Страница 1: ...TASCAM TEAC Professional Division Keyboard Mixer I C ____ O_W_N_E_R_ S__ M_A_N_U_A_L___ 5700113000 ...
Страница 2: ...ices 10 Setting Levels From Effect Devices 10 MUTES AND SCENE MEMORIES 11 USING SOLO 12 USING MIDI FEATURES OF THE MM 1 12 13 From The MM 1 12 Commands 12 Controlling Mutes With Note Messages 13 MIDI Mute Automation Features 13 Featu res And Controls 15 25 Front Panel 17 Master Section 19 MIDI Scene Controls 20 Back Panel 22 Additions To Manual 26 29 Expanding Effect Sends with Direct Outs 26 Mult...
Страница 3: ...time to read through this manual If you re familiar with mixers you could use the unit on your own without a problem but some time spent now will keep you from overlooking some of the features that make the MM 1 a more creative tool You may discover some new tricks you haven t tried before First we ll give some basic information about mixing and the sub systems of the MM 1 Second we will show some...
Страница 4: ...mixes in the MM 1 are called EFFECT MIXES They tap their signals from the middle of the main mix just after the channel mute and fader which is called post fader From that point on though they behave as separate mixers with their own how much and where to controls Each of the four effect mixes has its own mix buss effect send master control and output jack for connection to external effect devices...
Страница 5: ...onnect inputs to the MM 1 and in most cases to feed the stereo amplifier and effect devices Make sure that you re not accidentally using unshielded cables such as those used for speaker wire Quarter Inch Stereo TRS to 2 Mono I nsert or Stereo Splitter cables If you want to take advantage of the Stereo Effect Retu rns you will need one of these for each stereo effect you have The TASCAM PW 2Y or PW...
Страница 6: ...annels When you layout your inputs some choices are obvious such as plugging stereo instru ments into stereo channels The stereo keyboard is con nected to inputs 1 2 with two separate cables the sampler connected to 3 4 and the stereo tone module to 5 6 The stereo output of the drum machine is saved for 7 8 so it is next to the snare and kick drum plugged into mono channels 9 and 10 The stereo cha...
Страница 7: ...ou can position the mono delay return anywhere in the mix from left to right See p 23 Mono Stereo adapter for wiring of a special cable that will allow you to have a centered mono return without using two effect returns to get it ChOOSing output jacks The amplifier is connected to the 1 4 jacks because it has a nominal 1 volt input spec Other amplifiers notably guitar amps might be better off if t...
Страница 8: ... Effect Return 1 However it isn t a stereo Return 1 or 3 their companion jack Return Signal 2 and 4 respectively left empty STEREO MONO E I system or stereo effect un it If you use a standard mono 1 4 cable to hook up the effect return signal will go to the left side only when you tu rn up effect retu rn 1 Since we have the guitar amp hooked up to the left side anyway that s not a problem Because ...
Страница 9: ...nsoles have 8 or even 6 mix busses If you want to record the instruments onto tape from the MM you have to patch the MM onto the buss of the track you re recording on If you are running a MIDI Sync setup with virtual tracks i e a sequencer ru n backi ng track that you don t want to record onto tape you must patch the MM into a buss that has already been recorded on or that you won t use for a whil...
Страница 10: ... the MM 1 output could be too loud for the ampli fier it s connected to causing its input stage to distort In this case feed the power amp from the phono RCA outputs they are 10 dB softer than the 1 4 phone out puts about half as loud Clipping Output level The MM 1 has a maximum out put from the phone jacks of 13 dBu 3 5 volts Most power amps deliver their rated power with an input of 0 dBV 1 volt...
Страница 11: ...s that isn t used on one particular song just an acoustic piano You can set up a SCENE a snapshot setting which mutes all the synthesizers leaving only the piano mic on This way the hiss and output noise of the synthesizers doesn t get in the way but you leave the volume settings alone What s more you can go from scene to scene by external MIDI Program Change commands There are 99 scenes in the MM...
Страница 12: ...switch to the REMOTE UP DOWN jack of the MM 1 Otherwise you may use the UP or DOWN keys directly on the MM 1 Setting the MIDI Send Channel 3 Press the SCENE MIDI CH key so the MIDI SEND LED lights and the number display will show the current MI DI send channel 1 16 or off 4 Find out what MIDI channel your instrument is re ceiving on the default setting is usually channel 1 Check the owner s manual...
