6
7
12 HI
The “HI” control is centred at 5 kHz and offers a cut or
boost of 15 dB. Turn it up for a biting, crystal clear rock
or funk bass. Turn it counter clockwise to reduce hiss or
generally dampen the sound for a muted reggae feel.
13 HI BOOST
Depress this switch and engage a boost of 12 dB at 10
kHz. The LED above will illuminate. This is your switch if
your strings are dead or if you are into a more HiFi-like
bass sound with silky top end.
14 LINE/EFFECT MIX
Signals connected to the “LINE IN / EFFECTS LOOP
RETURN” jack (#26a) can be added to the dry bass guitar
signal according to your likings with this “LINE/EFFECTS
MIX” control. The parallel “EFFECTS LOOP” (#26) is desi-
gned for the connection of one or more effects devices.
The “RETURN/LINE IN” jack (#26a) can also be used to
connect various external audio sources to the PUMA
1000 such as an MP3 player, a second bass guitar, or in
order to just use the power amp of the PUMA 1000.
The “LINE / EFFECTS MIX” is a balance control adjusting
the level of the effects sound as compared to the dry
sound of the PUMA 1000 preamp. With the “EFFECTS
MIX” control all the way to the left the signal of the
external device, i.e. of the “RETURN” jack (#26a), is off.
All you hear is the dry bass signal. Turning it up a little
will add some effects to your sound. In this position (to
the left of the knob’s centre position) the effects sound is
processed in parallel with the unaffected or dry signal
which enables you to preserve the integrity of the pre-
mium tone and feel the PUMA 1000 is capable of delive-
ring.
The more you turn the control clockwise, the more pro-
minent will the “RETURN” signal become (i.e. the effect)
while at the same time the dry signal will decrease.
When the “MIX” control is turned all the way up to the
“WET” position the EFFECTS loop effectively becomes a
serial loop. Now the internal signal path is interrupted
(rather than just tapped), sent out to the external devi-
ce(s) where it gets processed (added with effects, modu-
lated, modified, whatever) and returned to the amplifier
as a whole.
15 MASTER
This is the overall volume control of the PUMA 1000 and
works on the two internal power amp sections. It deter-
mines the level at the “SPEAKER OUTPUTS” (#27 - #29)
as well as the “LINE OUT” jack (#25).
Note: Each power amp features its individual “VOLUME”
control on the back panel (#28a and #29a). Do make sure
that they are turned up accordingly.
16 MUTE
The “MUTE” switch should be depressed when you
power up or down your PUMA 1000 – the LED above the
switch illuminates when the function is engaged. In this
mode no audio signal will be processed and heard at any
output except the “TUNER” jack (#24). That way you
don’t have to turn down the volume for silent tuning or
when changing instruments, thus you do without the
nasty cling which you usually hear when you unplug the
jack.
The “MUTE” switch also interrupts the signal path at the
balanced “DI OUT” (#18), no matter which position the
switch “POST” (#17) is in (that way your silent tuning or
changing instruments won’t be heard in the PA, either).
During breaks the amp should be set to “MUTE” rather
than switched off completely. That way the internal fan
stays on and cools down the power amp circuitry if
necessary. Disengage the “MUTE” function and start to
rumble – now there is signal at all outputs again.
17 POST
With this switch the balanced “DI OUT” (#18) can be
>> Front Panel
selected to be a “PRE” or “POST” preamp signal. In the
“PRE” position (switch is not depressed) the “DI OUT”
signal is tapped directly after the input stage including
the “-10 dB” function (#2), if activated, as well as the
“GAIN” control (#4).
In the “POST” position (switch depressed) the “DI OUT”
signal is taken after it has been processed by the com-
plete preamp, i.e. including the “GAIN” control (#4), the
tone control section (#8 through #13), and the “EFFECTS
LOOP” (#14, #26). It is not affected by the “MASTER”
control (#15). As a reference the LED above the “POST”
switch illuminates when the “DI OUT” is set to “POST”.
18 DI
PUMA 1000 supplies a balanced line output signal for
connecting to a house mixing board, recording console or
external amplifier(s) with balanced inputs. Connect a
shielded 3-core microphone cable with XLR plugs to this
male XLR output.
The need for an additional active DI box, which can be
pretty expensive, is obsolete. Due to the advanced cir-
cuit design using only the best components available the
high sound quality of the “DI OUT” makes it the amp of
choice in any recording studio (you can use the PUMA
1000’s pre amp on its own without driving any speakers).
The DI signal can be tapped either before or after the
preamp, as determined by the switch “POST” (#17).
There is no need to be afraid of nasty ground loops as
the DI output is soft-grounded.
19 POWER
At the risk of stating the obvious, this stylish yet heavy-
duty rocker switch is used to turn the PUMA 1000 on and
off. Before you turn on the amp do make sure that the
“MUTE” switch (#16) is depressed. Activating the
POWER SWITCH (the top of the switch must be depres-
sed towards the amp chassis) will make the TECAMP
logo on the front panel (#21) illuminate. The amp is OFF
when the bottom of the POWER SWITCH is depressed –
the logo will no longer illuminate.
20 FS/MUTE
Connect the optional footswitch FSP1 to this 6.3 mm
mono jack with cable which comes included with the
switch. This will allow you to remotely switch the
“MUTE” function (#16). When the function is engaged
the eye of the puma on the footswitch will illuminate
red.
For the footswitch to work effectively do make sure that
the “MUTE” switch on the front panel of the amp (#16)
is not engaged.
21 TecAmp Logo
The TECAMP logo in the centre of the front panel will
illuminate blue when the PUMA 1000 is switched on,
provided the included power strip is plugged into the
“POWER RECEPTACLE” on the back panel (#22) and the
“POWER” switch (#19) is turned on.
