manualshive.com logo in svg

Yamaha PM5D, Брошюра и характеристики, Страница: 12 / 14

Поделиться
Скачать
Yamaha PM5D Скачать руководство пользователя страница 12

DSP5D GENERAL SPECIFICATIONS

Internar Signal Processing

32-bit (Accumulator 58-bit) 

Sampling Frequency

Internal

44.1kHz, 48kHz, 88.2kHz, 96kHz

External

Normal rate: 44.1kHz — 48kHz
Double rate: 88.2kHz — 96kHz

Signal Delay

Less Than 2.3ms INPUT to OMNI OUT (@ Fs = 48kHz) 
Less Than 1.15ms INPUT to OMNI OUT (@ Fs = 96kHz) 

Total Harmonic Distortion

Less Than 0.05% 20Hz - 20kHz  @+4dBu into 600

Ω

INPUT 1 — 48ch to OMNI OUT 1-24ch
(@ Sampling frequency = 44.1kHz or 48kHz)

Input Gain = Min.

Less Than 0.05% 20Hz - 20kHz @+4dBu into 600

Ω

INPUT 1 — 48ch to OMNI OUT
(@Sampling frequency = 96kHz)

Requency Response

1.0, -3.0dB 20Hz — 20kHz @1kHz into 600

Ω

INPUT 1 — 48ch to OMNI OUT
(@ Sampling frequency = 44.1kHz or 48kHz)
1.0, -3.0dB 20Hz — 40kHz @1kHz into 600

Ω

INPUT 1 — 48ch to OMNI OUT
(@ Sampling frequency = 96kHz)

Dynamic Range

110 typ. DA Converter (OMNI OUT)
(@ Sampling frequency = 44.1kHz or 48kHz)
108 typ. AD + DA (to OMNI OUT)
GAIN; Min., PAD: ON (@ Sampling frequency = 44.1kHz or 48kHz)
110 typ. DA Converter (OMNI OUT)
(@ Sampling frequency = 96kHz)
106 typ. AD + DA (to OMNI OUT)
GAIN; Min., PAD: ON (@ Sampling frequency = 96kHz)

Hum & Noise

128dBu Equivalent Input Noise (20Hz - 20kHz)

Rs=150

Ω

, Input Gain = Max. -86dBu Residual Output Noise, OMNI OUT

Crosstalk @1kHz

-80dB adjacent INPUT channels(1 — 48ch)
-80dB INPUT to OMNI OUT

Power Requirements

AC 100 — 240V 50/60Hz

Dimensions W x D x H (mm) 480 x 453 x 488

Net Weight

38kg

Operation free-air Temperature Range

10 — 35˚C

Storage Temperature Range

-20 — 60˚C

22

23

5. Opera House with Orchestra Pit and Stage DSP5D Units

In this system, which is designed primarily for an opera-house type situation, one DSP5D unit is located in the orchestra 

pit while the second DSP5D unit is located on stage. As in the preceding systems a DCU5D is connected to the console at 

the rear of the house via the D-sub 68-pin and CAT5 cascade cables, and an Ethernet cable connects to the first DSP5D. 

The second DSP5D is connected to the first DSP5D via a DCU5D unit in the same way. This makes 48 microphone/line 

inputs available in the orchestra pit, and another 48 microphone/line inputs available on stage. The DSP5D head amps 

can be controlled directly from the PM5D-RH V2 console. A pair of DME64N units connected to the stage DSP5D outputs 

perform processing and distribution for the FOH speakers, box-seat speakers, and a back-stage speaker system. The 

orchestra pit DSP5D directly feeds powered monitors for the musicians in the pit.

