WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
CHANNEL STRIP DESCRIPTION PM500:
1. VOLUME
: Determines volume level of the
channel in the mix.
2. LOW EQ:
The LOW EQ control gives 15db of
boost or cut at 80Hz. By turning the knob to the
right (boost) instruments such as guitars can be
given more clarity, or vocals can be ‘warmed’.
Turning to the left (cut) will eliminate unwanted
low frequencies such as those caused by close
miking or excessive bass frequencies in instru-
ments
3. HIGH EQ
: The High EQ control gives 15dB
boost or cut at 12kHz. Turn to the right to add
clarity to high frequency components such as per-
cussion. By turning to the left, high frequencies
such as ‘hiss’ are cut.
4. MIC/LINE INPUT
: Connection can be made to
the MIC/LINE inputs with either XLR or 1/4” phono
jack. This connection can be either a microphone
or a line level signal.
5. EFX:
Use this control to determine the signal
level to be sent to the built in digital delay effect
control.
1
2
3
5
4
CHANNEL STRIP DESCRIPTION PM600:
1. VOLUME
: Determines volume level of the channel in the mix.
2. LOW EQ:
The LOW EQ control gives 12db of boost or cut at 100Hz. By turning the knob
to the right (boost) instruments such as guitars can be given more clarity, or vocals can be
‘warmed’. Turning to the left (cut) will reduce hum or unwanted background interference.
3. HIGH EQ
: The High EQ control gives 12dB boost or cut at 8kHz. Turn to the right to add
clarity to high frequency components such as percussion. By turning to the left, high fre-
quencies such as ‘hiss’ are cut.
4. MIC/LINE INPUT
: Connection can be made to the MIC/LINE inputs with either XLR or
1/4” phono jack. This connection can be either a microphone or a line level signal.
5. EFX:
Use this control to determine the signal level to be sent to the built in digital delay
effect control.
1
4
5
2
3
The LF control frequency has been carefully selected, allowing pleasing musical adjustment to
vocals or instruments without losing their natural balance. The HF control is similarly designed to
enable pleasing musical control without harshness or excessive mid range interference.
PM Series Instruction Manual Page 5
