Wilson Electronics Sophia Series 2, Руководство пользователя

Страница: 22 / 66

S
o p h i a
S
e r i e S
2 o
w n e r
’
S
M
a n u a l
22
W i l s o n A u d i o S p e c i a l t i e s
Sonex
®
or air duct panels applied to that part of the wall where the reflection occurs.
Section 2.3 - Resonances
Resonance in listening rooms is generally caused by two sources:
• Structures within the listening room.
• The volume of air itself within the listening room.
Structural Resonance
Structural resonances are familiar to most people as buzzes and rattles, but this
type of resonance usually only occurs at extremely high volume levels and is usually
masked by the music. In many wood frame rooms the most common type of structural
resonance problem is “booming” of walls and floors. You can test for these very easily
by tapping the wall with the palm of your hand or stomping on the floor. Most rooms
exhibit mid-bass “boom” when struck. The loudspeaker playing in the room also ex-
cites these resonances. To give you an idea of what the perfect wall would sound like,
imagine rapping your hand against the side of a mountain. Structural wall resonances
generally occur in the low to mid-bass frequencies and add a false fullness to the ton-
al balance. They, too, are more prominent at louder levels, but their contribution to
the sound of the speaker is more progressive. Rattling windows, picture frames, lamp
shades, etc., can generally be silenced with small pieces of caulk or with blocks of felt.
However, short of actually adding additional layers of sheet rock to flimsy walls, there
is little that can be done to eliminate wall resonances.
Volume Resonance
The physical dimensions and volume of air in a room will also support standing
wave modes and resonances at frequencies determined by the size of that room. Larger
rooms will resonate at a lower frequency and have more complex (better) modal distri-