(male)

(female)

CAT5 Cable

D-sub 68pin (male) Cable

D-sub 25pin (male) Cable

XLR Cable

Speakon Cable

PM5D (RH)

OUT

CASC

ASCADE IN

ADE IN

CASC

ASCADE IN

ADE IN

CASCADE

CASCADE IN

OUT

CASCADE IN

DSP5D-1

DCU5D-1

Stage

Ochestra Pit

T5n

DME64N

AMP Rack

Dressing Room

IS1218

IF2115

IS1218

IF2115

AVIOM 16/o-Y1

IF2108

MY8-DA96

T5n

DSP5D-2

DCU5D-2

PM5D V2, PM5D-RH V2 GENERAL SPECIFICATIONS

All faders are nominal when measured.  Output impedance of signal generator:150

Ω

Internal Signal Processing

32-bit (Accumulator 58-bit) 

Sampling Frequency

Internal

44.1kHz, 48kHz, 88.2kHz, 96kHz

External

Normal rate: 44.1kHz — 48kHz
Double rate: 88.2kHz — 96kHz

Signal Delay

Less Than 2.3ms INPUT to STEREO A, B (@ Fs = 48kHz) 
Less Than 1.15ms INPUT to STEREO A, B (@ Fs = 96kHz) 

Fader

Moterized, Stroke: 100mm All Faders 

Fader Resolution

+10 — -138, -

∞

dB All Faders 

Total Harmonic Distortion

Less Than 0.05% 20Hz — 20kHz @+4dBu into 600

Ω

INPUT 1 — 48ch to STEREO A,B OUT  (@Sampling frequency = 44.1kHz or 48kHz)

Input Gain = Min.

Less Than 0.05 % 20Hz — 40kHz @+4dBu into 600

Ω

INPUT 1 — 48ch to STEREO A,B OUT (@Sampling frequency = 88.2kHz or 96kHz)

Frequency Response

PM5D

0.5, -1.5dB  20Hz — 20kHz @1kHz  into 600

Ω

INPUT 1 — 48ch to STEREO A,B OUT 
(@Sampling frequency = 44.1kHz or 48kHz)

  

0.5, -2dB 20Hz — 40kHz @1kHz  into 600

Ω

INPUT 1 — 48ch to STEREO A,B OUT 
(@Sampling frequency = 88.2kHz or 96kHz)

PM5D-RH

1.0, -3.0dB  20Hz — 20kHz @1kHz  into 600

Ω

INPUT 1 — 48ch to STEREO A,B OUT  
(@Sampling frequency = 44.1kHz or 48kHz)
1.0, -3.0dB 20Hz — 40kHz @1kHz  into 600

Ω

INPUT 1 — 48ch to STEREO A,B OUT 
(@Sampling frequency = 88.2kHz or 96kHz)

Dynamic Range

110 typ. DA Converter (STEREO A, B OUT) 

(Max. level to noise level)

(@Sampling frequency = 44.1kHz or 48kHz)
108 typ. AD + DA (to STEREO A, B OUT), 
GAIN: Min., PAD: ON (@Sampling frequency = 44.1kHz or 48kHz)
110 typ. DA Converter (STEREO A, B OUT) (@Sampling frequency = 96kHz)
106 typ. AD + DA (to STEREO A, B OUT), 
GAIN: Min., PAD: ON (@Sampling frequency= 88.2kHz or 96kHz)

Hum & Noise

-128dBu Equivalent Input Noise (20Hz — 20kHz) STEREO A, B OUT

Rs = 150

Ω

-86dBu Residual Output Noise, ST Master Off.

Input Gain = Max. 
Input Pad = 0dB 
Input sensitivity = -60dB 

Maximum Voltage Gain

84dB INPUT 1 — 48 to STEREO A, B OUT, Rs = 150

Ω

, Input Gain: Max., PAD: Off 

@1kHz

84dB INPUT 1 — 48 to MIX OUT/MATRIX OUT/CUE OUT/MONITOR OUT 
(via STEREO Bus)

* Input Gain = Min.  
* Hum & Noise is measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite 

dB/octave attenuation.  

* Total Harmonic Distortion is measured with a 18dB/octave filter @80kHz  
* Dynamic range is measured with a 6dB/octave filter @12.7kHz;  equivalent to a 20kHz filter with infinite 

dB/octave attenuation.  

