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38

MIDI Data Tables

<Table 1> Performance Parameter

Byte Count

common

80

effect data

112

part data

52 x 4 = 208

-------------------------------------

total

400

Performance Common Parameter (Byte Count: 80 bytes) 

F0 43 1n 5E 10 00 ll vv vv F7

ll

vv vv

Description

00

20-7F

NAME 0

01

20-7F

NAME 1 

02

20-7F

NAME 2

03

20-7F

NAME 3

04

20-7F

NAME 4

05

20-7F

NAME 5

06

20-7F

NAME 6

07

20-7F

NAME 7

08

20-7F

NAME 8

09

20-7F

NAME 9

0A

20-7F

NAME 10

0B

20-7F

NAME 11

0C

reserved

0D

reserved

0E

00-16

CATEGORY

0F

reserved

10

00-7F

performance volume

11

01-7F

performance pan (L63~0~R63)

12

00-30

performance note shift (-24~0~+24)

13

reserved

14

00-02

individual out (0: off, 1: pre ins, 2: post ins)

15

00-04

FSEQ PART (0: off, 1~4: part)

16

00-01

FSEQ bank 0: int, 1: pre

17

00-59

FSEQ number int (0-5) , pre (0-89)

18

00-7F

FSEQ Speed Ratio (10.0~500.0) / MIDI Clock (0-4)

MIDI Clock:  0: 1/4, 1: 1/2, 2: 1/1, 3: 2/1, 4: 4/1 

1A

00-7F

FSEQ start step offset (hi byte)

00-7F

FSEQ start step offset (lo byte)

1C

00-7F

FSEQ start step of loop point (hi byte)

00-7F

FSEQ start step of loop point (lo byte)

1E

00-7F

FSEQ end step of loop point (hi byte)

00-7F

FSEQ end step of loop point (lo byte)

20

00-01

FSEQ loop mode (0: one way, 1: round)

21

01-02

FSEQ play mode (1: scratch, 2: fseq)

22

00-07

FSEQ velocity sensitivity for tempo

23

00-01

FSEQ formant pitch mode

24

00-01

FSEQ key on trigger (0: first, 1: all)

25

reserved

26

00-63

FSEQ formant seqence delay

27

00-7F

FSEQ level velocity sensitivity (-64~+63)

28

00-0F

controller 1 part switch [----pppp]

2F

00-0F

controller 8 part switch [----pppp]

30

00-7F

controller 1 source switch (bitmap-high)

31

00-7F

controller 1 source switch (bitmap-low)

32

00-7F

controller 8 source switch (bitmap-high)

3F

00-7F

controller 8 source switch (bitmap-low) 

40

00-2F

controller 1 destination

47

00-2F

controller 8 destination 

48

00-7F

controller 1 depth (-64~+63)

4F

00-7F

controller 8 depth (-64~+63)

Performance Effect Parameter

(Byte Count: 112 bytes)

F0 43 1n 5E 10 mm ll vv vv F7

mm ll

vv vv

Description

00 50

00-7F

Reverb parameter

(See "Effect Parameter List.")

00-7F

Same as above.

Same as above.

00 52

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 54

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 56

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 58

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 5A

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 5C

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 5E

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 60

00-7F

Same as above.

Same as above.

00 61

00-7F

Reverb parameter 

(See "Effect Parameter List.")

00 62

00-7F

Same as above.

Same as above.

00 63

00-7F

Same as above.

Same as above.

00 64

00-7F

Same as above.

Same as above.

00 65

00-7F

Same as above.

Same as above.

00 66

00-7F

Same as above.

Same as above.

00 67

00-7F

Same as above.

Same as above.

00 68

00-7F

Variation parameter 

(See "Effect Parameter List.")

00-7F

Same as above.

Same as above.

00 6A

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 6C

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 6E

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 70

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 72

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 74

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 76

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 78

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 7A

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 7C

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

00 7E

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 00

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 02

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 04

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 06

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 08

00-7F

Insertion parameter 

(See "Effect Parameter List.")

00-7F

Same as above.

Same as above.

01 0A 

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 0C 

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 0E

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 10

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 12

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 14

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 16

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 18

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 1A

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 1C

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 1E

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 20

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 22

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 24

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 26

00-7F

Same as above.

Same as above.

00-7F

Same as above.

Same as above.

01 28

00-10

Reverb type 

(See "Effect Type List.")