Страница 13: ...t aren t being used during particular passages This is done by connecting a MIDI sequencer to the MIDI input of the MM 1 and issuing MIDI in structions from the sequencer that tell the MM to turn channels on or off at certain points in the song Two Ways to Automatically Mu te When you want to use the mute automation features of the MM 1 you have to decide which of two methods or combination of met...
Страница 14: ...cleaned only as recom mended by the manufacturer 14 Power Lines An outdoor antenna should be located away from power lines 15 Outdoor Antenna Grounding If an outside antenna is connected to the receiver be sure the antenna system is grounded so as to provide some protection against voltage surges and built up static charges Section 810 of the National Electrical Code ANSI NFPA No 70 1984 pro vides...
Страница 15: ...IPAN IPAN 11 I I 11 I I 11 I I 1 1 I I I Jl j tfilY f k A dD Wi I r I 4 I m 1 0 1 0 Cl1 Q 0 1 I 0 Dt u w L R L R L R l R L R L R l R I g I i gl I i1 51 I Il gl I i g I I g I I g I III g I iJ g I IJ 6 I i 5 I j 6 I r l g I g I j g I i I j MUTE j MUTE o o o o o o o o o o o o o D o o o o SCENE STORE I CLEAR MIDI CH COPY RECALL DDDD I II _ Ili 1 mn 11 _ 1 11 Ill_ o In II 0 I 0 1 111 II 11 0 I I III nl...
Страница 16: ...I oost 12 dB 10 5 o 5 10 EQLOW 100 Hz I i o i i EQ HIGH 10 kHz CUI 15 2dB 12 dB II II Cut 100 lK 10K Hz 3 EFF 1 2 This is a combination where to and how much control It typically controls how much signal wi II go to one of two external effects devices for ex ample a digital delay on EFF 1 and a reverb unit on EFF 2 It gets its signal from a point just after post the CHANNEL FADER and MUTE It sends...
Страница 17: ...by SL in the number display pressing any MUTE SOLO switch solos that channel by automatically muting all the channels except the one you pressed MUTE is typically used when you want to silence a channel without disturbing its volume setting All elec tronic instruments have hiss and noise to some degree and if you re not using certain inputs for a while using MUTE will make your sound cleaner SOLO ...
Страница 18: ...EFFECT RETURN level control in fact sets the level of 2 signals left and right if you are using the special stereo plugs that can take advantage of it See p 5 Quarter I nch Stereo TRS to 2 Mono ill nsert or Stereo Splitter cables On the other hand if you use mono effect retu rns there is a way that you can pan them between the left and right sides of the mix If a signal for example the out put of ...
Страница 19: ...n one of these MI D I modes is when the first digit of a number is half high See p 22 Number Display The MIDI CHannels mode is chosen when you want to prepare the MM 1 to change from one scene to another in response to external MIDI Program Change commands which are transmitted on any of the sixteen MIDI chan nels You can change the MIDI channel only with the UP or DOWN keys In addition to the nu ...
Страница 20: ...buffer The MEMORY LED will light and the mute keys of the MM l will be locked out You can then use the UP and DOWN keys to go to any scene number where you can permanently store the settings by pressing STORE while holding SCENE This is how you store a particular mute setting to one of the 99 scene memory locations Changes made with the MUTE keys are temporary if you go to another scene and RECALL...
Страница 21: ...yboard or sequencer Any input here will be echoed out the THRU jack MIDI Program Change messages received at the MIDI IN jack will change the scenes of the MM 1 if they are on the same MIDI chan nel the MM 1 is set to receive on See p 12 Changing Scenes via External MIDI Commands MIDI Note messages of the proper note number and velocity can turn individual channel mutes on and off See p 13 Control...
Страница 22: ...ith each control affecting the stereo balance Mono feature If you have a mono output device that you want to return to the center of the mix connect it toSTEREO EFFECT RETURN 1 making sure RETURN 2 is empty In this condition the signal will normal to both EFFECT RETURN 1 and 2 controls Similarly a signal patched into RETURN 3 normals to both the 3 4 LEVEL controls if there is no signal patched int...
Страница 23: ...t feed back and possibly damage your equipment 33 INPUT 9 20 These 1 4 phone connectors will accept unbalanced signals from almost any type of device with an output level of 50 dBV to 10 dBV 34 including a microphone with an impedance of 150 to 10 000 ohms Signal goes from this jack to the cha lnel s TRIM control If you want to use balanced microphones in these inputs you can use a simple XLR to 1...
