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11

Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or binary numbers. Hexadecimal numbers
may include the letter “H” as a suffix. The letter “n” indicates a certain whole number.
The chart below lists the corresponding decimal number for each hexadecimal/binary number.

Decimal

Hexadecimal

Binary

Decimal

Hexadecimal

Binary

0

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

00

01

02

03

04

05

06

07

08

09

0A

0B

0C

0D

0E

0F

10

11

12

13

14

15

16

17

18

19

1A

1B

1C

1D

1E

1F

20

21

22

23

24

25

26

27

28

29

2A

2B

2C

2D

2E

2F

30

31

32

33

34

35

36

37

38

39

3A

3B

3C

3D

3E

3F

0000 0000

0000 0001

0000 0010

0000 0011

0000 0100

0000 0101

0000 0110

0000 0111

0000 1000

0000 1001

0000 1010

0000 1011

0000 1100

0000 1101

0000 1110

0000 1111

0001 0000

0001 0001

0001 0010

0001 0011

0001 0100

0001 0101

0001 0110

0001 0111

0001 1000

0001 1001

0001 1010

0001 1011

0001 1100

0001 1101

0001 1110

0001 1111

0010 0000

0010 0001

0010 0010

0010 0011

0010 0100

0010 0101

0010 0110

0010 0111

0010 1000

0010 1001

0010 1010

0010 1011

0010 1100

0010 1101

0010 1110

0010 1111

0011 0000

0011 0001

0011 0010

0011 0011

0011 0100

0011 0101

0011 0110

0011 0111

0011 1000

0011 1001

0011 1010

0011 1011

0011 1100

0011 1101

0011 1110

0011 1111

6 4

6 5

6 6

6 7

6 8

6 9

7 0

7 1

7 2

7 3

7 4

7 5

7 6

7 7

7 8

7 9

8 0

8 1

8 2

8 3

8 4

8 5

8 6

8 7

8 8

8 9

9 0

9 1

9 2

9 3

9 4

9 5

9 6

9 7

9 8

9 9

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

4 0

4 1

4 2

4 3

4 4

4 5

4 6

4 7

4 8

4 9

4A

4B

4C

4D

4E

4F

5 0

5 1

5 2

5 3

5 4

5 5

5 6

5 7

5 8

5 9

5A

5B

5C

5D

5E

5F

6 0

6 1

6 2

6 3

6 4

6 5

6 6

6 7

6 8

6 9

6A

6B

6C

6D

6E

6F

7 0

7 1

7 2

7 3

7 4

7 5

7 6

7 7

7 8

7 9

7A

7B

7C

7D

7E

7F

0100 0000

0100 0001

0100 0010

0100 0011

0100 0100

0100 0101

0100 0110

0100 0111

0100 1000

0100 1001

0100 1010

0100 1011

0100 1100

0100 1101

0100 1110

0100 1111

0101 0000

0101 0001

0101 0010

0101 0011

0101 0100

0101 0101

0101 0110

0101 0111

0101 1000

0101 1001

0101 1010

0101 1011

0101 1100

0101 1101

0101 1110

0101 1111

0110 0000

0110 0001

0110 0010

0110 0011

0110 0100

0110 0101

0110 0110

0110 0111

0110 1000

0110 1001

0110 1010

0110 1011

0110 1100

0110 1101

0110 1110

0110 1111

0111 0000

0111 0001

0111 0010

0111 0011

0111 0100

0111 0101

0111 0110

0111 0111

0111 1000

0111 1001

0111 1010

0111 1011

0111 1100

0111 1101

0111 1110

0111 1111

Additional Notes

For example, 144 - 159(Decimal)/9nH/1001 0000 - 1001 1111(Binary) indicate the note-on messages for the channels 1 through 16
respectively. 176 - 191/BnH/1011 0000 - 1011 1111 indicate the control change messages for the channels 1 through 16 respectively. 192 -
207/CnH/1100 0000 - 1100 1111 indicate the program change messages for the channels 1 through 16 respectively.  240/F0H/1111 0000 is
positioned at the beginning of data to indicate a system exclusive message. 247/F7H/1111 0111 is positioned at the end of the system
exclusive message. 

aaH(Hexadecimal)/0aaaaaaa(Binary) indicates the data addresses. The data address consists of High, Mid and Low.

bbH/0bbbbbbb indicates byte counts.

ccH/0ccccccc indicates tcheck sums.

ddH/0ddddddd indicates data/value.

