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OPERATING  INSTRUCTIONS  FOR  GAMBIT ADC2  24Bit / 192kHz A/D CONVERTER 

OPERATION 

Daniel Weiss Engineering Ltd., Florastr. 42, CH-8610 Uster 

Page  5 

 +41 1 940 20 06    

 +41 1 940 22 14    

 http://www.weiss. ch    [email protected] 

 

 

Digital In / Mic 

Pressing the “

digtial in

” key activates the digital 

AES/EBU XLR input, the key lights red if active. As soon 
as a valid signal is present, the sampling rate is dis-
played with the sampling rate keys (see  Fig. 6). 

If the digital input stage does not lock to any signal, 
none of the sampling rate keys are lit. 

If the “

digital in

” key is not lit, the analogue inputs are 

selected. To activate the microphone input for either 
channel, press the appropriate “

mic

” key (if “

ganged

” 

is active, pressing one “

mic

” key will select micro-

phone inputs for both channels). Press “

+48V

” if phan-

tom power is needed. 

It is usually advisable to use “

low-cut

” when recording 

with microphones. If “

low-cut

” is lit, low frequency 

content (traffic rumble, building tremors, air-condition 
hum and other low-frequency air movement like doors 
opening or closing near the microphone etc.) is filtered 
out. 

Peak Hold 

If “

peak hold

” is lit, the numeric display shows the 

peak hold value (in dBFS) which is selected by the gain 
key: “

input gain

” selects the input peak hold

, “output 

gain

” selects the output peak hold (“

threshold

” also 

selects output peak hold). See Fig. 1 for positioning of 
input and output peak hold in the processing chain. 

If input peak hold is selected, values equal to or above 
0.0dBFS are indicated by “>=0”. The output peak hold 
however can measure values above 0.0dBFS because 
of the internal floating-point data format used in the  
digital signal processor. This is very useful to set the 
output gain. 

 

To clear the peak hold value, double-click the “

peak 

hold

” key! 

Double-click resets both input and output peak hold.

 

Input Gain 

If “

input gain

” is lit, the rotary knobs control the ana-

logue input sensitivity. This is adjusted in 1dB steps via 
a relay controlled attenuator. The selected value is 
shown in the numeric display. 

The level bargraph is switched between input and 
output  in the same manner as the peak hold. Thus, if 
the “

input gain

” key is lit, the bargraph displays the 

input peak meter. If the “

output gain

” key is lit, the 

bargraph displays the ouput peak meter (settings can 
be different if “ganged” is not lit). 

Refer to Fig. 1 on p. 4 for positioning of input and 
output peak meter in the processing chain. 

Note:

 The reference for the input sensitivity display 

can be chosen by the user. For that purpose press and 
hold the “ganged” key and then switch the ADC2 on. 
After a few seconds release the ganged key. Wait for a 
few more seconds. Now you can select the reference 
with the righthand knob. This allows to set the refer-
ence to e.g. +4dBu. Factory setting is 0 dBu reference. 
When finished press the blinking “peak hold” key. The 
setting is retained in non-volatile memory. 

Output Gain 

If “

output gain

” is lit, the rotary knobs control the 

digital output gain. This gain can be used for optimal 
gain adjustment and to drive the peak limiter (see 
below). 

The gain ranges from -∞ (off) to +18.0 dB, the resolu-
tion is optimized for fine control around 0.0 dB while 
still allowing complete fade-out. A special algorithm is 
used for click-free gain transitions (no “zipper” noise). 

Содержание GAMBIT ADC2

Страница 1: ... engineering ltd Florastrasse 42 8610 Uster Switzerland 41 44 940 20 06 41 44 940 22 14 http www weiss ch http www weiss highend com WEISS GAMBIT ADC2 OPERATING MANUAL Software Version 3 1 Firewire option update 22 7 2020 ...

Страница 2: ...ad circuitry and sidechain oversampling for mastering quality dynam ics processing Large bar graphs a well thought out push button array and uncluttered rotary knobs optimize handling ergonomics Summary of ADC2 features Inputs Two balanced LINE and two MIC inputs on sepa rate XLR connectors MIC input with switchable phantom power Input sensitivity is settable in each channel inde pendently or gang...

Страница 3: ...UCTION INTRODUCTION INTRODUCTION Daniel Weiss Engineering Ltd Florastr 42 CH 8610 Uster Page 3 41 1 940 20 06 41 1 940 22 14 http www weiss ch weiss weiss ch Outputs AES EBU on XLR in one or two wire format S PDIF on RCA Firewire Optional a kit is available DSP POW R dithering to 16 bits settable to three dif ferent algorithms according to the POW R stand ard SNR enhancement Level bar graph meter ...

Страница 4: ...channel 1 and channel 2 gain and threshold controls Additionally if ganged is active the com pressor limiter links 1 the sidechains of the two chan nels Typical applications for ganged mode are stereo left right recordings with two micro phones stereo insert limiting during mixdown or master ing If ganged is not active channel 1 and channel 2 settings are independent and the compressor limiter wor...

Страница 5: ...asure values above 0 0dBFS because of the internal floating point data format used in the digital signal processor This is very useful to set the output gain To clear the peak hold value double click the peak hold key Double click resets both input and output peak hold Input Gain If input gain is lit the rotary knobs control the ana logue input sensitivity This is adjusted in 1dB steps via a relay...

