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The PA-30 rear panel includes a switch that selects
either normal stereo mode or a special mode termed
BTL (Balanced Transformerless).  The setting of this
switch determines the maximum power available to the
load from the PA-30, and also decisively affects how
the load is connected to the amplifier.  This section
explains the BTL mode, and describes how to use it.

Theory of Operation

BTL mode (also called 'bridged' mode) uses both
channels of the PA-30 to form a single monophonic
amplifier with significantly higher power capability. If
your loudspeakers can handle the increased power,
BTL mode will give you more headroom - resulting in
undistorted reproduction of program peaks and
significantly greater 'punch' from your system.
When the MODE switch is in the 'BTL (MONO)'
position, only the Channel A input is active; the
Channel B input is disabled, and signals present at
either of the Channel B input connectors are ignored by
the amplifier. The signal at the Channel A input is
amplified and sent to both outputs of the PA-30, 

but the

polarly of Channel B is reversed with respect to
Channel A

. In other words, the two channels are

intentionally out of phase.
The single load (remember, BTL is a monophonic, or
single-channel, mode) is wired across the two channel
output 'hot' (red) terminals, and the black output
terminals are left unconnected. The minimum
allowable load impedance is 8 ohms (not 4 ohms, as is
the case in stereo mode), and the available power to the
load is 50 watts continuous (at 8 ohms).
BTL mode is electrically identical to push-pull
transmission at line level (the signal level is simply
much higher): the two channel outputs deliver the same
absolute signal voltage, but with opposite polarities.
So, when the Channel A output is at +10 volts, for
example, the Channel B output is at –10 volts. The
difference between the two (which is the total voltage
across the load) is then 20 volts.

The voltage across the load is thus effectively doubled
– which doubles the power.
Notice there is a crucial difference between BTL mode
and what is normally termed 'mono' in the HiFi world.
When we select 'mono' on a HiFi preamp or integrated
amplifier, what we intend - and what we get - is the
same signal from both speakers 

with the same polarity

.

It is very important to understand the distinction
between this and BTL mode, because if two speakers
are connected to the PA-30 in a normal stereo
configuration and the MODE switch is set to 'BTL', the
system still works but the two speakers are out of
phase.  This will cause acoustical cancellations at low
frequencies, resulting in poor sound quality. In rare
cases, it can even cause a woofer to blow out!

Connections

Before changing the position of the MODE switch or
making any input and output connections, turn OFF the
PA-30. To select BTL operation, move the MODE
switch to the 'BTL (MONO)' position.
Figure 9 illustrates the connections for BTL mode. The
input signal is connected to the Channel A input, using
either the –10 dBV (RCA) or the +4 dBm (XLR)
connector. The Channel B input is left unconnected.
The load is connected across the two output 'hot' (red)
terminals, and the black terminals are left unconnected.
Be sure to observe correct output polarity: Channel A is
positive, and Channel B is negative. Note that the
minimum permissible load impedanoe in BTL mode is
8 ohms.
Connecting loads with a lower impedance will result in
current limiting, and may trigger the Protection circuits
to shut down the amplifier.

TASCAM PA-30

  9

BTL operation

Figure 9. BTL Mode Connection

120V

NO CONNECTION TO BLACK TERMINALS

Содержание PA-30

Страница 1: ...PA 30 Dual Power Amplifier OWNER S MANUAL 9A09572800...

Страница 2: ...turn on transients output overload DC offsets and output shorts While the PA 30 is almost indestructible it has been engineered to be easy to service Like all TASCAM professional products it is backed...

Страница 3: ...e they exit from the apparatus 11 Only use attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the...

Страница 4: ...o properly wired AC outlets Make certain that the voltage is correct for the version of the unit that you are using 110 to 120 volts at 60 Hz for domestic USA AC Power Connection The PA 30 requires a...

Страница 5: ...f and the fault condition is cleared the Protection circuit will automatically reset and normal operation can be resumed provided that the fault has not damaged the unit If the Protection indicator li...

Страница 6: ...n as bridged with switch set to BTL or stereo operation with switch set to STEREO If the MODE switch is not correctly set damage to the loudspeakers or to the PA 30 may result For a complete explanati...

Страница 7: ...omponents on the other hand may feature either 1 4 inch phone or XLR type output connectors presenting either an unbalanced or a balanced drive In some cases standard microphone cables may be used for...

Страница 8: ...ll speakers in a given system have the same impedance Generally only parallel connection is used in professional audio for two fundamental reasons First if one of the speakers in a parallel system fai...

Страница 9: ...ltage but with opposite polarities So when the Channel A output is at 10 volts for example the Channel B output is at 10 volts The difference between the two which is the total voltage across the load...

Страница 10: ...t 1 3 dBu 0 9 volts RMS for rated output 40 kohm balanced at XLR input Hum and Noise 85 dB below rated output Minimum Load Impedance 8 ohms per channel stereo mode 8 ohms BTL mode Protection Circuits...

Страница 11: ...TASCAM PA 30 11 MEMO...

Страница 12: ...Park Watford Hertfordshire WD1 8TE U K TEAC DEUTSCHLAND GmbH Phone 0611 71580 Bahnstrasse 12 65205 Wiesbaden Erbenheim Germany TEAC FRANCE S A Phone 01 42 37 01 02 17 Rue Alexis de Tocqueville CE 005...

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