36
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your
listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend
on what you will be listening to), and adding desired adjustments.
In addition, this unit incorporates a Dolby Digital (AC-3) decoder and a Dolby Pro Logic Surround decoder for multi-channel sound
reproduction of sources encoded with Dolby Surround. The operation of these decoders can be controlled by selecting a
corresponding DSP program including a combined operation of the YAMAHA DSP and the Dolby Digital (AC-3) or the Dolby Pro
Logic Surround.
For details about digital sound field programs, see page 40 to 41.
PLAYING A SOURCE WITH AN EFFECT OF THE DIGITAL SOUND FIELD
PROCESSOR (DSP)
1
Follow steps 1 – 7 shown in “BASIC OPERATIONS” on
pages 28 to 29.
2
Select the desired program that is suitable for the
source.
* The name of selected program lights up on the display panel
and the monitor screen.
3
If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on page 38 and 39.)
Notes
●
Program selection can be made to individual input sources.
Once you select a program, it is linked with the input source
selected at that time. So, when you select the input source
next time, the same program is automatically called.
●
If you prefer to cancel the DSP, press the EFFECT button.
The sound will be the normal 2-channel stereo without
surround sound effect.
●
When a monaural sound source is played with DOLBY PRO
LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is
heard from the main speakers and the rear speakers.
Sound is heard only from the center speaker. However, if
the center channel mode is in PHANTOM, the main
speakers output the sound of the center channel.
●
When this unit’s Dolby Pro Logic Surround decoder or Dolby
Digital decoder is used, if the main-source sound is
considerably altered by overadjustment of the BASS or
TREBLE control, the relationship between the center and
rear channels may produce an unnatural effect.
DIGITAL/
PRO LOGIC
ENHANCED
MOVIE
THEATER
TV
SPORTS
STADIUM
STANDBY/ON
NATURAL SOUND AV RECEIVER
SPEAKERS
PHONES
A
ON
OFF
ON
OFF
B
BASS
TREBLE BALANCE
VIDEO AUX
S VIDEO
VIDEO
L AUDIO R
VOLUME
5
5
4
3
2
l
0
l
2
3
4
5
5
4
3
2
l
0
l
2
3
4
L
R
l6
20
28
40
60
l2
8
4
2
0
–dB
BASS
EXTENSION
TONE
BYPASS
CINEMA DSP
5
5
4
3
2
l
0
l
2
3
4
DELAY/CENTER
/REAR/SWFR
FM/AM
MAN’L/AUTO FM
TUNING
MODE
AUTO/MAN’L MONO
SET
MENU
DISCO
CONCERT
HALL
ROCK
CONCERT
EFFECT
CHURCH
JAZZ CLUB
DOWN TUNING UP
MEMORY
EDIT
VCR
DVD/LD
TV/DBS
TAPE/MD
MONITOR
VIDEO AUX
TUNER
CD
PHONO
A/B/C/D/E
1
2
3
4
5
6
7
8
2
B
DVD/LD
V-AUX
PHONO
EFFECT
ON/OFF
TV/DBS
C
DISC
STOP
PRESET
A/B/C/D/E
DIGITAL/
PRO LOGIC
ENHANCED
MOVIE
THEATER
1
2
3
SPORTS
STADIUM
DISCO
TV
4
5
6
ROCK
JAZZ CLUB CHURCH
7
8
9
HALL
TIME/LEVEL
SET MENU
DELAY
CENTER
REAR
SWFR
TEST
SLEEP
0
+10
2
ROOM 2 CONTROL
NORMAL WIDE PHANTOM
AUTO
SPEAKERS
PRO LOGIC
A
SPEAKERS
B
Front panel
Remote control
DIGITAL/
PRO LOGIC
ENHANCED
MOVIE
THEATE
DISCO
ROCK
CONCERT
JAZZ CLU
1
2
3
SPORTS
STADIUM
DISCO
TV
4
5
6
ROCK
JAZZ CLUB CHURCH
7
8
9
HALL
0
DIGITAL/
PRO LOGIC
ENHANCED
MOVIE
THEATER
or