Libraries
Setting up the entire PM5D V2 system from scratch can be a formidable task, so Yamaha has
provided an extensive selection of presets in a range of libraries that can simply be selected
and used as they are or modified to suit specific requirements. Of course, your own setups
can be added to the libraries for instant recall whenever they are needed. Here’s a list of the
available libraries:
Graphic Equalizers
The PM5D V2 provides twelve dedicated 31-band graphic equalizers for output processing,
and more are available via the internal effects when necessary. The graphic equalizers are
ideal for use whether you need a subtle overall response adjustment or a more dramatic
boost or cut in a limited frequency range. Each equalizer also features a spectrum analyzer
display. For easy setup the console’s DCA faders can be assigned to directly adjust the GEQ
bands in 8-band groups via the FADER MODE keys.
Internal Effect Processors
The PM5D V2 is equipped with eight SPX-class and VCM (Virtual Circuit Modeling) effect
processors that can be patched into any of the console’s input, stereo, mix, or matrix channels,
offering a comprehensive range of reverb, delay, modulation, and combination effects.
Name
Number
Total
Scene Memory
Preset 1 + User 500
501
Input Patch Library
Preset 1 + User 99
100
Output Patch Library
Preset 1 + User 99
100
Input Channel Library
Preset 1 + User 199
200
Output Channel Library
Preset 1 + User 199
200
Input EQ Library
Preset 40 + User 159
199
Output EQ Library
Preset 3 + User 196
199
GATE Library
Preset 4 + User 195
199
COMP Library
Preset 36 + User 163
199
Effect Library
Preset 55 + User 144
199
GEQ Library
Preset 1 + User 199
200
HA Library
Preset 1 + User 199
200
GEQ PARAMETER
GEQ ASSIGN
SECURITY
HA
HA LIBRARY
GPI
WORD CLOCK
M/S DECODE
Acclaimed VCM & REV-X Effects Built In
Previously available as options for Yamaha digital mixing consoles, a number of our top-
performance Add-on Effects programs are now provided in the PM5D V2. You can edit, store
and recall the Add-on Effects on the console in the same way as the standard internal effects.
In addition, a special GUI is available in the PM5D editor to manage these effects.
The extraordinary quality of many of the Add-on Effects is due to the innovative VCM
technology they employ. VCM (Virtual Circuitry Modeling) technology actually models the
characteristics of analog circuitry - right down to the last resistor and capacitor. VCM
technology goes well beyond simply analyzing and modeling electronic components and
emulating the sound of old equipment, and is capable of capturing subtleties that simple
digital simulations cannot even approach.
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CHANNEL STRIP Compressor Programs
(Effect No.49~53)
This group of effects includes 5 models that employ VCM (Virtual Circuitry Modeling)
technology to recreate the sound and characteristics of several classic compression and EQ
units from the 70’s. Compressor 276 (mono) and Compressor 276S (stereo) recreate the
fast response, frequency characteristics, and tube-amp saturation of the most in-demand
analog compressors for studio use. Compressor 260 (mono) and Compressor 260S (stereo)
feature faithful modeling of the solid-state VCA and RMS detection circuitry of the late 70’s
for live sound reinforcement applications. And Equalizer 601 delivers the unique
characteristics of 70’s analog EQ circuitry, featuring graphical editing capability on both the
console and PC displays.
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MASTER STRIP Open Deck Programs
(Effect No.54)
Virtual Circuitry Modeling technology is employed to recreate both the analog circuitry and
tape characteristics that shaped the sound of open-reel tape machines from the “golden age”
of recording. Models of four machine types are included: Swiss ’70, Swiss ’78, Swiss ’85, and
American ’70. You can even combine different record and playback decks for a wider range
of variation. You also have a choice of “old” and “new” tape types, tape speed, bias, and EQ
settings that can vary the “focus” of the sound, distortion, and saturation characteristics.
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REV-X Reverb Programs
(Effect No.46~48)
The REV-X programs feature the richest reverberation and smoothest decay available, based
on the REV-X algorithms first introduced in Yamaha’s SPX2000 Professional Multi Effect
Processor. The Hall and Room programs have a very open sound, while Plate delivers a
brighter tonality that is ideal for vocals.
