Yamaha PortaTone PSR-8000, Руководство пользователя

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Using the Accompaniment Section
●
FINGERED 1
The FINGERED 1 mode lets you finger your own chords on the AUTO ACCOMPANIMENT section of the keyboard,
while the PSR-8000 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected
style.
The FINGERED 1 mode will accept the following chord types:
• Notes in parentheses can
be omitted.
• If you play any three
adjacent keys (including
black keys), the chord
sound will be canceled
and only the rhythm in-
struments will continue
playing (CHORD CAN-
CEL function).
• Playing a single key or
two same root keys in the
adjacent octaves pro-
duces accompaniment
based only on the root.
• A perfect fifth (1 + 5)
produces accompaniment
based only on the root
and fifth which can be
used with both major and
minor chords.
• The chord fingerings
listed are all in “root”
position, but other inver-
sions can be used — with
the following exceptions:
m7, m7
b
5, 6, m6, sus4,
aug, dim7, 7
b
5, 6(9),
m7_11, 1+2+5.
• Inversion of the 7sus4
chord is not recognized if
the 5th is omitted.
• The AUTO ACCOMPANI-
MENT will sometimes not
change when related
chords are played in
sequence (e.g. some
minor chords followed by
the minor seventh).
• Two-note fingerings will
produce a chord based
on the previously played
chord.
Chord Name [Abbreviation] Normal Voicing
Major [M] 1 - 3 - 5
Add ninth [(9)] 1 - 2 - 3 - 5
Sixth [6] 1 - (3) - 5 - 6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6
Major seventh [M7] 1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7
Major seventh add sharp eleventh [M7(
#
11)] 1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
Flatted fifth [(
b
5)] 1 - 3 -
b
5
Major seventh flatted fifth [M7 b 5] 1 - 3 - b 5 - 7
Suspended fourth [sus4] 1 - 4 - 5
Augmented [aug] 1 - 3 -
#
5
Major seventh augmented [M7aug] 1 - (3) - # 5 - 7
Minor [m] 1 -
b
3 - 5
Minor add ninth [m(9)] 1 - 2 -
b
3 - 5
Minor sixth [m6] 1 - b 3 - 5 - 6
Minor seventh [m7] 1 -
b
3 - (5) -
b
7
Minor seventh ninth [m7(9)] 1 - 2 -
b
3 - (5) -
b
7
Minor seventh eleventh [m7(11)] 1 - (2) - b 3 - 4 - 5 - ( b 7)
Minor major seventh [mM7] 1 -
b
3 - (5) - 7
Minor major seventh ninth [mM7(9)] 1 - 2 -
b
3 - (5) - 7
Minor seventh flatted fifth [m7 b 5] 1 - b 3 - b 5 - b 7
Minor major seventh flatted fifth [mM7
b
5] 1 -
b
3 -
b
5 - 7
Diminished [dim] 1 -
b
3 -
b
5
Diminished seventh [dim7] 1 - b 3 - b 5 - 6
Seventh [7] 1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
Seventh flatted ninth [7(
b
9)] 1 -
b
2 - 3 - (5) -
b
7
Seventh add flatted thirteenth [7(
b
13)] 1 - 3 - 5 -
b
6 -
b
7
Seventh ninth [7(9)] 1 - 2 - 3 - (5) -
b
7
Seventh add sharp eleventh [7(
#
11)] 1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b 7
Seventh sharp ninth [7(
#
9)] 1 -
#
2 - 3 - (5) -
b
7
Seventh flatted fifth [7
b
5] 1 - 3 -
b
5 -
b
7
Seventh augmented [7aug] 1 - 3 -
#
5 -
b
7
Seventh suspended fourth [7sus4] 1 - 4 - (5) -
b
7
One plus two plus five [1+2+5] 1 - 2 - 5
Display for root “C”
C
C(9)
C6
C6(9)
CM7
CM7(9)
CM7
#
11
C( b 5)
CM7
b
5
Csus4
Caug
CM7aug
Cm
Cm(9)
Cm6
Cm7
Cm7(9)
Cm7_11
CmM7
CmM7_9
Cm7
b
5
CmM7
b
5
Cdim
Cdim7
C7
C7(
b
9)
C7 b 13
C7(9)
C7
#
11
C7(13)
C7(
#
9)
C7
b
5
C7aug
C7sus4
C1+2+5