Vandersteen Audio SEVEN Скачать руководство пользователя страница 9

9                                              Model Seven Operation Manual 

center of the speaker’s grille frame should be away from 
the wall behind the speaker. 
     Now we can graph these odd dimension distances on a 
drawing of the room. We only need to graph them for the 
wall where we intend to place the speakers. 

    

20

 

 

 

 

                  72       43   31   24 

     

We use the same method to figure how far the top front 

center of the speaker’s grille frame should be from the side 
walls. We take the width of the room, (14 feet) convert it 
from feet to inches, (14 x 12 = 168) and divide the result 
by odd numbers. 

 

 

168 divided by 3 is 56 (all to the nearest inch) 

 

168 divided by 5 is 34 

 

168 divided by 7 is 24 

 

168 divided by 9 is 19 

 

168 divided by 11 is 15 

 

     

The results of these odd number divisions are the dis-

tances in inches that the top front center of each speaker’s 
grille frame should be away from the side wall. 

 

     Now we can graph these odd dimensions distances on a 
drawing of the room. 

     By overlaying the width and length graphs, we can see 
the intersection points of the lines. These points represent  

where the top front centers of the speakers’ grille frames 
should be. 

15 

24 

34 

56 

56 

34 

24 

15 

    

20

 

 

 

 

 

72       43    31 24 

 

    As you can see, we now have quite a few intersections 

to choose from in our example room. In your room, some 
of the intersections will be impossible to try or eliminated 
due to domestic considerations. 

 

     As you try different placements for your speakers, al-
ways place both speakers on the same length line. For 
example, both speakers would be placed on 43 inch line 
or both speakers would be placed on the 24 inch line.  The 
speakers can be placed on different width lines, for exam-
ple one on the 34 inch line and the other on the 56 inch 
line. Placing the speakers on different rather than match-
ing width lines will require that the listening position be 
offset to center it between the speakers. Often the imaging 
will be better with the speakers placed on matching width 
lines.  

 

     After listening to the speakers centered on the charted 
intersections, you should listen with the speakers a few 
inches away from the intersection points in each direction. 
In some cases, the speakers will sound better slightly off 
the intersections due to the particular characteristics of 
your room or a slight error in your original room measure-
ments. Both speakers should be moved the same amount 
forward or backward to maintain a consistent listener to 
speaker distance when fine-tuning placement. 

 

     Several factors influence how speakers interface with a 
room other than the room’s basic dimensions so it is pos-
sible that none of the placement options on the wall you 
initially place the speakers on will sound quite right. The 
sound may be too forward or too withdrawn or the imag-
ing may not be to your liking.  If you are unable to 
achieve satisfactory sound with the speakers placed on 
one wall, try placing the speakers on a different wall of 
the room.  Even in a rectangular room, the speakers will 
interface differently with the room depending upon which 
of the four walls they are placed. In some rooms the 
speakers will sound best placed on a short wall, while in 
other rooms the speakers will work better on a long wall. 

15 

24 

34 

56 

56 

34 

24 

15 

Содержание SEVEN

Страница 1: ...tomotive finish to comple ment any d cor The Model Seven incorpo rates advanced patented Car bon Fiber Balsa sandwich cones and domes for the midbass midrange and tweeter This technology allows true p...

Страница 2: ...HPs are available in both balanced and single ended configurations to match any system CONFIGURING THE M5 HP CROSSOVER Before you use the M5 HPs each unit s internal set of ten dip switches must be s...

Страница 3: ...h is on when it is depressed on the side of the numbers 4 Repeat the procedure for the second M5 HP Reinstall the covers If you are unable to find the amplifier s input imped ance or if you are not co...

Страница 4: ...rries the signal going to the mid range and tweeter The improvements offered by bi wiring versus a conventional single run of cable are substantial Often a bi wire set of moderately priced cables will...

Страница 5: ...able Connect this cable to the two terminals on the right carefully observing proper polarity 3 Connect the remaining cable to the two left terminals carefully observing proper polarity 4 Connect both...

Страница 6: ...of the left amplifier where the M5 HP crossover is connected Connect the tweeter midrange cable from the left speaker to the other channel of the same amplifier Verify proper po larity 5 Connect the b...

Страница 7: ...ty to the same set of out puts on your amplifier If possible use a single spade lug to connect both positive wires and a single spade lug to con nect both negative wires to the amplifier as shown in t...

Страница 8: ...possible placements in the room Before you begin your positioning experiments verify that the speakers are con nected to the amplifier in proper polarity and that the M5 HP crossover is in place and...

Страница 9: ...nch line or both speakers would be placed on the 24 inch line The speakers can be placed on different width lines for exam ple one on the 34 inch line and the other on the 56 inch line Placing the spe...

Страница 10: ...lly perform better with a slight amount of toe out ACOUSTIC TREATMENTS If the speakers are close to the side walls and you hear a brightness in the midrange treble or a problem with the imaging that t...

Страница 11: ...and rotate the speaker until the dot falls on the vertical line Turn off the laser 4 Using the bubble level built into the Laser Jig level the speaker right left using the front cones Insert a small...

Страница 12: ...tion controls located on the rear input plate help counter the amplitude and phase effects of room nodes and anti nodes and provide the most linear low frequency response at the listening position The...

Страница 13: ...ld be left straight up LOW FREQUENCY LEVEL Set the low frequency contour control to minimum 1 and verify that all 11 room compensation bands are set up Select a clean jazz recording with a stand up ba...

Страница 14: ...EQUENCY LEVEL AND CONTOUR The High Frequency controls adjust the output level and response characteristics of the rear mounted tweeter As you prepare to set the rear tweeter for your room and taste th...

Страница 15: ...with alcohol or a solution made specifically for cleaning electrical contacts Other connection points in the system should be cleaned as per the equipment manufacturer s recommendations The grille clo...

Страница 16: ...amplifier completely clear of the speaker and set it on a soft surface REINSTALLING THE SUBWOOFER AMPLIFIER MODULE 1 Place a stack of books at the rear of the speaker to support the amplifier as it is...

Страница 17: ...IVER 1 Remove the grille structure 2 Remove the screws mounting the tweeter Pull the tweeter and have a assistant hold it being careful to not put too much strain on the wires 3 Remove the screws secu...

Страница 18: ...d that the M5 HP is correctly matched to it Check the low frequency level and contour control settings Problem Model Seven amplifier excessively hot Solution Remove the amplifier according to the inst...

Страница 19: ...peaker to the sides and remove the cones from the bottom 2 Gently lift the speaker and set it on the pallet inside the cardboard recess 3 Insert the two shipping bolts with washers through the pallet...

Страница 20: ...s and all the paperwork required to return the product after it is serviced The speaker must be packed in the original packing and returned to VANDERSTEEN AUDIO via insured freight by the customer at...

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