAV Recorder are daisy chained by connecting the OUTS to INS headers This creates an eight channel mixer with a stereo recording of the main mix The photo on the right shows a twelve channel mixer with stereo recording of the main mix Patching into any of the twelve channels will pass the signal to the 1 4 outputs as well as the WAV Recorder No cables need to be patched between mod...

Page 7: ...els 1 and 2 4 4dB hard panned 9 1dB center panned Maximum gain of channels 3 and 4 and INS header 7 5dB Channel bleed through Main Level attenuation Test conditions Test signal input into each channel with Level knob at 100 Frequencies from 20Hz to 20kHz tested Result given as a ratio of the signal measured on main output jacks with Main Level knob at 0 to the signal measured with Main Level knob ...

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