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TASCAM TA-1VP

(+1 or –1) signal levels. These levels represent the “rails” 

of the amplifier. As the Warmth Amount is increased, 

the amplification is increased. Any regions of the signal 

that increases beyond the rails generate distortion. 

(But instead of the usual ugly digital clipping, they are 

distorted the same way the tube pre-amp would distort 

the sound.)
Because the maximum drive is limited to +12 dB, using 

the Tube Saturation model requires the original signal to 

be at a level greater than –12 dB. If this is not the case, you 

should adjust the Input analog Trim control (in the Setup 

Menu) to increase the level of the sound. (Be careful that 

Input Level is not increased so much as to cause digital 

distortion.) It may be necessary to go back and forth 

between Warmth Amount and Input Trim a few times to 

get exactly the effect you want.

NOTE

If your audio was recorded at an exceptionally low level, 

it may be that even maximum Input Trim and maximum 

Warmth Amount will still not result in a level high enough 

to generate distortion. In that case, either re-record your 

audio at a higher level (if possible) or use an available 

digital waveform editor to digitally increase the level 

(keeping in mind that this may negatively affect the signal 

quality).

If you want to add tube warmth without otherwise 

affecting your sound, set both the Source Mic and 

Modeled Mic to Bypass.

MIC MODELER ON Button

 

ª

When this button is lit, the MIC MODELER module is 

active. When it is not lit, the module is bypassed. Pressing 

the button toggles its state. The Mic Modeler On/Off 

function can also be controlled by MIDI and/or by a 

footswitch.

AUTO-TUNE MODULE 

Scale Page

 

ª

Pressing the SCALE button brings up this page.
You tell Auto-Tune exactly which notes you want to 

correct on the Scale Page:

Ch:CC#DD#EFF#GG#AA#B

  :

This page allows you to specify the scale notes to which 

Auto-Tune tunes the input sound.
The TA-1VP comes with 25 preset scales: Chromatic, 12 

diatonic major and 12 diatonic minor. To select a preset 

scale, use the cursor buttons to move to the scale name 

field in the top left of the screen and turn the Data Knob 

to select the desired scale. Note that "

Ch

" is short for 

"Chromatic", the scale with all 12 notes.

In addition, you can customize any of the provided scales 

and save it as part of your preset. To modify a scale, press 

the 

Á

 cursor button to move the cursor to the bottom 

row of this screen, then use the cursor buttons to move to 

the desired scale note and turn the Data Knob to set it to 

one of the following three states:

Tune (i.e., the note name appears in the display, but 

the field under the note is blank): When the input is 

near a note set to Tune, Auto-Tune will retune the 

input to that note.
Bypass (i.e., the note name appears in the display and 

an “

*

” appears in the field under the note): When the 

input pitch is close to a note set to Bypass, the output 

remains uncorrected.
Blank (i.e., the note name disappears from the 

display): A note set to Blank will be omitted from the 

scale. For example, setting C#, D#, F#, G#, A# to Blank 

causes a C Major scale to remain. In that case Auto- 

Tune would always retune the input to the closest 

note of the C Major scale.

As an example, the following settings result in a D Major 

scale with no pitch corrections applied to F# and C#:

D : C#D E F#G A B

Ma:  *     *

Why set Scale notes to “Blank”?

To understand why it is sometimes necessary to set 

even correct scale notes to ”Blank,“ let’s look again at the 

example from Chapter 2.

10.0

10.5

11.0

D3

B2

C

#

3

ORIGINAL

PERFORMANCE

CORRECTED 

BY TA-1VP

This phrase is in D Major and, if all the pitch errors were 

no greater than about 49 cents, would work fine with a 

standard D Major scale (D, E, F# , G, A, B, C# ). However, the 

pitch error of three semitones at the end of the last note 

is so large that with B and C# present in the Scale, as the 

pitch fell, Auto-Tune would see first C# and then B as the 

target pitch and therefore allow the error to remain. With 

C# and B removed from the Scale, Auto-Tune continues 

to see D as the target pitch for the entire duration of the 

5 – Operation

Содержание TASCAM TA-1VP

Страница 1: ...D01141720A TA 1VP Vocal Producer OWNER S MANUAL...