Synthesizer Section

(1) TRANSMIT FLOW

SW1

MIDI<-[]—-+———-NOTE ON/OFF

9nH

OUT

|

|

|

+———-CONTROL CHANGE

*1

|

|

MODULATION

BnH,01H

|

|

FOOT CONTROLLER

BnH,04H

|

|

MAIN VOLUME

BnH,07H

|

|

SUSTAIN SWITCH

BnH,40H

|

|

RIBBON Z CONTROLLER

BnH,0CH

|

|

RIBBON X CONTROLLER

BnH,0DH

|

|

HARMONIC CONTENT

BnH,47H

|

|

RELEASE TIME

BnH,48H

|

|

ATTACK TIME

BnH,49H

|

|

BRIGHTNESS

BnH,4AH

|

|

DECAY TIME

BnH,4BH

|

|

ASSIGNABLE

BnH,00H...5FH

|

|

|

+———-PROGRAM CHANGE

CnH

|

|

|

+———-CHANNEL AFTER TOUCH

DnH

|

|

|

+———-PITCH BEND CHANGE

EnH

|SW2

+-[]-+———-NOTE ON/OFF

9nH

|

|SW4

|

+-[]——CONTROL CHANGE

|

|SW4

ASSIGNABLE

BnH,00H...5FH

|

+-[]——CHANNEL AFTER TOUCH

DnH

|

|SW3

+-[]-+———-SYSTEM EXCLUSIV MESSAGE

|

|

<BULK DUMP>

|

|———-SYSTEM

F0H 43H 0nH 5CH bbH bbH 00H 00H 00H ddH.....ddH ccH F7H

|

|———-USER SEQ

F0H 43H 0nH 5CH bbH bbH 01H aaH 00H ddH.....ddH ccH F7H

|

|———-CURRENT VOICE

F0H 43H 0nH 5CH bbH bbH 10H 00H 00H ddH.....ddH ccH F7H

|

|———-CURRENT SEQ

F0H 43H 0nH 5CH bbH bbH 10H 0EH 00H ddH.....ddH ccH F7H

|

|———-CURRENT SCENE1

F0H 43H 0nH 5CH bbH bbH 10H 10H 00H ddH.....ddH ccH F7H

|

|———-CURRENT SCENE2

F0H 43H 0nH 5CH bbH bbH 10H 11H 00H ddH.....ddH ccH F7H

|

|[SW5]—CURRENT SCENE_CTRL

F0H 43H 0nH 5CH bbH bbH 10H 12H 00H ddH.....ddH ccH F7H

|

|———-USER VOICE

F0H 43H 0nH 5CH bbH bbH 11H aaH 00H ddH.....ddH ccH F7H

|

|

|

|

<PARAMETER CHANGE>

|

|———-SYSTEM

F0H 43H 1nH 5CH 00H 00H aaH ddH.....ddH F7H

|

|———-CURRENT VOICE

F0H 43H 1nH 5CH 10H 00H aaH ddH.....ddH F7H

|

|———-CURRENT SEQ

F0H 43H 1nH 5CH 10H 0EH aaH ddH.....ddH F7H

|

|———-CURRENT SCENE1

F0H 43H 1nH 5CH 10H 10H aaH ddH.....ddH F7H

|

|———-CURRENT SCENE2

F0H 43H 1nH 5CH 10H 11H aaH ddH.....ddH F7H

|

|[SW5]—CURRENT SCENE_CTRL

F0H 43H 1nH 5CH 10H 12H aaH ddH.....ddH F7H

|

+—-+————SYSTEM EXCLUSIV MESSAGE

|

IDENTITY REPLY

F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH 

|

00H 00H 00H 7EH F7H

+——————ACTIVE SENSING

FEH

SW1 []

MIDI Transmit Channel

Depends on Keyboard Transmit Channel Set in System Data

SW2 []

MIDI Transmit Channel (ARPEGGIO/STEP SEQ)

Depends on Arpeggio/Step SEQ Transmit Channel in System Data

SW3 []

MIDI Device Number

If Device Number=all, then transmit Device Number=1

SW4 []

ARPEGGIO/STEP SEQ SELECT

Available only when Step Sequencer is selected.

SW5 []

SCENE SELECT

Available only when Scene Select is set to “Scene Control”.

