Yamaha M2500-24 Скачать руководство пользователя страница 8

BLOCK DIAGRAM

Ab

bre

v.

*

: MONIT

OR b

us ab

bre

viations

to MONIT

O

R

to MONIT

OR

to MONIT

OR

G7/A1

G1/A7

Same as

CPU

ST L, ST R

A

UX, ST MONO

GRP/A

UX, A

UX/GRP

GRP/A

UX, A

UX/GRP

A

U

X, ST MONO

A

UX, ST MONO

GRP/A

UX, A

UX/GRP

MONO IN, ST IN

ST IN R

ST IN L

MONO IN

to MMPM 

*

MMAM 

*

MMPR 

*

MMAR 

*

MMA

*

to MMPL 

*

MMA

O

 

*

MMAL 

*

MMA

O

 

*

to   MMPM 

*

MMAM 

*

MMA

*

to   MMPM 

*

MMAM 

*

MMA

*

to   MMPM 

*

MMAM 

*

MONIT

OR b

u

s

MIO 

*

Phones

–60dB

–50dB

–40dB

–30dB

–20dB

–10dB

  0dB

+10dB

+20dB

MONIT

OR OUT

ST OUT

MA

TRIX OUT

SUB IN MA

TRIX

A

UX OUT

A

UX/GRP OUT

GRP/A

UX OUT

SUB IN ST

MONO

MIC

OUT

MONIT

OR

INSER

T I/O

P

ad:On, Gain:Max

P

ad:Off

, Gain:Min

P

ad:On, Gain:Min

P

ad:Off

, Gain:Max

Gain:Max

Gain:Max

Gain:Min

Clipping Le

v

e

l

ST CH 1A, 2-4

ST CH 1B

ST CH

–60dB

–50dB

–40dB

–30dB

–20dB

–10dB

  0dB

+10dB

+20dB

+30dB

MONIT

OR MASTER AFL ON

MMA

O

MONIT

OR MASTER AFL ST R

MMAR

MONIT

OR MASTER AFL ST L

MMAL

MONIT

O

R MASTER AFL MONO

MMAM

MONIT

OR MASTER PFL ST R

MMPR

MONIT

O

R MASTER PFL ST L

MMPL

MONIT

OR MASTER PFL MONO

MMPM

MONIT

OR INPUT ON

MONIT

OR INPUT ST R

MONIT

OR INPUT ST L

MIO

MIR

MIL

MONIT

OR INPUT MONO

MIM

MONO

ST R

ST L

MIR 

*

MIL 

*

MIM 

*

MIO 

*

MONIT

OR

ST

LRMONO

MONO

R

L

ST

PFL

AFL

ON

ON

(PFL)

