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Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and
do not indicate any affiliation with ZOOM CORPORATION.
All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.

ofessional Settings

Demo

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ofessional Settings

BANK / PATCH

CATEGORY

BANK / PATCH

CATEGORY

PATCH NAME

COMMENT

PATCH NAME

COMMENT

Crunch

High Gain

Clean

Legendar

y T

one

Distortion from the DZ DRIVE effect is used to create this modern UK rock sound.
Delay, reverb and chorus combine to create a dreamy atmosphere.
A traditional sound like you can hear in the Memphis, Tennessee, part of the blues heartland.
AutoWah effect, fun sound.
This modern heavy sound even works with down-tuning and also cuts noise well.
The StereoCho effect contributes to this majestic reverb sound.
The settings of this patch add the fluctuating sound of a phaser to a sharp, clean tone.
A simple smooth lead tone perfect for light smooth jazz. T Scream and Comp are combined for perfect sustain.
The Aco.Sim was utilized to get a nice clean authentic acoustic sound. HD Hall was added for the space.
This grand sound uses the ParticleR effect.
All purpose clean sound with compression and reverb.
Shimmering chorus with pushed clean tone.
Cleaner style guitar designed for single coil pickups.
This incredibly clean arpeggio sound uses the Aco.Sim effect. Have fun playing celebrated arpeggios with it.
This funky sound will make you want to play rhythmically. The Spring63 effect is the key.
This modulation sound uses TheVibe to create a floating feel.
Perfect sound for the country in you. A little slapback delay combined with a little Comp works well.
ModReverb gives this sound its depth.
A simple rockabilly slap, but the tape delay sustained chords have a slight warbling modulation.
AutoWah is the secret to this funky sound. Add a little SuperCho and Comp and it gets funkier!
The rich and clean tone of this patch resembles that made by a massive rack system. The delay mix is assigned to the pedal.
Clean sound designed for lush raked chords.
FX style guitar for cool bridge and down sections.
This acoustic sound uses the Aco.Sim effect. By using the 160 Comp, this patch can be used for playing ranging from rapid chord strokes to arpeggios.
Ethereal type sound for ambient guitars.
This re-creates a natural guitar sound. Turn off its low-key reverb if you want a truly naked tone.
Spring63 and Tremolo are used in this tone that evokes a Spaghetti Western atmosphere.
Turn this clean rock sound into a distorted sound by turning the Dist+ effect ON.
A mild clean tone just right for jazz.
This 12-string guitar sound has a 60s feel.
British style lighter crunch guitar.
Great straightforward Orange amp tone.
Utilizing the Cry pedal and the T Scream together, you get a Frampton-like tone for some funky lead work.
Marshall type, crunchy tone, another British style option.
A classic 80's distortion tone with a touch of chorus for this perfect nostalgic sound.
This backing sound is good for recording at home. ZNR is used to reduce noise.
Big British style rhythm guitar.
This recreates the distinctive riff sound used by Lenny Kravitz in "Are You Gonna Go My Way". Turn the Flanger ON for the interlude sound before the guitar solo.
Adjust the tempo to match the song when using this sound for dotted eighth note tap delay performances.
This dirty rhythm guitar sound uses a NoiseGate.
Plenty of spring reverb for that Dick Dale tone.
Classic Hiwatt tone with subtle delay.
This setting is good for blues sessions. By using the built-in rhythm pattern, you can, for example, practice session playing by yourself.
Using the VX COMBO model, this re-creates the noted UK sound used in "Creep" by Thom Yorke, vocalist and guitarist of Radiohead.
Nice simple driven tone with subtle delay.
Funky auto wah with a rotary twist.
TapeEcho and Spring63 effects are used in this wet crunch sound.
Another British tone, classic rock.
This sound in the style of James Valentine, the guitarist of Maroon 5, re-creates the crunchy, cutting sound with heavy compression that he uses in "This Love".
FilterDly with Delay.

