Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l’harmonie vocale
Tyros5 Data List
65
Vocal Effect Type List
Harmony Assign Parameters
ScaleDiatonic
This generates harmonies based on the scale specified by the KEY ROOT/TYPE value and the degree specified by the DEGREE value. The harmonies are not
dependent on a chord. If there are many notes, the chord feeling intensifies, so it is suitable for use as duets, fixed at a third above. This setting is good for
modal church music or modal jazz.
Parallel
This can reproduce harmonies for which semitone pitches are fixed 4th build or diminished sounds, for example. This setting is good, for example, in modal
jazz scales (when you want to eliminate chordal feeling) or in progressive music.
Type Name
Description
MSB
LSB
ROMANTIC REV
(Romantic Reverb)
Long reverb for vocal part. Romantic image.
1
0
80sPOP REV
(80s'Pop Reverb)
Long reverb for vocal part. 80's pop image.
1
16
ROOM
Reverb simulating the acoustics of a room.
2
0
STAGE
(Concert Stage)
Reverb simulating the concert stage.
3
0
PLATE
Reverb simulating a plate reverb unit.
4
0
VCL DOUBLE
(Vocal Doubler)
Immediate delay with center focused feeling.
5
16
SPREAD
(Stereo Spread)
Immediate delay with spread feeling.
5
17
DELAY
Produces simple delayed sounds: L,R, and C (center).
5
0
SHORT DELAY
Produces short delayed sound with narrow image.
5
1
R&R DELAY
(Rock&Roll Delay)
Produces slap back echo sound. Good for Rock&Roll music.
5
18
CROSS DELAY
The feedback of the two delayed sounds is crossed.
8
0
TEMPO DELAY
Tempo-synchronized delay.
21
0
TEMPO CROSS
(Tempo Cross Delay)
Tempo-synchronized cross delay.
22
0
CHORUS
(Chorus)
Conventional chorus program with rich, warm chorusing.
66
0
EQ HI-FI
Equalizer effect that boosts both high and low frequencies.
76
16
EQ TEL
Equalizer effect that cuts both high and low frequencies.
76
0
GRAMOPHONE
Produces Lo-Fi sound with gramophone image.
94
0
ROBOT
Produces Lo-Fi sound with robotic image.
94
16
OVERDRIVEN
Produces overdriven sound. Good for rock and dance music.
98
0
SCREAM&SHOUT
Produces heavy distorted sound.
98
16
TEMPO FLANGE
(Tempo Flanger)
Tempo-synchronized flanger.
107
0
TEMPO PHASER
Tempo-synchronized phaser.
108
0
TEMPO A.PAN
(Tempo Auto Pan)
Tempo-synchronized auto pan.
121
0
NO EFFECT
No effect.
0
0
Parameter
Value
Description
TRANS.MODE
0
Assigns the harmony to the octave range centered around the pitch of the played note.
* These are effective only when
Vocoder or Vocoder-Mono is
selected in Mode.
Auto
Assigns the harmony to the same octave range as the vocal (microphone) input.
-3
Assigns the harmony to a range roughly 3 octaves below the pitch of the played note.
-2
Assigns the harmony to a range roughly 2 octaves below the pitch of the played note.
-1
Assigns the harmony to a range roughly 1 octave below the pitch of the played note.
1
Assigns the harmony to a range roughly 1 octave above the pitch of the played note.
2
Assigns the harmony to a range roughly 2 octaves above the pitch of the played note.
3
Assigns the harmony to a range roughly 3 octaves above the pitch of the played note.
SESSION TABLE
Normal
The chord designation is used as shown. This is for general use in conventional music genres.
* These are effective only when
a Chordal Type other than
Scale Diatonic or Parallel is
selected.
Simple
Tends to add a simpler harmony. Use this when you need simple accompaniment.
R&R
Tends to add harmony with a strong major 6th in both major and minor triads. This is good with rock ‘n’ roll music.
UrbanA
Tends to add harmony with a strong major 6th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel.
UrbanB
Tends to add harmony with a strong major 7th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel.
Blues7
Tends to add harmony with a strong minor 7th. This is good for blues music.
UrbanC
Tends to add harmony with a strong major 9th to both the major and minor triads. This is good for a sophisticated, urban feel.
KEY ROOT
Determines the root key for the transposition. Refer to the Reference Manual.
* These are effective only When
the Chordal Type parameter is
set to Scale Diatonic.
KEY TYPE
Determines the scale type for the transposition. Refer to the Reference Manual.
* These are effective only When
the Chordal Type parameter is
set to Scale Diatonic.
Type Name
Description