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9
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Delay Mix sets the
amount of delay that is
mixed into the CHORUS
effect.
CHORUS Mix sets the balance
between the source signal and
the pitching effect. To produce
the chorusing effect, this
parameter should be set
somewhere in between, because
the CHORUS works by interacting
with the source signal.
In the Send/Return configuration, it is usually not intended to hear the direct signal.
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For super-smooth results, you will want to make your chorus effect slightly darker
than the source signal, as high-pitched chorus can sometimes sound unnatural or
even unpleasant.
There are two frequency values indicated above the
display: The “S” value is the start frequency of the high
cut filter, which is the lowest frequency influenced by
the filter. The “E” value is the end value. This frequency
is where you have reached the determined attenuation.
Defines how much the input to the CHORUS is damped
in the high-frequency area which is set with the
frequency-slider. The scale of the filter is 6 dB/octave.
Sets the cut-off frequency for the algorithm’s input
filters. Use this to band-limit the CHORUS and Delay.
CHORUS DELAY
R
RO
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UT
TIIN
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G
T
Th
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The direct signal is not filtered, since the direct signal must be heard through the
CHORUS.
S
Se
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d//R
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ettu
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Mo
od
de
e
The filter is applied to the direct signal, since the unprocessed direct signal is already
present in the mix.
C
CH
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OR
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US
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T
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“CHORUS” is created by delaying and then modulating the signal with a low frequency
oscillator (LFO) that sweeps the delay back and forth. This produces the rich doubling
effect. To make the effect even stronger, you can use the feedback feature to feed
already chorused signal back into the CHORUS once more!
CHORUS DELAY
Sets the Speed of the LFO
that modulates the Delay
time.
When enabled, Golden
Curve forces you to
maintain a steady
relationship between
Speed and Depth.
Basic Delay time.
The LFO actually
makes this
parameter shuttle
up and down.
LFO Phase determines
the relationship
between the left and
right channels.At 0°,
the channels follow
each other; while at
180° their
modulations are
completely contrary.
Sets the maximum
amplitude of the LFO.
Phase-inverts the
Feedback loop
Sets the amount
of Feedback
Marks the frequency
range that is fed back
to the input of the
CHORUS. Group the
high- and low-cut-off
frequencies by holding
the [Shift] key.