Yamaha M7CL StageMix V1.5 Скачать руководство пользователя страница 6

Store and Recall Up to 300 Scenes

A “scene” is a complete snapshot of all the console’s settings, and the 

M7CL’s 301-scene scene memory lets you store up to 300 complete 

scenes for instant recall whenever they’re needed. This makes it a 

snap to reset the entire console for band changes or difference scenes 

in a theatrical performance, for example. You could also store basic 

setups for a number of different types of shows your system may be 

required to handle, then recall and tweak the settings as required.

 Recall Focus and Recall Safe Functions

The M7CL takes scene functionality to a new level with recall 

focus and recall safe functions: recall focus lets you specify the 

parameters to be recalled with each scene, while recall safe works 

from the other perspective, allowing you to specify parameters 

that are not to be recalled with a scene. There are actually two 

kinds of recall safe: global recall safe specifies parameters than 

will not be changed when any scene is recalled, and scene-specific 

safe parameters that will not be changed when a specified scene is 

recalled. You could, for example, use global recall safe to prevent 

any scene recall operation from changing a critical overall EQ 

setting, or use safe parameter settings to prevent the vocal channel 

fader setting from being changed by recall of a specific scene.

USB Memory for Convenient Data Management
and Portability

Standard USB memory sticks can be plugged into the M7CL USB port 

for convenient storage and recall of a range of data: scenes, patches, 

user libraries, channel names, preferences … essentially all system 

data. In addition to providing a secure backup, this makes it easy to 

transfer data between the console and the M7CL Editor application 

running on your personal computer, or directly between M7CL 

consoles. You can program the console’s settings using the M7CL 

Editor on a computer in your hotel room or on the tour bus – wherever 

you don’t have access to the console itself – and simply transfer those 

settings from your USB memory to the console at the venue.

Unlimited Channel Linking

There will undoubtedly be times when you’ll want to link a pair of 

faders to handle stereo signals, or perhaps even link more channels for 

simultaneous operation. The M7CL lets you link as many channels 

together as you like, and even deselect parameters that you don’t want 

to be linked. You might want to link a number of channels together 

but retain individual control over the channel EQ, for example. You 

can quickly and easily create as many pairs or linked groups as you 

application requires.

DCA Groups

While linked channel faders are directly adjusted via the channel 

faders themselves, the levels of channels assigned to a DCA group are 

controlled from one of the console’s DCA faders in the Centralogic™ 

control area. Any number of channel faders can be assigned to any of 

the console’s 8 DCA faders. This is not only convenient for central 

single-fader control of channel groups, but it also means you don’t 

have to use any of the console’s bus resources for channel grouping.

Mute Groups

Mute grouping is another feature that can be great advantage in live-

sound applications. Any number of channels can be muted or un-

muted via assigned User Defined Keys (see below). Up to 8 mute 

groups can be specified. 

Channel Copy, Move and Clear

Features like these add significantly to the attraction of digital 

technology for live sound. The Channel Copy function lets you copy 

the parameters from any one channel to any number of other 

channels, Channel Move swaps the parameters between two specified 

channels, and Channel Clear clears all parameters of the specified 

channels. All of these capabilities can dramatically streamline the 

process of setting up the console or modifying the console settings.

Bus Setup

Each of the M7CL mix buses can be quickly assigned for mono or 

stereo operation. You also have a choice of pre/post-attenuator or 

pre/post-fader or variable send, and pre/post-pan settings for fixed 

send. Pre-EQ send can be an advantage when using the mix buses to 

feed an in-ear monitor system, for example. 

Output Port Delay and Phase

Another feature that makes the M7CL a valuable asset for many live 

sound systems is built-in output delay and phase adjustment facilities 

on each output port. This lets you set up precise speaker distance 

compensation without the need for bulky, expensive external 

compensation equipment.

Bus Cascade Capability

The M7CL allows full bus cascading – including the CUE bus – for 

easy system expansion using a second M7CL console or a wide range 

of other console types.

User Defined Keys

As their name suggests, the 12 M7CL User Defined Keys can be user-

defined to perform a range of handy functions. You could assign one 

for tap-tempo input of delay times, others to jump to specific display 

screens, or to control specified mute groups as described above. An 

innovative User Defined Key function is “Set by SEL”, with which the 

channel [SEL] keys perform a range of alternate functions if pressed 

while the assigned User Defined Key is held: reset the defaults for that 

channel, turn phantom power on or off, set the channel fader to 

nominal … and more. Although you can set them up as required, the 

User Defined Keys have the following pre-assigned default functions: 

keys 1 through 8 select the corresponding mix buses for the SENDS 

ON FADER function, keys 9 and 10 are the mute masters for mute 

groups 1 and 2, key 11 clears all cue settings, and key 12 is talkback.