  

Crosstalk

-80dB Ajacent Input 1 — 48 

@1kHz

-80dB Input to Output 

Power Requirements

PM5D

480W DC 24V 20A (Use PW800W Only)

PM5D-RH

528W DC 24V 25A (Use PW800W Only)

Dimensions W x D x H (mm) 1551 x 950 x 283

Net Weight

PM5D: 98kg, PM5D-RH: 97kg 

Operation free-air Temperature Range

10 — 35˚C

Storage Temperature Range

-20 — 60˚C

LIBRARIES

Name

Number

Total

Scene Memory

Preset 1 + User 500

501

Input Patch Library

Preset 1 + User 99

100

Output Patch Library

Preset 1 + User 99

100

Input Channel Library

Preset 1 + User 199

200

Output Channel Library

Preset 1 + User 199

200

Input EQ Library

Preset 40 + User 159

199

Output EQ Library

Preset 3 + User 196

199

GATE Library

Preset 4 + User 195

199

COMP Library

Preset 36 + User 163

199

Effect Library

Preset 55 + User 145

200

GEQ Library

Preset 1 + User 199

200

HA Library

Preset 1 + User 199

200

PW800W GENERAL SPECIFICATIONS

Power Requirements

100 — 240V, 50/60Hz 1000W (Max.)

Dimensions

W x H x D (mm)

480 x 132 (=3U) x 355

DC Output

Voltage

24V

Current

23A (Max.)

Net Weight

10 kg

Operation Temperature Range

10 — 35

°

C

Storage Temperature Range

-20 — 60

°

C

PW800W OUTPUT SPECIFICATIONS

OUTPUT TERMINAL

FORMAT

LEVEL

CONNECTOR

DC OUTPUT

—

DC 24V

JL05-2A22-14PC 24pin (Male)

DSC5D GENERAL SPECIFICATIONS

Sampling Frequency

Nomal rate; 44.1kHz - 48kHz
Double rate; 88.2kHz - 96kHz

Power Requirements

100-240V 50/60Hz
DC IN; XLR-4-32 type (4pin=+12V, 1pin=GND), 12V

±

5%, 1.5A

Dimensions W x D x H (mm) 

480 x 162 x 44

Net Weight 

2.3kg

Operation free-air Temperature Range

10 — 35

°

C

Storage Temperature Range

-20 — 60

°

C

IF2108

IF2108

IF2108

IF2108

IF2108

HEADPHONE

AVIOM A16-II

HEADPHONE

AVIOM A16-II

HEADPHONE

AVIOM A16-II

Содержание PM5D

Страница 1: ...For details please contact Printed in Japan This document is printed on chlorine free ECF paper with soy ink www yamahaproaudio com LPA537 ...

Страница 2: ... that is downloadable from Yamaha s Pro Audio website will bring you right up to speed But there s been another important development that makes the PM5D V2 a major system player the DSP5D Digital Mixing System Although the PM5D was always expandable via Yamaha s MY series expansion cards and integration with digital systems such as DME64N and AD8HR the DSP5D takes system scalability to a totally ...

Страница 3: ...High capacity Versatile Mix Performance The PM5D V2 can accommodate a total of 130 input connections 48 channel inputs four stereo inputs five 2 TR IN s plus four mini YGDAI slots and can handle up to 64 inputs simultaneously The 64 input mixing channels are configured by default as 48 mono input channels 4 stereo inputs and 4 stereo effect returns By utilizing the internal patch bay and expansion...

Страница 4: ...d panning can be controlled via the track pad or by using dedicated control devices connected via the MIDI or GPI port Expansion Slots for Added Connectivity Four rear panel mini YGDAI expansion slots allow you to use a range of MY series expansion cards to enhance the PM5D V2 in a number of ways You can for example use the added I O capability to connect to and remotely control high performance Y...

Страница 5: ...e the mute groups to which the corresponding channel is assigned RCL and MUTE SAFE Indicators The RCL SAFE LED lights when the channel is set to the recall safe mode so that it will not be affected by scene recall operations The MUTE SAFE mode prevents the channel from being affected by mute group operations Channel Fader These very smooth and quiet 100mm motorized faders control and display the c...