*1 If Control Change Mode is “mode2”, then additional Control Change numbers are transmitted. (See (3-1-6).)

(2) RECEIVE FLOW

MIDI ->—+————+

IN

|

|

+—+

|

|

+————+

|

|SW6

|

|-[]-+——NOTE OFF

8nH

|

|

|

|

|

+——NOTE ON/OFF

9nH

|

|

|

|

|

+——CONTROL CHANGE

*1

|

|

|

MODULATION

BnH,01H

|

|

|

FOOT CONTROLLER

BnH,04H

|

|

|

PORTAMENTO TIME

BnH,05H

|

|

|

DATA ENTRY MSB

BnH,06H

|

|

|

DATA ENTRY LSB

BnH,26H

|

|

|

MAIN VOLUME

BnH,07H

|

|

|

PANPOT

BnH,0AH

|

|

|

EXPRESSION

BnH,0BH

|

|

|

SUSTAIN SWITCH

BnH,40H

|

|

|

PORTAMENTO SWITCH

BnH,41H

|

|

|

HARMONIC CONTENT

BnH,47H

|

|

|

RELEASE TIME

BnH,48H

|

|

|

ATTACK TIME

BnH,49H

|

|

|

BRIGHTNESS

BnH,4AH

|

|

|

REVERB DEPTH

BnH,5BH

|

|

|

CHORUS(VARIATION) DEPTH

BnH,5DH

|

|

|

DELAY DEPTH

BnH,5EH

|

|

|

DATA ENTRY INC

BnH,60H

|

|

|

DATA ENTRY DEC

BnH,61H

|

|

|

ASSIGNABLE CONTROLLER

BnH,00H..5FH

|

|

|

RPN

|

|

|

PITCH BEND SENS

BnH,64H,00H,65H,00H,06H,mmH

|

|

|

RPN RESET

BnH,64H,7FH,65H,7FH

|

|

|

ALL SOUND OFF

BnH,78H,00H

|

|

|

RESET ALL CONTROLLERS

BnH,79H,00H

|

|

|

ALL NOTE OFF

BnH,7BH

|

|

|

OMNI MODE OFF

BnH,7CH

|

|

|

OMNI MODE ON

BnH,7DH

|

|

|

MONO MODE

BnH,7EH

|

|

|

POLY MODE

BnH,7FH

|

|

|

|

|

+——PROGRAM CHANGE

CnH

|

|

|

|

|

+——CHANNEL AFTER TOUCH

DnH

|

|

|

|

|

+——PITCH BEND CHANGE

EnH

|

|SW3

|

+-[]-+——SYSTEM EXCLUSIV MESSAGE

|

|

|

<BULK DUMP>

|

|

|———SYSTEM

F0H 43H 0nH 5CH bbH bbH 00H 00H 00H ddH.....ddH ccH F7H

P11-19  97.9.19 2:24 PM  Page 11

Содержание AN1x

Страница 1: ...Cover1 97 7 111 10PMy W 1...

Страница 2: ...t to OFF Combination analog pad and analog lead sound Fat hip hop saw bass Slide the edge back with the MODULATION wheel Heavy analog bass with a characteristic attack Select Scene 2 for a variation H...

Страница 3: ...l the volume of the bells Analog PWmod synth string pad Scene 2 is a square wave variation with pulse width controlled by the RIBBON Synth pad sound with great sound projection Soft pad great for back...

Страница 4: ...cey pad with soft sync modulation Distorted analog sequence great for techno music Use the RIBBON to control the filter Notes in the bottom octave of the keyboard play a sequence and determine its pit...

Страница 5: ...d you play 16 Techno A Typical techno sequence TYPE A Euro techno type 17 Techno B Typical techno sequence TYPE B UK type with Velocity 18 Techno C Typical techno sequence TYPE C Japan techno type 19...

Страница 6: ...able 1 Speed 0 00 41 70Hz Common 0 159 table 1 2 L R Depth 0 100 0 100 3 F R Depth 0 100 0 100 4 PAN Direction L R L R L R Lturn Rturn 0 4 elm Dry Wet D63 W D W D W63 Scene 1 127 ROTARY SPEAKER No Par...

Страница 7: ...ms 99 99 0 1 330 0ms 99 99 Thru 8 0kHz 1 0k Thru 0 127 Display 0 1 330 0ms 99 99 0 1 330 0ms 99 99 L R L R Thru 8 0kHz 1 0k Thru 0 127 Display e specified 1 2 3 8 1 4 3 16 1 6 1 8 3 32 1 12 1 16 1 24...