01 29

01-7F

Reverb pan

L63...C...R63 (1..64..127)

01 2A

00-7F

Reverb return

01 2B

00-1C

Variation type 

(See "Effect Type List.")

01 2C

01-7F

Variation pan

L63...C...R63 (1..64..127)

01 2D

00-7F

Variation return

01 2E

00-7F

Send Variation to Reverb

01 2F

00-28

Insertion type 

(See "Effect Type List.")

01 30

01-7F

Insertion pan 

L63...C...R63 (1..64..127)

01 31

00-7F

Send insertion to Reverb

01 32

00-7F

Send insertion to Variation

01 33

00-7F

Insertion level

01 34

34-4C

EQ low gain

-12~+12 [dB]

01 35

04-28

EQ low frequency

32~2000 [Hz]

01 36

01-78

EQ low Q

0.1~12.0

01 37

00-01

EQ low shape

00: shelving, 01: peaking

01 38

34-4C

EQ mid gain

-12~+12 [dB]

01 39

0E-36

EQ mid frequency

100~10.0 [kHz]

01 3A

01-78

EQ mid Q

0.1~12.0

Datalist/E  10/21/98  8:32 PM  Page 38

Содержание FS1R

Страница 1: ......

Страница 2: ...FS1R om J QX 98 9 24 5 48 PM 1...

Страница 3: ...uences de formant programm es FSeqs 10 Control List Liste der Steuerbefehle Liste des contr leurs 11 Effect Type List Liste mit Effekt Typen Liste des type d effets 12 Effect Parameter List Liste mit...

Страница 4: ...Dr 96 Drum Kit 3 Dr 32 LoFi Acid Ba 96 Zansyo Sc 33 Strobe Ba 97 CP Hard Pf 33 Funk Bass Ba 97 Da Comp Sc 34 HyperFuzz Ba 98 Warm Galaxy Pd 34 Matze Ba 98 Snow Pixy Sc 35 Sho Fx 99 Superarp Sq 35 Glas...

Страница 5: ...ack Gt 94 FM Pad Pd 31 Clavmann Pf 95 Fanfare Br 31 Dist Guitar Gt 95 Spacy Pad Pd 32 BryteClavman Pf 96 Wind Pad Pd 32 Punch Bass Ba 96 Spacewind Pd 33 Fat Clavmann Pf 97 Dark Pad Pd 33 Aco Bass Ba 9...

Страница 6: ...Ba Ana Bass Dr Beat SD Pf E Piano 6 Pf Revinett Or DrawOrgn12 Gt DX JazzGt3 Ba Munkhen 34 Ba AttackBass Dr Beat Zap Pf E Piano 7 Pf SkeltonClv Or DrawOrgn13 Gt DX JazzGt4 Ba Perc Bass 35 Ba B Rave Dr...

Страница 7: ...c DX Perc Ld DX SawLd 1 Sc DX Atms 1 Br MM Brass 2 Pc Block Ld DX SawLd 2 Sc DX Atms 2 Br MM Brass 3 Pc Conga Drum Ld DX Squar Sc DX Bright1 Br 5th Brass Pc Cowbell Ld DX VoiceLd Sc DX Bright2 Br Blow...

Страница 8: ...t Bow 102 Pd Paddy Sq AN Arp 1 Pf Old Jazz Cp Wedding Ba FretlesBa4 St Soline 103 Pd Qwerty Sq AN Arp 2 Pf Politti Cp DX Chrch 1 Ba FretlesBa5 St Violtron 104 Pd Saws Hold Sq Compu Saw Pf Pop Piano Cp...

Страница 9: ...Vo DX Chorus8 Pd Dispo Pad Se Descent Pi DX Flute 4 Vo DX Chorus9 Pd Ethereal Se Doppler Pi DX Flute 5 Vo DX Voice 1 Pd Film Pad Se Factory Pi DX Flute 6 Vo DX Voice 2 Pd Fl Cloud Se GhostLine Pi DX...

Страница 10: ...n On 75 IYaan 16 YAMAHAFS 46 Welcome 76 Yeah 17 Laugh 47 One Two 77 ThankYou 18 Laugh2 48 Edokko 78 Yes No 19 AreYouR 49 Everybdy 79 UnWaEDon 20 Oiyai 50 Uwau 80 MouthPop 21 Oiaiuo 51 YEEAAH 81 Fire 2...