Страница 2: ...ent and receiver c Connect the equipment into an outlet on a circuit different from that to which the receiver is connected d Consult the dealer or an experienced radio TV technician for help CAUTION...

Страница 3: ...d with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long p...

Страница 4: ...unting kit to mount the unit in a standard 19 inch rack as shown below Remove the feet of the unit before mounting NOTE Leave 1U of space above the unit for ventilation Allow at least 10 cm 4 in at th...

Страница 5: ...s 12 What is a De Esser 13 Equalization 13 Low Pass High Pass Filters 13 Shelving Filters 14 Peaking Filter 14 Band Pass and Notch Filters 14 3 Setting Up the TASCAM Vocal Producer 15 4 Names and Func...

Страница 6: ...n the United States Other company names product names and logos in this document are the trademarks or registered trademarks of their respective owners All names of microphone manufacturers and microp...

Страница 7: ...tracks in any musical style Live or in the studio the TA 1VP lets you instantly select from a library of sounds From gorgeously mellow to seriously twisted we ve included factory presets for a wide v...

Страница 8: ...his waveform is of a violin section playing a single tone Our ears still sense a specific pitch but the waveform does not repeat itself This waveform is a summation of a number of individually periodi...

Страница 9: ...g you will produce the now infamous Cher effect Slow Speed settings on the other hand are appropriate for longer notes where you want expressive pitch gestures like vibrato to come through at the outp...

Страница 10: ...relatively consistent level of loudness If an uncompressed vocal track is added to a typical pop mix loudly sung words or syllables would jump out of the mix while quieter phrases would be buried bene...

Страница 11: ...1 TO 2 EXPANSION RATIO 1 TO 1 RATIO When expanders use ratios higher than 1 10 sounds below the threshold are faded out very rapidly This effect is called gating and can sound very abrupt Adjusting th...

Страница 12: ...NPUT LEVEL SOFT KNEES KNEE 100 COMPRESSOR THRESHOLD GATE THRESHOLD Attack and Release Times The attack time of a compressor is how long it takes for the compressor to react once the input level has me...

Страница 13: ...seven different filter types Low Pass 6 dB octave and 12 dB octave Low Shelf Band Pass Notch Peaking High Shelf and High Pass 6 dB octave and 12 dB octave Each filter type has its own characteristics...

Страница 14: ...the TA 1VP the peaking filter works over a range of 20 Hz to 20 kHz and can boost or cut the signal at the selected frequency by 18 dB Additionally you can vary the bandwidth from 0 1 to 4 0 octaves...

Страница 15: ...I IN jack 5 The included PS 1225L AC adaptor will automatically adjust to the available power world wide The AC power cord supplied with the AC adaptor is correct for the country where the TA 1VP is f...

Страница 16: ...ngs that affect the TA 1VP s overall state i e independent of the currently selected Preset 7 Left Cursor Press this button to move the cursor to the left on display pages with multiple data fields 8...

Страница 17: ...r z ATK Attack Press this button to set the de esser s attack time x REL Release Press this button to set the de esser s release time The EQUALIZER OUTPUT Module c ON When this button is lit both EQ b...

Страница 18: ...ontrolling your TA 1VP via MIDI connect the MIDI Out from a MIDI sequencer keyboard or other MIDI source here Connect the MIDI Out from a sequencer to load previously saved SysEx data files DIGITAL OU...

Страница 19: ...RN INSERT SEND RETURN LINE IN MAIN LINE OUT DOUBLE TRACK LINE OUT CHANNEL 2 INPUT OPTIONAL AS AN INSERT EFFECT USING YOUR MIXER S SINGLE INSERT JACK NOTE REQUIRES TRS PLUG SOURCE AUDIO If as is more c...

Страница 20: ...Preset Selection screen Select Preset Preset Name Use the Data Knob to select the desired preset Presets may also be selected by MIDI Program Change commands and may be stepped through sequentially u...

Страница 21: ...whichever Preset is currently active All Setup Menu parameter values are automatically saved Input Level Trim Meter Page In analog trim 0dB This page provides a high resolution meter for ease in setti...

Страница 22: ...accompanying noise In order to accurately identify the pitch of the input the TA 1VP s Auto Tune module requires a periodically repeating waveform characteristic of a voice or solo instrument The Sen...