Страница 8: ...8 2 1 18 35 18 800 19 1 6 83 6 99 147 33 63 19 180 19 2 2 19 40 19 1 0k 20 1 68 84 7 07 148 34 3 20 200 20 2 3 20 1 2k 21 1 77 85 7 16 149 34 97 21 225 21 2 4 21 1 4k 22 1 85 86 7 24 150 35 65 22 250...

Страница 9: ...CONTROLLER RIBBON X CONTROLLER FOOT CONTROLLER PORTAMENTO TIME DATA ENTRY MSB MAIN VOLUME PANPOT EXPRESSION RIBBON Z CONTROLLER RIBBON X CONTROLLER DATA ENTRY LSB DATA ENTRY LSB SUSTAIN SWITCH PORTAME...

Страница 10: ...O2PWMSrc x x x 31 VCO2PmodDp 24 add O 63 63 x x 32 MIX VCO1 Level 25 mul O 64 63 O 64 63 O 64 63 33 VCO2 Level 26 mul O 64 63 O 64 63 O 64 63 34 Ring Mod 27 mul O 64 63 O 64 63 O 64 63 35 NoiseLevel 2...

Страница 11: ...aaaa Binary indicates the data addresses The data address consists of High Mid and Low bbH 0bbbbbbb indicates byte counts ccH 0ccccccc indicates tcheck sums ddH 0ddddddd indicates data value Synthesiz...

Страница 12: ...EPTH v 0 127 c 94 DELAY DEPTH v 0 127 c 96 DATA ENTRY INC v 127 2 c 97 DATA ENTRY DEC v 127 2 c 00 95 ASSIGNABLE CONTROLLER v 0 127 1 Preset CONTROL CHANGE NUMBER at the factory Can be changed 2 Used...

Страница 13: ...e ignored 3 5 3 PARAMETER CHANGE 3 5 3 1 DX1 MASTER TUNING F0H 43H 1nH 04H 40H ddH F7H When AN1x receives the DX1 compatible format MASTER TUNE in the System Data will be changed The value dd is used...

Страница 14: ...s On Dly Ef Type 00 7F Dly Ef Param 5 LSB See Effect Parameter List Depends On Dly Ef Type 3c 2 00 7F Dly Ef Param 6 MSB See Effect Parameter List Depends On Dly Ef Type 00 7F Dly Ef Param 6 LSB See E...

Страница 15: ...Param 9 40 0 Total size 74 Scene 1 2 Edit Buffer Total size 44 Scene Ctrl Buffer S 0 Scene 1 Edit Buffer 1 Scene 2 Edit Buffer 2 Scene Ctrl Buffer effective only when Scene Ctrl is active 1 Poly Mode...

Страница 16: ...Data1 LSB 0 127 10 00 2 00 01 Free EG Trk3 Data2 MSB 0 1 10 01 00 7F Free EG Trk3 Data2 LSB 0 127 10 00 2 00 01 Free EG Trk3 Data128 MSB 0 1 10 01 00 7F Free EG Trk3 Data128 LSB 0 127 10 00 2 00 01 Fr...

Страница 17: ...Param 12 off 0 Vari Ef Dry Wet 24 19 00 1 00 7F Ctrl Matrix Depth 12 Depends on Ctrl Matrix Param 19 40 0 1 00 72 Ctrl Matrix Source13 off 0 Assign Knob8 72 19 00 1 00 24 Ctrl Matrix Param 13 off 0 Va...

Страница 18: ...27 100 64 26 1 00 7F Step Seq Gate Time 1 1 0 100 40 200 7F 94 3C 27 1 00 7F Step Seq Gate Time 2 1 0 100 40 200 7F 94 3C 28 1 00 7F Step Seq Gate Time 3 1 0 100 40 200 7F 94 3C 29 1 00 7F Step Seq Ga...

Страница 19: ...66 67 84 71 74 0 95 91 93 94 96 97 98 99 100 101 120 121 Control Change Bank Select Data Entry Sound Controller Assignable Control Effect Send Level Data Inc Dec NRPN LSB MSB RPN LSB MSB All Sounds O...

Страница 20: ...M D G EMI Division Yamaha Corporation 1997 AN1x_DATALIST C 4 E 97 7 111 45PMy W 1...

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