Страница 11: ...ontrols the EDIT PERFORM PART Tone FM value Pitch Bias The source controller has the same effect as pitch bend For example if Vcn depth is set to 2 then the maximum control value is two semitones If V...

Страница 12: ...ppropriate for a solo instrument Plate Reverb simulating a metal plate reverb device Insertion Effect Type Remarks Thru Bypass without applying an effect Chorus Conventional chorus effect which gives...

Страница 13: ...1 0 1 0 65 High range attenuation lower values cause the high range to decay faster FB Level 63 63 0 66 Amount of feedback for the initial delay Reverb Pan L63 C R63 129 Reverb Pan Rev Return 0 127 1...

Страница 14: ...l delay Reverb Pan L63 C R63 129 Reverb Pan Rev Return 0 127 12A ReverbReturn Level Stage2 Same parameters for Hall1 Range Default Param Description ReverbTime 0 3 30 0 1 0 50 Reverb length sec Diffus...

Страница 15: ...L63 C R63 129 Reverb Pan Rev Return 0 127 12A ReverbReturn Level Basement Same parameters for White Room Range Default Param Description ReverbTime 0 3 30 0 0 8 50 Reverb length sec Diffusion 0 10 6...

Страница 16: ...29 Reverb Pan Rev Return 0 127 12A ReverbReturn Level Echo Range Default Param Description LchDelay1 0 1 682 0 220 0 50 Length of first delay of left channel msec Lch FB Lvl 63 63 22 52 Amount of feed...

Страница 17: ...EQ Hi Gain 12 12 0 78 Gain with which the EQ will boost cut the high range dB Mode mono stereo stereo 104 Mono stereo selection for the input Var Pan L63 C R63 12C Variation Pan Var Return 0 127 12D V...

Страница 18: ...range dB EQ HiFreq 500 16 0k 5 6k 76 Frequency at which the EQ will boost cut the high range Hz EQ Hi Gain 12 12 0 78 Gain with which the EQ will boost cut the high range dB Var Pan L63 C R63 12C Var...

Страница 19: ...Hz EQ Hi Gain 12 12 12 78 Gain with which the EQ will boost cut the high range dB Var Pan L63 C R63 12C Variation Pan Var Return 0 127 12D Variation Return Level SendVar Rev 0 127 12E Variation to Re...

Страница 20: ...2 30 45 6C Input level at which the gate begins to open dB OutputLevel 0 127 50 6E Output level Var Pan L63 C R63 12C Variation Pan Var Return 0 127 12D Variation Return Level SendVar Rev 0 127 12E Va...

Страница 21: ...6 7 6A Length of right channel delay msec CchDelay 0 1 1365 0 500 0 6C Length of center channel delay msec FB Delay 0 1 1365 0 500 0 6E Length of feedback delay msec FB Level 63 63 10 70 Feedback amou...

Страница 22: ...w range Hz EQ Low Gain 12 12 0 102 Gain with which the EQ will boost cut the low range dB EQ HiFreq 500 16 0k 6 3k 104 Frequency at which the EQ will boost cut the high range Hz EQ Hi Gain 12 12 2 106...

Страница 23: ...u 10 0k 70 Frequency at which the low pass filter will cut the high range Hz Density 0 4 2 7E Density of the reverberation ER Rev E63 R E R E R63 E R 100 Level balance of the early reflections and the...

Страница 24: ...cut the low range Hz EQ Low Gain 12 12 0 114 I EQLowGain Gain with which the EQ will boost cut the low range dB EQMidFreq 100 10 0k 2 0k 11C I EQMidFreq Frequency at which the EQ will boost cut the m...

Страница 25: ...sound and effect sound Ins Pan L63 C R63 130 Insertion Pan SendIns Rev 0 127 131 Insertion to Reverb Send Level SendIns Var 0 127 132 Insertion to Variation Send Level InsDryLevel 0 127 133 Insertion...

Страница 26: ...Rotation frequency of the speaker Hz Drive Low 0 127 89 10A I Drive Low Depth of modulation produced by low range speaker rotation Drive High 0 127 62 10C I DriveHigh Depth of modulation produced by h...

Страница 27: ...req 32 2 0k 250 112 I EQLowFreq Frequency at which the EQ will boost cut the low range Hz EQ Low Gain 12 12 2 114 I EQLowGain Gain with which the EQ will boost cut the low range dB EQ HiFreq 500 16 0k...