MUSEUM

Duermete

Blue Lead

AUTOWAH

Down Heavy

ChorusPad

PhasrFunk

Jazzy Lead

Acoustix

Supernova

CLEAN

CORONA

STRATTY

Clean Arp

Just Funk

CrystalVib

Pic Chic

Rev Dream

TapeSlap

Funky Duck

Big Rack

RAKE

TRIPY

ACO

StRahht

Natural

SPAGHETTI

GardenRock

CleanJazz

YELLOW 12

BritCombo

Talk Funk

MS STACK

80s Rhythm

REC.POP

FAT RHYTHM

KRAVITZ

Tap Delay

GIRL

SURF

CLASSIC

B.SESSION

YORKE

SIMPLETONE

FunkRotary

WHITE

ORG CRUNCH

VALENTINE

FILTER$

Another bigger guitar tone for pedal single-tone lines and chug-chug riffs.
Heavy rock sound great for lead and rhythm parts.
Big guitar sound, great for big chords, heavy rock/rock tone.
Straight ahead heavy rock sound.
Zakk Wylde's doubling style is simulated with this metal sound.
Modern style big guitar for heavier music.
Pretty obvious homage to a master.
This simple setting uses the BG DRIVE effect for a heavy sound in the alternative rock style of the Foo Fighters.
In the style of Jimi Hendrix, this sound calls up the spirit of Woodstock using FuzzSmile and TheVibe.
As its name suggests, this sound is perfect for shredding speed metal riffs.
Use the front pickup on the guitar with this tapping sound that is in the style of the intro to Mr. BIG's Green-Tinted Sixties Mind.
A distortion effect is key to the flashy sound of LA metal. Add a little delay to increase the atmosphere.
This sound designed for rapid playing, especially full picking.
This is a 90s sound in the style of Pantera with emphasized highs and lows.
Big lead guitar sound with reverb.
GreatMuff pushed through TONE CITY with some CarbonDly creates this awesome sound.
This volume-boosting sound is perfect for tapping. Turn the Hall ON if you want an even more pleasant tone.
Distorted sound good for octave playing in rock.
This patch is specialized for rapid legato playing. If it is still not enough for you, turn the 160 Comp effect ON!
This long delay sound is ideal for guitar solos.
A complex sound combining four types of powerful effects that is good for beat makers and producers who want to add some guitar.
A high-quality bass simulator that can also be used to create loops.
Fun auto harmony tool for guitar—don't go too crazy!
PitchSHFT combined with CoronaTri gives a gorgeous sound like a 12-string guitar.
A slow-attack symphonic sound great for layering and adding warmth to existing guitar parts on a recording.
Soundscape evolving reverb sound.
This octave sound creates an eerie atmosphere with emphasized low frequencies.
SeqFLTR fun combined with CarbonDly.
Delay and ParticleR through a Z Clean sound for creating an ethereal soundscape.
Using Octave and Cry, this sound is like an analog synth filter.
This clean sound has a strong sense of compression. You can turn the amp model off to further emphasize a line input feeling.
This standby crunch sound uses the DELUXE-R effect. The dotted-eighth note delay effect at the end of the chain is OFF, ready to be turned ON when you need it.
Using the FD VIBRO effect, this crunch sound is great for Texas blues. Turn T Scream ON for a perfect lead sound.
Using the US BLUES effect with some compression, this crunch sound is good for country music.
This Beatles style crunch sound combines VX COMBO with chorus.
This is a crunch sound in the "white blues" style exemplified by Eric Clapton. Turn the Booster ON for a lead sound.
Using VX JMI for a boost, this drive sound evokes 70's British rock. Turn the StereoDly ON to re-create the solo sound of Queen's Brighton Rock.
This lead sound uses BG CRUNCH and features a long sustain and dense mid-frequencies.
This crunch sound creates the cabinet tone of a compact combo amp. The HD Hall effect adds a rich reverb.
Use the volume knob on your guitar to control this rock sound that can be transformed from clean to driven.
The combination of TANGERINE and GreatMuff effects create this alternative rock sound.
This octave guitar sound combines MS 1959 and Octave effects.
HW STACK and ReverseDL together make this reverse delay sound.
Using the MATCH 30, Rt Closet, and Hall pedals you get the perfect leslie sound.
This distorted phaser sound, which combines TONE CITY and Phaser effects, can be used to add accents to songs.
MS DRIVE and Flanger are used together in this jet-like sound.
This modern high gain sound is perfect for playing heavy riffs.
This re-creates a rich lead tone that is indispensable to the LA sound.
Use this orthodox seven-string guitar and rectifier sound for a wide range of riffs from fast to groovy.
Powerful and tons of sustain! The REVO-1 amp feature gets a nice hard rock lead tone.