Yamaha EMX2 Скачать руководство пользователя страница 8

Versatile 16-Input Configuration Adapts to 

Varied Source Requirements

The EMX5016CF has a total of 16 input channels – eight for monaural 
microphone or line input plus four stereo pairs which can function 
either as monaural microphone inputs or stereo line inputs giving you 
more options if your sources are mostly microphones. If you need to 
handle more stereo sources the EMX5016CF will comfortably handle 
four pairs in addition to eight monaural microphone or line inputs. 
Switchable phantom power is provided for all microphone inputs.

Advanced Channel EQ

3-band EQ is available on all input channels, but extra versatility is 
provided on the eight mono channels with mid-frequency sweep 
controls. The mid EQ center frequency can be continuously swept from 
250 Hz through 5 kHz so you can precisely pinpoint frequencies in the 
critical midrange that require compensation, providing significantly 
enhanced equalization potential.

Ample I/O for Expansion and Integration

The EMX5016CF  features a range of inputs and outputs that allow it to 
be expanded with external gear or integrated into larger systems. 
Insert patch points on the mono input channels, for example, let you 
add outboard signal processing to individual input channels, while 
external AUX and EFFECT sends allow you to route the mixer’s signals 
to external signal processing and/or monitor systems. Stereo out, 
stereo sub-out, and record outputs are also provided.

1-knob COMP on Mono Channels

The EMX5016CF features compressors on all monaural microphone/line 
channels that can help to make vocals ride the mix better, give you that 
smooth compressed guitar sound, deliver more punchy bass, and 
generally refine your mixes in a multitude of ways. These unique 1-knob 
COMP are surprisingly simple to use. There are no multiple attack, 
threshold, makeup gain, and other controls — just set the COMP control 
to the amount of compression you need.

FRC (Frequency Response Correction) System

Setting a live sound system’s output equalizer to optimally match room 
response is normally a complicated  process but he EMX5016CF 
handles the entire process automatically, Simply set up a microphone in 
an appropriate location, connect it to channel 1, press 
MEASURE/CORRECT once to make the measurement, and then again 
to automatically set the graphic equalizer for optimized response. The 
EQ setting can then be stored in one of the user memories for later recall.

Automatic Feedback Suppression

The EMX5016CF provides a dedicated Feedback Suppressor function 
that detects feedback frequencies on the stereo bus and applies 
precise notch filters to eliminate the feedback. It has an AUTO mode 
that automatically keeps track of and attenuates feedback frequencies 
for you, and a sensitive manual mode that lets you pinpoint and 
attenuate individual feedback points. 

Multi-band “Maximizer”

The EMX5016CF “Maximizer” is an advanced 3-band compressor that 
can be applied to the stereo bus for a more punchy “up-front” overall 
sound. Simply press the MAXIMIZE switch to instantly give the
mix more presence and impact without sacrificing musical subtlety.

• 

 Flagship EMX model with fader

• 

 500W + 500W Output Power (4 Ω)

• 

 Up to 12 Mics, 16 Inputs Total (8 Mono/Mic, 4 Stereo)

• 

 Dual SPX Sends

• 

 FRC (Frequency Response Correction) System

• 

 Feedback Suppressor

• 

 9-band Digital Graphic EQ with Presets & Memory

Serious Live Sound Capability

Plus Innovative Digital Features

7

Dimensions

unit: mm (inch)

444 (17 3/8) 

(

440 (17 5/16) excluding screw heads

)

493 (19 3/8)

155 (6 1/8)

444 (17 3/8) 

(

440 (17 5/16) excluding screw heads

)

Содержание EMX2

Страница 1: ...EMX7 EMX5 EMX2 EMX5016CF EMX5014C ...

Страница 2: ...1 ...

Страница 3: ...ry leader for powered mixers Each model of the new EMX lineup is an integrated solution that combines a power amplifier with a versatile mixer in a single compact unit with functionality and professional performance features tailored to the demands of various sound reinforcement environments Power Portability Performance EMX7 EMX5 EMX2 EMX5016CF EMX5014C ...

Страница 4: ...Easy Setup Easy Operation With their intuitive user friendly architecture the EMX7 and EMX5 can be setup and operated quickly and easily by users with a fundamental understanding of sound reinforcement Their versatile enclosure design allows users to choose from a variety of vertical or horizontal placements depending on the type of application From a tabletop floor or installation environment no ...

Страница 5: ...6 FLANGER 17 CHORUS 1 18 CHORUS 2 19 SYMPHONIC 20 TREMOLO 21 AUTO WAH 22 RADIO VOICE 23 DISTORTION 24 PITCH CHANGE Flexible Speaker Connectivity EMX7 5 are equipped with speaker jacks which can be used with both TS phone and speakON plugs 1 knob COMP EMX7 5 is equipped with the popular 1 knob COMP function used in MGP and MG series models By simply operating a single control it is possible to get ...

Страница 6: ...ions 37 5cm x 22cm x 14 7cm 14 8 x 5 8 x 8 7 are surprisingly modest making it easy to fit along with speakers even in the trunk of a small car The lightweight body also features handles for a superior level of portability that will benefit anyone setting up a PA for applications where time is a consideration Easy Does It 5 Output Power 1 knob COMP SPX Inputs GEQ 1 Knob Master EQ Speaker Preset Fe...