Страница 28: ...Freq 32 2 0k 250 112 I EQLowFreq Frequency at which the EQ will boost cut the low range Hz EQ Low Gain 12 12 2 114 I EQLowGain Amount of gain by which the EQ will boost cut the low range dB EQ HiFreq...

Страница 29: ...nt of high frequency response Dry Wet D63 W D W D W63 D W63 11A I Dry Wet Balance between the dry sound and effect sound Ins Pan L63 C R63 130 Insertion Pan SendIns Rev 0 127 131 Insertion to Reverb S...

Страница 30: ...32 Insertion to Variation Send Level InsDryLevel 0 127 133 Insertion Dry Level Cmp DS Dly Range Default Param Ctrl Dest Description Attack 1 40 7 11C I Attack Time until the compression takes effect m...

Страница 31: ...63 C R63 130 Insertion Pan SendIns Rev 0 127 131 Insertion to Reverb Send Level SendIns Var 0 127 132 Insertion to Variation Send Level InsDryLevel 0 127 133 Insertion Dry Level Dist Delay Range Defau...

Страница 32: ...elay 1 msec FBDelay2 0 1 1365 0 375 0 10E Length of feedback delay 2 msec FB Level 63 63 23 110 I FB Level Amount of feedback High Damp 0 1 1 0 0 3 112 High range attenuation lower values cause the hi...

Страница 33: ...63 10 110 I FB Level Feedback Level HPF Cutoff thru 22 8 0k thru 112 I HPFCutoff Frequency at which the high pass filter will cut the low range Hz LPFCutoff 1 0k 18 0k thru 4 0k 114 I LPFCutoff Frequ...

Страница 34: ...l cut the low range Hz LPFCutoff 1 0k 18 0k thru 8 0k 114 I LPFCutoff Frequency at which the low pass filter will cut the high range Hz Liveness 0 10 5 11C Emphasis in high frequencies Density 0 3 3 1...

Страница 35: ...indicate a system exclusive message 247 F7H 1111 0111 is positioned at the end of the system exclusive message aaH Hexadecimal 0aaaaaaa Binary indicates the data addresses The data address consists o...

Страница 36: ...able using Part Receivee Channel 2 2 3 Program Change On reception of Program Change FS1R operates as follows Receives Program Change is received only in PLAY MODE In case Receive Program Change off i...

Страница 37: ...1R Native Bulk Dump and Dump Request 1 2 3 4 FS1R Native Bulk Dump 11110000 F0 Exclusive Status 01000011 43 YAMAHA ID 0000nnnn 0n Device Number 01011110 5E Model ID 0bbbbbbb bbbbbbb Byte Count High 0b...

Страница 38: ...e as above Same as above 00 6A 00 7F Same as above Same as above 00 7F Same as above Same as above 00 6C 00 7F Same as above Same as above 00 7F Same as above Same as above 00 6E 00 7F Same as above S...

Страница 39: ...lation depth 17 00 63 COMMON LFO1 frequency modulation depth 18 00 05 COMMON LFO2 waveform 19 00 7F COMMON LFO2 speed 1A reserved 1B reserved 1C 00 03 COMMON LFO2 phase 0 0 1 90 2 180 3 270 1D 00 01 C...

Страница 40: ...quency EG attack value 2C 00 63 UNVOICED frequency EG attack time 2D 00 63 UNVOICED frequency EG decay time 2E 00 63 UNVOICED level 2F 00 0E UNVOICED level key scaling 30 00 63 UNVOICED EG level1 31 0...

Страница 41: ...le to FS1R it automatically converts received DX bulk data into FS1R native data for original DX sound reproduction to be available ACED bulk data is not interpreted until its following VCED bulk data...

Страница 42: ...06 00 10 not used 06 00 11 not used 06 00 12 not used 06 00 13 not used 06 00 14 not used 06 00 15 not used 06 00 16 not used 06 00 17 not used 06 00 18 not used 06 00 19 not used 06 00 1A not used 0...

Страница 43: ...ack Rev Var Send Knob1 4 Control BC FC MC4 MC1 3 Formant FM Ctrl Data Entry All Sound Off Reset All Ctrls YES NO Date 16 JUL 1998 Version 1 0 YAMAHA Tone Generator Model FS1R MIDI Implementation Chart...

Страница 44: ...811MWIT 11 2 02B0...

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