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INTERNAL GAIN STAGING

In both versions, 18dB headroom (at least) is guaranteed and above that level IMD/ALI-
ASING/CLIPPING artifacts may drastically increase depending on the DRIVE and MOJO 
settings. 

Use the DRIVE option to adjust the internal gainstaging for the three stateful saturators within 
a range of +/-9dB. The absolute headroom is also controlled via the MOJO option, by an 
amount of 9dB.

The metering should give a rough indication if you are using the right version in a specific 
situation: There should be some needle movement in the grey section of the scale. Also, avoid 
continuous RMS levels in the red area.

2.5. METERING AND BALLISTICS

Metering is individually provided for the incoming and outgoing audio. Each meter has a 
screw in the middle to obtain different ballistics. Each screw can be turned around by 360 
degrees. The left screw controls the right one also. The right screw can be turned independ-
ently. This design allows both, turning them in sync or adjusting them differently.

In left most position the meter acts as a classic VU meter with 300ms integration time. Above 
this setting, 'K-weighting' loudness filtering is activated and the integration time continuously 
increases  up  to  3 seconds. Given this   design, two  other important  settings  can easily  be 
obtained:

1. In 

one o'clock

 position which is the plug-ins default position in all presets (it slightly 

snaps into this position and one could also simply use 

<ctrl> + mouse left click

 to get 

there) the metering accords to the so-called  

momentary loudness

  using a window of 

400ms as specified by the ITU-R BS.1770-2 standard

1

.

2. In the fully clockwise (right most) position the metering accords to the so called 

short-

term loudness

 using a window of 3sec as specified by the ITU-R BS.1770-2 standard

2

.

1  including the proposed filtering and no gate
2 dito

11

Содержание ThrillseekerXTC

Страница 1: ...ThrillseekerXTC MANU AL revision 1 0 ...

Страница 2: ...RCHING TOPICS 6 1 6 INTRODUCTION 6 Chapter 2 Reference 9 2 1 JUMP START 9 2 2 INTERNALARCHITECTURE 9 2 3 UTILIZING DRIVE AND MOJO 10 2 4 INTERNAL GAIN STAGING 10 2 5 METERING AND BALLISTICS 11 Chapter 3 Addendum 13 3 1 GETTING THE MOST OUT OF IT 13 3 2 KNOWN ISSUES 13 3 3 UPDATES AND FURTHER INFORMATION 13 ...

Страница 3: ...tware part of a software CD compilation You are not allowed to sell or to rent this software You are not allowed to reverse engineer this software You are allowed to use this software for any artistic application including commercial music production This software is provided as is without any express or implied warranty In no event will the author be held liable for any damages arising from the u...

Страница 4: ... a half month painstakingly testing sorting out the bugs and helping to improve the user experience Special thanks for suggestions and inspiration goes to Dax Liniere www puzzlefactory com au Roland Löhlbach Deutschland Kewl Jules Reunion Island 974 sink sinkmusic com Horatiu Cristian 3ee www 3ee sounddesign blogspot com 1 5 OVERARCHING TOPICS Warning Lower your listening volume while operating th...

Страница 5: ...E MOJO section which applies delicate stateful harmonic distortion to beautifully enhance the signal No matter what selections were actually made on each band you always can mix this back safely phase coherent to the dry signal with the MIX control in the output section of the plug in not unlike the popular fade filter function in graphics software Lowering the output gain control allows A B contr...

Страница 6: ...n mastering situations LOW and AIR perform with shelving filter characteristics while MID performs a bell shaped curve which morphs into a shelving filter at higher frequency settings On the right side you ll find two sections one for controlling the exciter algorithms DRIVE MOJO and one to control overall output OUT dry wet level MIX and bypassing the whole plug in The two meters in the middle al...

Страница 7: ...stortion Utilizing this section you can obtain different levels of harmonic distortion and artifacts 1 Super clean plain parallel EQ Switch the whole section off 2 EQ with stateful saturation Switch this section on but leave MOJO off knob snaps into zero position and use DRIVE to adjust the gain going from 9 to 9dB 3 Further phase distortion signal path idiosyncrasies and increased 2nd and 3rd har...

Страница 8: ...round by 360 degrees The left screw controls the right one also The right screw can be turned independ ently This design allows both turning them in sync or adjusting them differently In left most position the meter acts as a classic VU meter with 300ms integration time Above this setting K weighting loudness filtering is activated and the integration time continuously increases up to 3 seconds Gi...

Страница 9: ...ch channel instead of applying just one instance on a bus and expecting miracles 3 2 KNOWN ISSUES Known issues in version 1 0 0 Automation parameters don t show values If MOJO is activated switching the section or the complete plugin on off can cause crackles in certain cases Using the plug in bridged with Samplitude s x64 integrated bridge bypassing causes problems 3 3 UPDATES AND FURTHER INFORMA...

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