G7/A13

G6/A12

G5/A11

G4/A10

G3/A9

G2/A8

G1/A7

A

UX 5

AU

X

 4

AU

X

 3

AU

X

 2

A

UX 1

A13/G7

A12/G6

A11/G5

A10/G4

A9/G3

A8/G2

A7/G1

MA

TRIX 7

MA

TRIX 6

MA

TRIX 5

MA

TRIX 4

MA

TRIX 3

MA

TRIX 2

MA

TRIX 1

AU

X

 6

G8/A14

MA

TRIX 8

A14/G8

Same as ST CH 1

ST CH 2-4

MASTER

INPUT

R

MONO

L

to

G7/A13

G8/A14

G2/A8

G1/A7

from

to MA

TRIX

to METER

to METER

to METER

from

ST R

ST R

ST L

ST L

SUB IN R

ST R

MONO/C

ST L

from CPU

from CPU

from CPU

from CPU

from CPU

Control

Mute

to Control

to TB

OSC

MIDI

OUT

IN

THR

U

RECALL

DIRECT

SELECT

METER

OSCILA

T

O

R

u

q

ENTER

0

9

2

1

8

7

2

1

G1-8/A7-14

A

UX1-6

A7-14/G1-8

MA

TRIX

CHECK

ST

ORE

RECALL

UTILITY

ON

100Hz

1kHz

10kHz

PINK

to METER

INPUT

GR

OUP/A

UX FLIP

AU

X

GR

OUP

from

A

UX 8-14

GR

OUP 2-8

MIC

TB/OSC

MA

TRIX

A

UX 11-14

A

UX 11-14

Same as A

UX 3-6

A

UX 7-10

Same as A

UX 3-6

Same as A

UX 3-6

A

UX 7-10

Same as A

UX 3-6

B

A

and

and

A

UX/GRP A8/G2-A14/G8

GRP/A

UX G2/A8-G8/A14

G1/A7

A7/G1

G1/A7

from A

UX 2-6

Same as A

UX 1

A

UX 2-6

A

UX 1

1

1-8

MONO/C

R

L

ST OUT

ST OUT

MA

TRIX OUT

+4dB

+4dB

+4dB

+4dB

MONO/C

ST R

ST L

0dB

INSER

T I/O

INSER

T I/O

0dB

0dB

INSER

T I/O

INSER

T I/O

0dB

0dB

INSER

T I/O

A

UX OUT

A

UX/GRP OUT

+4dB

GRP/A

UX OUT

+4dB

+4dB

MASTER

PHANT

OM

ST CH 2-4

INPUT

L/MONO

R

ST CH 1

INPUT B

INPUT A

R

L

R

L

MA

TRIX

SUB IN

+4dB

R

L

ST R

ST L

MONO/C

+4dB

SUB IN

+4dB

MONO/C

1-56

1-48

1-40

1-32

1-24

INPUT

0dB

INSER

T I/O

ON

PFL

MASTER

L+R

LEVEL

ST

MASTER

LRMONO

ON

AFL

LEVEL

MONO/C

SUB IN L

ST R

ST L

G8/A14

G7/A13

G2/A8

G1/A7

SUB IN

R

L

LR

MONO/C

STEREO

MA

TRIX

MA

TRIX

LR

MONO/C

STEREO

MA

TRIX

G8/A14

G7/A13

G6/A12

G5/A11

G4/A10

G3/A9

G2/A8

G1/A7

ON

CHECK

ON/EDIT

Control

AFL

ON

AFL

ON

Control

ON/EDIT

CHECK

ON

LEVEL

ON

AFL

AFL

PA

N

LCR

ST

MONO

PFL

ON

BAL

ON

CHECK

(–26dB)

(0dB)

ON

CHECK

2 stage EQ

2 stage EQ

2 stage EQ

2 stage EQ

GAIN B

GAIN A

AU

X

GR

OUP

14

13

12

11

10

9

2

3

4

5

6

7

8

8

7

6

5

4

3

2

1

1

GR

OUP

8

7

6

5

4

3

2

1

EQ

HI

LO

GAIN

SIGNAL

PFL

LO

HI

EQ

A

UX1

PRE

A

UX2

A

UX3

A

UX4

A

UX5

A

UX6

ST

MONO

PEAK

NOM

Control

ON/EDIT

ON/EDIT

Control

SIGNAL

NOM

PEAK

MONO

ST

LCR

A

UX6

A

UX5

A

UX4

A

UX3

A

UX2

PA

N

PRE

A

UX1

EQ

LO

HI

Ø

80

+48V

HI-MID

LO-MID

g

f

g

f

4 stage EQ

26dB

HPF

GAIN

PA

D

R

L

PHONES

from CPU

ON

CHECK

ON/EDIT

Control

to

MONO

ST R

ST L

to

to

from

from INPUT

AFL

to

Содержание M2500-24

Страница 1: ...MIXING CONSOLES 24 32 40C 48C 56C ...

Страница 2: ...all group masters and aux sends 1 through 6 the group master faders controls and aux send 7 through 14 controls can be flipped for maximum system versatility Group auxiliary flip function allows the master section to be instantly optimized for main or monitor mixing Mono channel pan controls switchable for LR or LCR operation All mono inputs feature switchable phantom power 26 dB pad switches 44 d...

Страница 3: ...y in the center of the sound field regardless of listening position an ideal situation for vocals speech etc while intermediate pan positions feed both the L or R and C buss proportionately Intermediate pan pot positions pan between L C when left of center and C R when posi tioned right of center Group Aux Flip Function This innovative feature makes it possible to flip the functions of the group m...

Страница 4: ...ono channels also feature a very flexible 4 band equalizer which provides sweepable frequen cies for the HI MID and LO MID bands The stereo channels offer 2 band shelving EQ EQ bypass switches are provided on all channels so equalization can be punched in or out as required without having to change settings 14 Aux Sends The AUX 1 through AUX14 controls are mono auxiliary sends feeding the correspo...

Страница 5: ...MASTER CONTROLS MASTER CONTROLS ...

Страница 6: ...tions are electronically controlled by a microcomputer and MIDI interface Up to 128 mute scenes can be stored in memory and recalled either via the panel controls or an external MIDI device Eight DIRECT RECALL switches can be used for instant recall of the most often used scenes while others can be recalled via the numeric keys The memory contents can be checked and edited at any time without actu...

Страница 7: ...M2500 24Front Panel M2500 24 Rear Panel M2500 40C Front Panel M2500 40C Rear Panel ...

Страница 8: ...ol Mute to Control to TB OSC MIDI OUT IN THRU RECALL DIRECT SELECT METER OSCILATOR u q ENTER 0 9 2 1 8 7 2 1 G1 8 A7 14 AUX1 6 A7 14 G1 8 MATRIX CHECK STORE RECALL UTILITY ON 100Hz 1kHz 10kHz PINK to METER INPUT GROUP AUX FLIP AUX GROUP from AUX 8 14 GROUP 2 8 MIC TB OSC MATRIX AUX 11 14 AUX 11 14 Same as AUX 3 6 AUX 7 10 Same as AUX 3 6 Same as AUX 3 6 AUX 7 10 Same as AUX 3 6 B A and and AUX GRP...

Страница 9: ...c a J o n o h P k c a J o n o h P CH INSERT IN 1 n 8 38 8 mV B d 26 STEREO L R MONO C INSERT IN GRP AUX INSERT IN 1 7 8 14 AUX INSERT IN 1 6 k 0 1 Ω 0 0 6 Ω s e n i L V 5 7 7 0 B d 0 V 5 7 7 B d 0 2 V m 5 4 2 B d 0 1 TRS TRS 7 k c a J o n o h P TRS n o i t c e n n o C e c r u o S l a u t c A e c n a d e p m I l a n i m o N h t i W e s U r o F l 1 e v e L t u p t u O r e x i M n I r o t c e n n o C...

Страница 10: ...HIGH 10 kHz shelving LOW 100 Hz shelving Phantom Power 48VDC is applied to balanced inputs via 6 8 kΩ current limiting isolation resistors for powering condenser microphones may be turned ON or OFF via rear panel phantom Master switch When Master is ON individual channels may be turned ON or OFF via 48V switches with red LED on each input channel CH LED Indicators PEAK LED red built into each CH I...

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