Страница 6: ...own in the input vs output graph in Fig 3 Fig 3 Compressor with 0 0dB Threshold To activate the limiter set the output gain to a posi tive value The boost will drive the signal into the lim iter The gain reduction applied by the limiter is visible on the yellow bargraphs To soften the transmission from linear to limiter seg ment the compressor can be activated by adjusting the threshold parameter ...

Страница 7: ...none of these two keys are lit the ADC2 uses inter nal sync POW r Dither To requantize the input signal from 24bit to 16bit format a special technique is used to avoid distortion called dithering Many dithering schemes are available today both professional and homebrewed The ADC2 uses the POW r scheme which is widely regarded as one of the best if not the best 2 and is used in a varie ty of digita...

Страница 8: ... Fig 7 shows a 24bit sine wave at 85dBFS truncated to 16bit Fig 7 1kHz Sine wave truncated to 16bit If the same sine wave is dithered instead of quantized the quantization distortion disappears and is replaced by wide band shaped noise which is more pleasing to the human ear Fig 8 Fig 8 1kHz sine wave dithered to 16bit To view the frequency characteristics of the three POW r algorithms refer to PO...

Страница 9: ... 2 DO3 RCA 44 1 kHz 44 1 kHz single wire 44 1kHz sin gle wire 44 1 kHz single wire 48 kHz 48 kHz single wire 48 kHz single wire 48 kHz single wire 88 2 kHz 44 1 kHz left channel 44 1 kHz right channel muted 96 kHz 48 kHz left channel 48 kHz right channel muted 176 4 kHz 88 2 kHz left channel 88 2 kHz right channel muted 192 kHz 96 kHz left channel 96 kHz right channel muted Table 2 AES OUT dual WI...

Страница 10: ...ace will be automatically configured such that it is slaved to the ADC2 output In the audio setup of your computer select the Weiss Firewire Interface as the recording and or playback device The recording path uses the ADC2 XLR output as input to the Firewire interface The playback path feeds the data coming into the ADC2 via Firewire directly to the RCA output connect or There are no ADC2 process...

Страница 11: ...ree on two XLR female connectors pin 2 hot Input Impedance 5kOhm 48V phantom power switchable AES EBU Input Input fs range 44 1kHz 48 0kHz 88 2kHz 96 0kHz 176 4kHz 192 0kHz All sampling frequencies must lie within 100ppm of the nominal sampling frequency Maximum Input Wordlength 24 Bits Connector XLR female Impedance 110 Ohm AES EBU Output Output fs range 44 1kHz 48 0kHz 88 2kHz 96 0kHz 176 4kHz 1...

Страница 12: ... 0kHz 88 2kHz 96 0kHz 176 4kHz 192 0kHz Maximum Output Wordlength 24 Bits Channel Status Data Professional format Connector RCA female Impedance 75 Ohm WORDSYNC I O Input Connector BNC female Input Impedance 75 Ohm Input Level TTL Output Connector BNC female Output Impedance 4 7 Ohm Output Level TTL Firewire Optional a kit is available Power Mains Voltage 110 220 Volts with voltage selector Fuse r...

Страница 13: ...Hz 30kHz 0 3dB fs 176 4kHz 20Hz 40kHz 0 3dB fs 192 0kHz 20Hz 40kHz 0 3dB THD N 1kHz less than 103 dBFS 3 dBFs output level unweighted SNR 40dBFS input 110dB unweighted Linearity t b d Crosstalk 120dB 0 20kHz CMRR 90dB 1kHz 80dB 20kHz 60dB 20Hz Interchannel phase tracking Better than 0 3 20Hz to 20kHz Latency sampling rate delay 44 1k 2 6 ms 48 0k 2 49ms 88 2k 1 8ms 96 0k 1 75ms 176 4k 1 4ms 192 0k...

Страница 14: ...8 4 6 4 4 4 2 4 0 3 8 3 6 3 4 3 2 3 0 2 8 2 6 2 4 2 2 2 0 1 8 1 6 1 4 1 2 1 0 0 8 0 6 0 4 0 2 0 0 0 2 0 4 0 6 0 8 1 0 1 2 1 4 1 6 1 8 2 0 2 2 2 4 2 6 2 8 3 0 3 2 3 4 3 6 3 8 4 0 4 2 4 4 4 6 4 8 5 0 5 2 5 4 5 6 5 8 6 0 6 2 6 4 6 6 6 8 7 0 7 2 7 4 7 6 7 8 8 0 8 2 8 4 8 6 8 8 9 0 9 2 9 4 9 6 9 8 10 0 10 2 10 4 10 6 10 8 11 0 11 2 11 4 11 6 11 8 12 0 12 2 12 4 12 6 12 8 13 0 13 2 13 4 13 6 13 8 14 0 1...

Страница 15: ... 8610 Uster Page 15 41 1 940 20 06 41 1 940 22 14 http www weiss ch weiss weiss ch POW R Noise Spectrum Fig 10 shows the noise spectrum of the three POW R algorithms at 44 1 and 88 2 kHz Fig 10 Output spectrum with 80dBFS 1kHz sine wave dithered to 16 Bits using the three POW R algorithms at 44 1kHz and 88 2kHz respectively ...

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