Library

Name

Number

Total

Scene Memory

Preset 1 + User 300

301

Input EQ Library

Preset 40 + User 159

199

Output EQ Library

Preset 3 + User 196

199

Dynamics Library

Preset 40 + User 154

199

Effect Library

Preset 48 + User 151

199

GEQ Library

Preset 1 + User 198

199

Beyond Basic Operation … When You Need In-depth Control

Advanced Access Management

In many applications it is desirable to prevent unauthorized access to 

the console, or restrict access to a limited set of functions. Limiting 

access is a great way to prevent “accidents” during critical live 

performances, for example, and can minimize the need for direct 

supervision of inexperienced operators. Or you might have spent hours 

with an analyzer setting up the EQ to precisely tune the system for the 

room, and you probably won’t want those settings changed under any 

circumstances. The M7CL’s access management features can be a 

significant advantage for overall system administration.

 Password or USB Key Access

User access can be controlled either via passwords or USB 

memory keys. The administrator can assign specific functions to 

each unique password or key, so the user only has to log onto the 

console with the assigned password on insert the USB key to 

begin operation at the assigned level. USB memory keys can be 

easily created either directly via the console or a computer 

running the M7CL Editor applications software.  USB memory 

keys are particularly handy because they can also be used to store 

the user’s scenes and other preferences.

Multiple Security Levels Make Operation Safe and Easy For Any Operator

M 7 C L         

11

10

     M 7 C L

Содержание M7CL StageMix V1.5

Страница 1: ...chlorine free ECF paper with soy ink Printed in Japan www yamahaproaudio com P10018224 LPA513 All specifications are subject to change without notice All trademarks and registered trademarks are property of their respective owners ...

Страница 2: ... through just two main display screens lets you focus in on any operation directly and instantly In fact the entire 32 channel or 48 channel console can quite easily be operated from the 44 2 centimeter wide that s a little over 17 inches Centralogic section alone Easy Digital At Last Digital mixing consoles are certainly not new but the evolution toward a truly intuitive easy to use interface has...

Страница 3: ...one of the many attractive features that only digital consoles can provide The problem sometimes is finding them Not so in the M7CL just touch the RACK button on the display and the virtual effect and EQ rack pops right up for instant easy access A few quick touches on the screen and you can easily patch effects or graphic EQ into any channel and output Another touch or two and you can get right i...

Страница 4: ...DAI card slots a total of 56 or 40 mixing channels 16 mix buses LCR bus 8 matrix channels and 8 DCAs assignable to 16 omni outputs Virtual effect and EQ rack up to 4 simultaneous multi effect processors up to 8 simultaneous 31 band graphic EQs Centralogic interface central logical and intuitive Dual power modes use the built in power supply or add an external PW800W power supply unit optional for ...

Страница 5: ...is provided for convenient group send operation There s also an INPUT TO MATRIX mode that lets you send the input channel signals directly to the matrix Variable Direct Outputs In addition to the bus outputs the M7CL provides direct outputs with selectable pre EQ or pre HPF output points It also features variable level direct output capability that can be used to optimally feed stereo or multitrac...

Страница 6: ...nction lets you copy the parameters from any one channel to any number of other channels Channel Move swaps the parameters between two specified channels and Channel Clear clears all parameters of the specified channels All of these capabilities can dramatically streamline the process of setting up the console or modifying the console settings Bus Setup Each of the M7CL mix buses can be quickly as...

Страница 7: ...ough the M7CL has comprehensive metering facilities built in simply touch the meter section on the display for full screen total system visual monitoring the optional MBM7CL Meter Bridge fits right above the console s display and provides high visibility level monitoring while allowing the display to be used for other operations PW800W Power Supply Unit For many applications you can simply plug th...

Страница 8: ...C MATRIX1 3 7 MATRIX2 4 8 PRE EQ POST EQ PRE FADER INSERT OUT PRE FADER PFL POST ON AFL PRE FADER POST ON PRE FADER POST ON EQ OUT GR METER DYNA OUT COMP COMPAND EXPAND PRE FADER To OUTPUT PATCH To OUTPUT PATCH To OUTPUT PATCH OSC L R C L R SLOT 1 1 16 SLOT 2 1 16 SLOT 3 1 16 ON LCR TO LCR TO MONO TO ST CSR ON ON ON ON ON ON ON ON ON ON To OUTPUT PATCH DIRECT OUT 1 32 48 INSERT OUT 1 16 INSERT IN ...

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