Страница 24: ...rews that hold it to either side and attach it on the other 36 37 ADJUSTABLE RACK EARS When mounting in a vertical rack you may use the tilt out adju tment of the rack ears The unit can be shipped in its vertical position flush and tilted out to one of the 4 angles possible On each side unscrew the thumbscrew slide the bar out of the slot on the MM 1 Tilt the unit out slide the bars back in at the...
Страница 25: ...nds 2 and 4 In this installation the PAN controls of the M 1B adjust how much signal goes to Effect Send 1 and 3 along with the M 1 s LEVEL control The EFF 1 2 and 3 4 controls of the MM 1 are turned onl y to the right of center to access the even effect sends This is just an example of how the direct outs can be used Other appl ications might include switchable audio patch bays or larger mixers I...
Страница 26: ...have more than 2 channels out of the MM 1 The DIRECT OUTS give you the flexibility to record each instrument on a separate track for later mixdown Keep in mind that the stereo input channels of the MM 1 are summed to mono before going to the direct outs so you will not get the stereo effect from inputs 1 2 3 4 etc Split stereo pairs to separate inputs 27 ...
Страница 27: ...I Mute Setting D In UI I Press the buttons Blinking you want SETTING THE MIDI SEND CHANNE L SCENEI STORE MIDI CH COpy Display and Step What How D D I UI II Store LED Holding STORE Solid press SCEN E SCENE MIDI CH Entering CD SEN D Mode D Press to enter DM OI CH SEND mode o 6 O 1 COPYING A SCENE FROM ONE NUMBER TO ANOTHER Selection of DD SE ND CH DOWN UP Press Step What How Display r Ci t S OF J Se...
Страница 28: ...oloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED _ _ ADVARSEL Lithiumbatteri Eksplosionsfare Udskiftning ma kun foretages af en sagkyndig og som beskrevet i servicemanualen Bescheinigung des Herstellersllmporteurs Hiermit wird bescheinigt daB der die das TASCAM KEYBOARD MIXER MM l Ger at Typ Beze1chnung in Ubereinsti...
Страница 29: ...al Input Level 16 Mic Output 1 Mic Output 16 Line Output 1 Line Output Frequency Response Nominal Level Any Input to Any Output 1 4 Phone Jack x 20 Less than 10 kohms 50 kohms 10 dBV 0 3 V TRIM LINE down to 50 dBV 3 mY TRIM MIC 12 dBV 4 V TRIM LINE 1 4 Stereo Phone Jack x 4 5 kohms 10 dBV 0 3 V 1 4 Phone Jack x 2 22 kohms 10 dBV 0 3 V 1 4 Phone Jack L R RCA Jack L R 220 ohms 480 ohms odBu 0 8 V 10...
Страница 30: ...evels are also given in parentheses Changes in specifications and features may be made without notice or obligation 4S2mm 19 460mm lS l S 430mm 16 15 16 1 0 0 0 D O 0 0 0 0 0 0 0 0 0 0 0 0 o 0 0 0 til 00 101 L 0 0 o L l E o Cl E E D D DD 0 l N o D O N I I 8 J E Eie Ein 12mm _ I 1 O 6 Cc c m 4 3 11 6 m C C c 1 2 3 5mm l S OPTIONAL ACCESSORIES PA 4 Phono Amplifier PW 2Y PW 4Y Insertion Cable 109B In...
Страница 31: ... TRIM _ _ I I EO HIGH I EOLO l L _______________________ D OUT 9 2 9J n r i L i_tOdBV 1 0 I STEREO I STEREOI EFFECT EFFECT I I L ________________ J I _ E J I RETURNS 10dBV I rr R 2 1 I OJ3 r J 0 TIP L RING R li 4 4 N E TIP R 0 UTE_ _ I i u _ CONTROL I MU E_R____ SECTION r u ____ c IMASTER I I I I Dr C v J 3 l I cC lOdBV v l I r II I EFFECT I L _J fOdBV 1 J 4 EFFECT I SEND MASTERS r I EFFECT I vn E...
Страница 32: ...ice x Velocity Note ON 0 9nH v 32 96 0 v l 127 enable On Off Note OFF 0 9nH v 00 x memorized After Key s x x Touch x x Ch s Pitch Bender x x x x Control Change Prog 0 0 Scene No l 99 Change True 00 98 PGM No 0 98 System Exclusive x x System Song Pas x x Song Sel x x Common Tune x x System Clock x x x x Real Time Commands Aux Local ON OFF x x Mes All Notes Off x x sages Active Sense x x Reset x x N...
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