Страница 7: ...a more classic defined sound ROOM adds a more intimate sound to performances and ECHO gives instruments or vocal a more professional edge as well as being an attractive option for KARAOKE A Positive Feedback Feature Few things make a live performance or speaking engagement take a negative turn like the sudden uncomfortable and often embarrassing howling of unwanted feedback Luckily the EMX2 comes ...

Страница 8: ...generally refine your mixes in a multitude of ways These unique 1 knob COMP are surprisingly simple to use There are no multiple attack threshold makeup gain and other controls just set the COMP control to the amount of compression you need FRC Frequency Response Correction System Setting a live sound system s output equalizer to optimally match room response is normally a complicated process but ...

Страница 9: ...Yamaha s unique 1 knob COMP are simple to use too There s no need to juggle multiple attack threshold makeup gain and other controls just set the COMP control to the amount of compression you need Feedback Channel Locating FCL System FCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback So if and when feedback occurs you ll be able to locate the...

Страница 10: ...nce of signal generator Rs 150 Ω All level controls are at their maximum position if not specified EMX7 EMX5 EMX2 Input Characteristics EMX7 EMX5 Input Jack MIC LINE Hi Z Actual Load Impedance For Use with Nominal Input Level Connector Sensitivity 1 Nominal Level Position 2 Max Before Clip CH 1 4 XLR MIC 3 kΩ 50 600 Ω Mics 60 dBu 0 775 mV 43 dBu 5 48 mV 15 dBu 138 mV Combo jack 3 Balanced LINE 30 ...

Страница 11: ...l Connector Sensitivity 2 Position Max Before Clip CH INPUT A 1 6 0dB 60 dB 3 kΩ 50 600 Ω Mics 80 dBu 0 078 mV 60 dBu 0 775 mV 40 dBu 7 75 mV XLR 3 31 type 3 16 dB 36 dBu 12 3 mV 16 dBu 123 mV 4 dBu 1 23 V 26dB 34 dB 54 dBu 1 55 mV 34 dBu 15 5 mV 14 dBu 155 mV 10 dB 10 dBu 245 mV 10 dBu 2 45 V 30 dBu 24 5 V CH INPUT B 1 6 0dB 60 dB 10 kΩ 600 Ω Lines 80 dBu 0 078 mV 60 dBu 0 775 mV 40 dBu 7 75 V Ph...

Страница 12: ... your speakers capabilities CBR Series speakers employ a protection function that limits excessive input to the HF unit This valuable protection circuit affords you worry free operation of your speakers when you need them most Combined with a highly responsive LF unit CBR Series speakers reliably deliver clear precise sound at any output level Versatility for a Wide Range of Applications Smart Enc...

Страница 13: ...PROCESSOR L R AUX1 BASS BOOST MENU CONTROL GEQ ACCESS STEREO AUX1 AUX2 LCD Display AUX1 LEVEL AUX2 LEVEL FEEDBACK SUPPRESSOR GRAPHIC EQUALIZER GRAPHIC EQUALIZER FEEDBACK SUPPRESSOR POWER AMP POWER AMP PEAK 10 6 3 0 3 6 10 15 20 25 30 REC OUT L 10dBV REC OUT R 10dBV SPEAKERS A L L R SPEAKERS B R AUX1 STEREO OUT L MONO 4dBu STEREO OUT R 4dBu AUX1 SEND 4dBu AUX2 SEND 4dBu 30dBu 20dBu 10dBu 0dBu 10dBu...

Страница 14: ...Ω 36 9dBu 500W 4Ω 35 2dBu SPEAKERS 125W 4Ω 29 2dBu STEREO OUT 4dBu 30dBu 20dBu 10dBu 0dBu 10dBu 20dBu 30dBu 40dBu 50dBu 60dBu 40dBu REC OUT 10dBV AUX1 AUX2 SEND 4dBu AUX1 CH1 4 STEREO L R AUX2 FX CH1 4 AUX1 CH5 6 11 12 AUX2 FX CH5 6 11 12 ST CH INPUT LINE 8dBu ST CH INPUT LINE 20dBu CH INPUT LINE PHONE 20dBu MIC LINE LINE CH INPUT MIC XLR 30dBu MIC LINE LINE CH INPUT LINE PHONE 50dBu MIC LINE MIC ...

Страница 15: ... EFF 2 ST AFL PFL 1 2 LAMP 12V INV REC OUT 10dBV L R SUM A B M U S M U S AFL AUX 1 4dBu 0dBu 10dBu 0dBu 0dBu AUX1 DSP INV INV L R A B 1 2 Multi Band Comp FBS GEQ FRC PAD HA HPF Lo Gain Mid Gain Hi Gain 3 Stage EQ Mid f BA TH COMP HA BA HA HA Lo Mid Hi 3 Stage EQ 3 Stage EQ BA BA DIGITAL EFFECT DSP SUM SUM SUM SUM SUM SUM SUM SUM SUM SUM SUM SUM 125Hz 250Hz 500Hz 1kHz 2kHz 4kHz 8kHz 9 Stage GEQ 9 S...

Страница 16: ... All specifications are subject to change without notice All trademarks and registered trademarks are property of their respective owners www yamahaproaudio com ...

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