Страница 6: ...ys to turn the corresponding send on or off TO STEREO and TO MTRX LEDs to indicate assignment to the stereo and matrix busses PAIR LEDs that indicate paired mix sends and CUE and SEL keys that assign the corresponding MIX signal to the SELECTED CHANNEL controls when the MIX MASTER mode is engaged When an odd even numbered pair of mix bus sends is assigned as a stereo pair the odd numbered encoder ...

Страница 7: ...er to http www ethersound com technology compatibility php DSP5D and DCU5D utilize EtherSound technologies But because bandwidth is fixed exclusively for DSP5D and DCU5D they cannot be controlled by ES monitor ST IN Connectors Master Phantom On Off Switch Input Connectors ST IN Connectors MIX OUT Connectors OUTPUT Connectors MONITOR CUE STEREO A B MATRIX POWER INPUT Connector Expansion Slots for m...

Страница 8: ...tely from the other 24 keys next to the FADER MODE buttons and is conveniently assigned to scene increment operation but you can reassign it to perform any function you require DIRECT RECALL MUTE MASTER These eight keys can be used either to directly recall assigned scene numbers or to mute the corresponding mute groups The DIRECT RECALL and MUTE MASTER LEDs indicate which function the keys are cu...

Страница 9: ...und distortion and saturation characteristics REV X Reverb Programs Effect No 46 48 The REV X programs feature the richest reverberation and smoothest decay available based on the REV X algorithms first introduced in Yamaha s SPX2000 Professional Multi Effect Processor The Hall and Room programs have a very open sound while Plate delivers a brighter tonality that is ideal for vocals Note The names...

Страница 10: ...t channel parameters in line as they might appear on an analog console This is a comprehensive overview designed for fast efficient editing of the most essential mix elements Master Windows Mix Matrix DCA Stereo These windows provide an informative overview of fader levels as well as other parameters including EQ compressor gain reduction delay and more 18 19 Options The PM5D V2 s real I O versati...

Страница 11: ...integrated into each channel that can be turned on and off by remote control The filter s cut off frequency is also remotely adjustable This Head Amp Remote Control function makes it possible for the AD8HR to be used as a stage box In addition to the many advantages that this offers digital connection of the AD8HR and PM5D using an AES EBU cable reduces analog wiring requirements to the bare minim...

Страница 12: ...olution 10 138 dB All Faders Total Harmonic Distortion Less Than 0 05 20Hz 20kHz 4dBu into 600Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 44 1kHz or 48kHz Input Gain Min Less Than 0 05 20Hz 40kHz 4dBu into 600Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 88 2kHz or 96kHz Frequency Response PM5D 0 5 1 5dB 20Hz 20kHz 1kHz into 600Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 44 1...

Страница 13: ...NALOG IN 8 IN 4 MY8 AD96 ANALOG IN 8 IN 4 MY4 DA ANALOG OUT 4 OUT 4 MY8 DA96 ANALOG OUT 8 OUT 4 MY8 AE96 AES EBU 8 IN 8 OUT 4 MY8 AE96S AES EBU 8 IN 8 OUT 4 PM5D V2 PM5D RH V2 DIGITAL INPUT CHARACTERISTICS Terminal Format Data Length Level Connector 2TR IN 1 AES EBU AES EBU 24bit RS422 XLR 3 31 Type Balanced 1 DIGITAL 2 AES EBU AES EBU 24bit RS422 XLR 3 31 Type Balanced 1 2 3 COAXIAL IEC 60958 24b...

Страница 14: ... METER Rch METER 1 AD GAIN ST IN 1 4 L AD GAIN ST IN 1 4 R SIGNAL PEAK SIGNAL PEAK ST IN L ST IN R INPUT 48V TO TALKBACK SELECT SIGNAL PEAK GAIN OFF ON AD 48V MASTER ON OFF ON INPUT 1 48 FX7 OUT L R FX8 OUT L R FX1 OUT L R FX4 OUT L R FX6 OUT L R FX2 OUT L R FX3 OUT L R FX5 OUT L R INPUT PATCH 16 16 16 16 FX7 IN L R FX8 IN L R FX1 IN L R FX4 IN L R FX6 IN L R FX2 IN L R FX3 IN L R FX5 IN L R EFFEC...

Отзывы:

Нет отзывов