* Note: The names of programs or menus incorporated in the Add-on Effects are for
descriptive purposes only. Reference to product names, trademarks, artists and songs is
made for the sole purpose of identifying products and sounds studied for modeling and
describing the sound nuances Yamaha attempted to create through use of its
proprietary technology. Such reference does not constitute representations that they
physically possess equal qualities, and does not imply any cooperation or endorsement
by such manufacturers or artists. The products, trademarks are the property of their
respective owners.
HA REMOTE Control Output
This connector provides control signals for remote control
of an external microphone preamplifier such as the Yamaha
AD8HR 8-channel A/D microphone preamplifier. The
AD8HR’s mic preamp gain can be remotely controlled in
steps of 1dB directly from the PM5D V2. There’s also a high
pass filter and phantom power supply integrated into each
channel that can be turned on and off by remote control.
The filter’s cut-off frequency is also remotely adjustable. This
Head Amp Remote Control function makes it possible for the
AD8HR to be used as a stage box. In addition to the many
advantages that this offers, digital connection of the AD8HR
and PM5D V2 using an AES/EBU cable reduces analog wiring
requirements to the bare minimum.
Operation Lock
The Operation Lock function prevents accidental or
inadvertent operation by requiring a password for access.
Internal Oscillator
The internal oscillator provides 100Hz, 1kHz, and 10kHz
sine-wave signals as well as pink and burst noise. Sine waves
of different frequencies can be sent to the left and right
channels for effective setup checks.
GPI Interface
A 4-input 12-output General Purpose Interface is provided
on PM5D V2 to provide control interoperability with a wide
range of sound and studio equipment - fader start and talk
back on/off are just two examples. The USER ASSIGNABLE
KEYS can be assigned to trigger appropriate output signals,
and continuous input capability allows the PM5D V2 to be
controlled by external equipment.
MS Decoding
Built-in MS decoding eliminates the need for external matrix
transformers for MS microphones when working with MS-
encoded source material.
Mix Minus
Mix Minus makes it possible to instantly remove a specified
channel from the mix - a common example from the
broadcast field would be removing an announcer from a
mix. Vertical Pairing In addition to standard odd-even
channel pairing, the PM5D V2 allows “vertical pairing” in
which adjacent channels on different layers can be operated
in tandem - channels 1 and 25, for example.
Word Clock
The PM5D V2 can be used as either word clock master or
slave to allow effective integration with any type of digital
audio system up to 96-kHz.
MIDI Remote
The PM5D V2 features MIDI IN, OUT and THRU connectors
that can be connected to external MIDI equipment to allow
transmission and reception of MIDI control signals.
Compressor 276 (mono)
Compressor 276S
EQ601
Compressor 260 (mono) /
Compressor 260S
Swiss ’70 with New
Swiss ’85 with New
American ’70 with New
REV-X HALL
REV-X PLATE
REV-X ROOM
16
17
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Effect List
REVERB HALL
REVERB ROOM
REVERB STAGE
REVERB PLATE
EARLY REF.
GATE REVERB
REVERSE GATE
MONO DELAY
STEREO DELAY
MOD. DELAY
DELAY LCR
ECHO
CHORUS
FLANGE
SYMPHONIC
PHASER
AUTO PAN
TREMOLO
HQ PITCH
DUAL PITCH
ROTARY
RING. MOD.
MOD.FILTER
DISTORTION
AMP SIMULATE
DYNA.FILTER
DYNA.FLANGE
DYNA.PHASER
REV+CHORUS
REV->CHORUS
REV+FLANGE
REV->FLANGE
REV+SYMPHO.
REV->SYMPHO.
REV->PAN
DELAY+ER
DELAY->ER
DELAY+REV
DELAY->REV
DIST->DELAY
MULTIFILTER
FREEZE
STEREO REVERB
M.BAND DYNA
M.BAND COMP
REV-X HALL
REV-X ROOM
REV-X PLATE
COMP276
COMP276S
COMP260
COMP260S
EQUALIZER601
OPENDECK
DE-ESSOR
