TC Electronic UnWrap Home Stereo System Скачать руководство пользователя страница 6

Bit Transparency

When 0% L/R processing is selected, input trims and output levels are at 0dB, the
inputs are bit transparently cloned to the L Front and R Front outputs.

MAIN PAGE

Input trims are provided to carefully match the L/R balance. If working from analog
tape, adjust balance with a 1kHz calibration tone. If working from a digital master
with stereo levels at full scale, it may be necessary to adjust down Input levels a little
bit to avoid UnWrap overloads.
The L/R processing parameter determines how much the L and R front channels are
processed. At 0% UnWrap only adds sound to the 4 other channels preserving the
original L and R as they were. Somewhere between 60 and 70% the width of the
original mix is typically preserved even though a Center channel is added. Tip: A/B the
width soloing the three front channels and toggle by-pass.

UnWrap may derive an LFE signal from the Input. It is recommended to low-pass it
between 40 and 120Hz using a 2nd or 4th order filter.

CENTER PAGE

To better separate and optimize the Center Output, EQ and contour controls are
provided.

First set the Ref. Level control at the approximate reference level of the input signal.
For a typical level, set Ref. Level at -10 to -18dB. With a full scale digital input, ref.
level would be set high, typically 0 to -12dB. With a quiet or highly dynamic input,
set it between -15 and -25dB.

Then choose between the Contour Styles, and finally apply EQ to the center channel if
desired.

UnWrap's 48 bit EQ can work wonders on most signals and be used to selectively
suppress spectral ranges where the L/R width could otherwise get compromised, or to
boost selected frequencies to strengthen the center anchor function.

SURROUND PAGE

To control the surround channels, decorrelation, EQ and contour controls are provided.
First set the Ref. Level control at the approximate reference level of the input signal.
For a typical level, set Ref. Level at -10 to -18dB. With a full scale digital input, Ref.
Level would be set high, typically 0 to -12dB. With a quiet or highly dynamic input,
set it between -15 and -25dB.
Then choose between the Contour Styles, and select a Decorrelation style
complementing your program material. 

The different decorrelation styles should always be tried. They are highly subjective
and best evaluated with the Focus control set at "0". When a style is found, try
changing the Focus control to check if further optimization is possible. It may prove
convenient to solo the surround channels while doing so.

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UNWRAP -TDM

Содержание UnWrap Home Stereo System

Страница 1: ......

Страница 2: ...l find the site to be a huge resource of information Browse through Q A s and discover new aspects of your TC product If you can t find an answer online you have the option of submitting a question to...

Страница 3: ...EM REQUIREMENTS 5 GLOBAL PLUG IN CONTROLS FOCUSFIELDS 6 MAIN PAGE 7 CENTER PAGE 8 SURROUND PAGE 10 DELAY PAGE 12 OUTPUT PAGE 13 PRESET MANAGEMENT 15 COMPARE SETTINGS WITH A B MEM FUNCTION 18 PARAMETER...

Страница 4: ...suitable condition budget considerations prevents you from re mixing a stereo soundtrack needs replaying using all the cinema channels Finally there could be a more controversial reason with classic...

Страница 5: ...oduction UnWrap in use UnWrap measures phase delay and spectral differences between a pair of stereo channels to create a 5 1 result For different program material there will be different optimum sett...

Страница 6: ...signal For a typical level set Ref Level at 10 to 18dB With a full scale digital input ref level would be set high typically 0 to 12dB With a quiet or highly dynamic input set it between 15 and 25dB T...

Страница 7: ...t they can fit on stereo optical or video These tracks are then decoded back into 4 0 through a Dolby ProLogic receiver If a Dolby ProLogic decoder is not available the mix will play back in stereo TO...

Страница 8: ...plug in FOCUS FIELDS You can place your own set of parameters in the 6 focus fields at the bottom of the plug in Making use of the focus fields can give you a better workflow since you will not have t...

Страница 9: ...left right channels L R PROCESSING L R Processing Parameter range 0 100 Determines the processing amount for the left and right front signals LFE PROCESSING LFE Hi Cut Frequency Range 10 to 200Hz Set...

Страница 10: ...set it between 15 and 25dB EQ The EQ for the center channel features four band parametric EQ with high and low pass filters switchable between Notch Parametric Shelving and Cut filters Basic operation...

Страница 11: ...12dB Mid1 Gain 12dB to 12dB Mid2 Gain 12dB to 12dB Hi Gain 12dB to 12dB Range for the Notch filter Lo Gain 100dB to 0dB Mid1 Gain 100dB to 0dB Mid2 Gain 100dB to 0dB Hi Gain 100dB to 0dB Type Press an...

Страница 12: ...high typically 0 to 12dB With a quiet or highly dynamic Input set it between 15 and 25dB Decorrelate Style Range A selection of styles The decorrelating styles are highly subjective and best evaluate...

Страница 13: ...Cut For Mid 1 and Mid 2 filters select between filter types Parametric and Notch Freq Press Freq and use Faders 1 to 4 to adjust frequency for each of the four bands Range Lo band 20Hz to 5kHz Range...

Страница 14: ...to 12dB oct Hi BW 3dB oct to 12dB oct Range for the Cut filter Lo BW Bessel or Butterworth Hi BW Bessel or Butterworth Delay OUTPUT DELAY Range 0 200ms For each of the six outputs it is possible to ad...

Страница 15: ...e system latency into account Output OUTPUTS Mute Range Muted Unmuted Sets the mute status on the output for each of the 6 channels Solo When a Solo button is selected the outputs of all the five rema...

Страница 16: ...TSC A 52 standard From L R 3 0 dB From C 6 0 dB From LSr RSr 6 0 dB From LFE Off dB It is important to check compatibility between the unprocessed original stereo signal by pressing the Bypass key the...

Страница 17: ...he next or previous by clicking on the UP DOWN arrows to the right of the preset name All presets available at the default plug in preset location will be considered so you could in theory reach every...

Страница 18: ...ETS folder of the p default pre set location NOTE A folder will not appear in the Preset File Menu unless it has at least one pre set inside CONVERTING UNWRAP PRESETS FROM SYSTEM 6000 In case you are...

Страница 19: ...d in the default UNWRAP Preset folder it will show up the next time you click the File button At the top of the pop up list you ll find a section called Convert and the name of your preset file will b...

Страница 20: ...he memory location A will get active and the A part of the A B button will light up All parameter changes will be applied to memory location A If you switch to memory location B you get back to your s...

Страница 21: ...through the extensive set of pre sets that comes with the UNWRAP without having to change the Dry Level In Level or Out Level all the time To lock a parameter simply click on the small lock in the par...

Страница 22: ...ETUP EXAMPLE This is an example of how to setup UnWrap on a stereo track in Pro Tools 1 Go to Setup I O 2 Add a set of 5 1 outputs In the example below we have renamed the outputs to Surround Output E...

Страница 23: ...TDM 21 E E N N G G L L I I S S H H 4 Click Add to the following common warning 5 Now select the Surround Output that you created in step 2 5 Select the Surround Output as the output of your track Tha...

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