Yamaha EMX7, Руководство пользователя

Страница: 9 / 16

8
Console Controllability and Versatility
With the many features and control functions provided by the
EMX5014C, console style is the only way to go. It’s still compact
enough to be placed in the stage area and controlled by the
performers, but its console configuration also makes it an ideal choice
for front-of-house type operation by sound engineers. Linear faders are
another advantage of the console layout, providing precise level control
as well as graphic representation of relative channel levels.
Expanded EQ Capability
The EMX5014C features 3-band EQ on all input channels, but goes a
step further on the six mono channels with mid-frequency sweep
controls. The mid EQ center frequency can be continuously swept from
250 Hz through 5 kHz so you can precisely pinpoint frequencies in the
critical midrange that require compensation or enhancement. The
stereo graphic equalizer has also been expanded with 9 bands that
can be used for more effective room voicing or feedback control.
1-knob COMP on Mono Channels
The EMX5014C features compressors on all six monaural mic/line
channels allowing you to make vocals ride the mix better, give you that
smooth compressed guitar sound, deliver more punchy bass, and
generally hone your mixes in a multitude of ways. Yamaha’s unique
1-knob COMP are simple to use, too. There’s no need to juggle
multiple attack, threshold, makeup gain, and other controls — just set
the COMP control to the amount of compression you need.
Feedback Channel Locating (FCL) System
FCL System indicator LEDs at the top of each channel light if the
corresponding channel goes into feedback. So if and when feedback
occurs you’ll be able to locate the channel(s) in which it is occurring
immediately and rectify the problem without delay.
Comprehensive I/O
The EMX5014C features a range of inputs and outputs that allow it to
be integrated into larger systems or add outboard gear. Insert patch
points on the mono input channels, for example, let you add outboard
signal processing to individual input channels, while external AUX and
EFFECT sends allow you to route the mixer’s signals to external signal
processing and/or monitor systems as required. Stereo out, stereo
sub-out, and record outputs are also provided.
•
Versatile EMX model with fader
•
500W + 500W Output Power (4 Ω)
•
Up to 8 Mics, 14 Inputs Total (6 Mono/Mic, 4 Stereo)
•
SPX Digital Effects
•
FCL (Feedback Channel Locating) System
•
9-band Stereo Graphic EQ with Presets & Memory
A Console-format Powered
Mixer for Advanced Live
Applications
Dimensions
unit: mm (inch)
444 (17 3/8)
(
440 (17 5/16) excluding screw heads
)
493 (19 3/8)
444 (17 3/8)
(
440 (17 5/16) excluding screw heads
)
155 (6 1/8)
Rack-Mount kit
RK5014
Foot Switch
FC5
Optional Accessories for EMX5016CF/5014C (sold separately)