Страница 23: ...tio Output Gain Footswitch Assign Page Footswitch Assign Main Bypass OFF To assign a footswitch to control one or more TA 1VP functions use the Data Knob to select the desired function and then press...

Страница 24: ...e selected TA 1VP preset When this file is loaded back into your TA 1VP it will replace the preset currently at that numerical location with the contents of the file but will leave all other presets a...

Страница 25: ...the value that provides the greatest contrast between the display text and the background The default setting is 4 Save Preset Page When you have created a new preset or made changes to an existing pr...

Страница 26: ...eled mic Model Mic Page Pressing the MODEL button brings up this page Model Mic Lg Dia condenser 1 Use the Data Knob to select the desired type of mic model Models include Hand held Dynamic Studio Dyn...

Страница 27: ...ting If the selected mic type does not have a low cut filter and actually only the Telephone is lacking one the display will default to If the modeled mic does include a low cut filter turning the low...

Страница 28: ...set scales Chromatic 12 diatonic major and 12 diatonic minor To select a preset scale use the cursor buttons to move to the scale name field in the top left of the screen and turn the Data Knob to sel...

Страница 29: ...at and that positive correction is being applied Conversely the yellow LEDs indicate that the input is sharp and that negative correction is required Auto Tune ON Button When this button is lit the AU...

Страница 30: ...essing the COMP or GATE button again will return to the appropriate page Gain Reduction Meter The front panel GAIN REDUCTION meter is intended to provide a quick indication of compressor and gate acti...

Страница 31: ...ended to provide a quick indication of de esser activity For precise gain reduction indication refer to the De esser Gain Reduction Meter Page described above The range of the meter is 15 dB De esser...

Страница 32: ...f and is useful for reducing hiss or other high frequency environmental noise encountered in the recording process High Pass Filters EQ1 High Pass 6dB f 3775 EQ1 High Pass 12dB f 3775 Q 2 8 These fil...

Страница 33: ...to tune module Consequently in this case it is important to select an appropriate scale speed and detune value for the Auto Tune module to produce the desired double track effect On the other hand som...

Страница 34: ...Auto Tune s note Bypass function to bypass all the notes except the one s which need the retuning This way the Auto Tune is working in a completely transparent mode and only when needed Speed 0 Cher...

Страница 35: ...your own unique sounds is the name of the game Have fun The Presets Vocal Presets 1 MaleVoice Basic male voice treatment Adjust compressor threshold to singing style 2 FemaleVoice Basic female voice...

Страница 36: ...cs Realistic Mic Modeling Expectations Although the TA 1VP s Microphone Modeling seems in many ways to be almost magic it is in fact simply very clever science And as such it has some limitations that...

Страница 37: ...e you should choose a different combination of mics and or turn on the modeled mic s low cut filter Transient Response One of the key characteristics of various types of microphones is their transient...

Страница 38: ...6 dB 0 dB Ratio 1 1 0 1 99 DE ESSER Threshold 60 dB 0 dB Ratio 1 0 1 99 1 Attack 1 ms 200 ms Release 20 ms 2550 ms Highpass frequency 2971 Hz 20 kHz PARAMETRIC EQ 2 independent bands 6 dB Lowpass 6 dB...

Страница 39: ...A pin jack Format IEC 60958 3 S PDIF Output impedance 75 Level 0 5 Vpp 75 MIDI input Connector DIN 5 pin Format MIDI standard MIDI output Connector DIN 5 pin Format MIDI standard Footswitch 1 4 6 3 mm...

Страница 40: ...mm 465 mm 44 mm 1 mm 6 5 mm 128 1 mm 20 7 mm 31 8 mm Illustrations in this manual may differ in part from the actual product Specifications and the external appearance may be changed without notifica...

Страница 41: ...TASCAM TA 1VP 41 Level diagram 8 Specifications...

Страница 42: ...42 TASCAM TA 1VP Notes...

Страница 43: ...TASCAM TA 1VP 43 Notes...

Страница 44: ...lace Street Mississauga Ontario L4Z 1Z8 Canada TEAC MEXICO S A de C V http www teacmexico net Phone 52 55 5010 6000 R o Churubusco 364 Colonia Del Carmen Delegaci n Coyoac n CP 04100 M xico DF M xico...

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