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4

Getting Started

We realize that you must be 
really keen to try out your new 
powered mixer, but please 
read the safety instructions on 
page 2, and this page fi rst.  

SETUP

1.

  Place the powered mixer in a position 

where it is easy to reach the controls. 
All the controls and input connections 
are located on the front panel so you 
can make quick adjustments and 
connections on stage.

2.

  Make sure there is at least 6 inches of 

airspace behind the powered mixer for 
ventilation. Use the powered mixer in a 
nice clean and dry environment.

CONNECTIONS 

1.

  Be sure the rear-panel power switch is 

off before making any connections.

2.

  Push the linecord securely into the 

IEC connector on the rear panel, and 
plug the other end into a  3-prong AC 
outlet that is properly confi gured for the 
voltage of your powered mixer.

3.

  Plug a balanced microphone into one 

of the mic XLR (3-pin) connectors on 
the front panel. Or you can connect a 
line-level source (keyboard, or guitar 
preamp) to a line input jack using a TRS 
1/4" plug.

4. 

You will need a DI box to connect 
guitars/instruments to the powered 
mixer.

5. 

Plug your passive speakers (4 ohms or 
greater) into the speaker output jacks 
on the rear panel. If you plug two 
speakers into a side, each speaker must 
be 8 ohms or greater to maintain a 4-
ohm minimum load on the amplifi er. 
Use at least 18 gauge speaker cable 
with 1/4" TS plugs or Speakon

®

 plugs. For 

now, set the power amp mode switch 
to stereo mains.

Don’t use guitar cords for speaker 
cables! They’re not designed to 
handle speaker-level signals and 
could overheat.

READY, STEADY, GO!

1. 

Turn down all the channel level, mon, 
and FX controls.

2. 

Set all the EQ controls to the center, 
including the graphic EQ sliders. 

3. 

Turn down the main master level and 
monitor master level controls, and turn 
on the powered mixer.

4.

  For condenser mics, push in the 

phantom power switch. If you are using 
both condenser and dynamic mics, 
don’t worry. Phantom power will not 
hurt most dynamic mics. Check the 
micro  phone’s user manual if you’re not 
sure.

5.

  For each channel 1-6, press the gain 

switch in (low gain) if you are using a 
line-level source. Press it out (high gain) 
if you are using a microphone or other 
low-level source.

6.

  Play something into an input at real-

world levels, and turn up the channel 
level to U (unity).

7.

   In normal playing, the channel's OL 

LED should only light occasionally. If 
it stays on for a large portion of your 
performance, check that the gain 
switch is set correctly. 

8.

  Slowly turn up the main master level 

control until you hear the signal in your 
speakers.

9.

  Repeat steps 5 to 7 for the remaining 

channels.

10.

  If needed, apply some EQ wisely.

11.

  Adjust the levels to get the best mix. 

Keep the level controls fully down on 
unused channels.

Other Notes

•  Only connect the powered mixer's 

speaker-level outputs to passive 
loudspeakers.

•  When shutting down, turn off any 

external amplifi ers or powered 
loudspeakers fi rst. When powering 
up, turn on any external amplifi ers or 
powered loudspeakers last.

•  Save the shipping box!

Содержание MIX.FX MIX10FXP

Страница 1: ......

Страница 2: ...rity to operate the equipment under FCC rules 20 This apparatus does not exceed the Class A Class B whichever is applicable limits for radio noise emissions from digital apparatus as set out in the ra...

Страница 3: ...tures 10 1 Power Connection 10 2 Power Switch 10 3 Speaker level Outputs 11 4 Ventilation 11 Front Panel Features 12 Connector Section 12 5 Mic Inputs 12 6 Mono Line Inputs 13 7 Stereo Line Inputs 13...

Страница 4: ...r amp mode switch to stereo mains Don t use guitar cords for speaker cables They re not designed to handle speaker level signals and could overheat READY STEADY GO 1 Turn down all the channel level mo...

Страница 5: ...nal audio equipment accessible to virtually anyone Today TAPCO is reborn with the same ideals and is backed by the world class engineering and manufacturing horsepower of LOUD Technologies This versat...

Страница 6: ...o tape outputs to record the performance TAPCO Thump TH15A powered speakers are connected to the monitor send and are set up as stage monitors The aux mon controls of each channel allow you to create...

Страница 7: ...RCA inputs A TAPCO Link USB Digital Audio Interface is attached to the stereo tape outputs to record the performance via USB onto a laptop A TAPCO J 2500 power ampli er is connected to the line level...

Страница 8: ...nected to channels 7 and 8 a CD player connected to channel 9 s stereo RCA inputs and an iPod dock connected to channel 10 s stereo RCA inputs A TAPCO Link USB Digital Audio Interface is attached to t...

Страница 9: ...onnected to channel 7 and vocal mics connected to channels 8 9 and 10 A TAPCO J 1400 power ampli er is connected to the line level monitor send output and powers two passive stage monitors Monitor EQ...

Страница 10: ...neral from the Metal Planet Tarquin 5 might not be such a good time As a general guide you should turn on your mixer rst before any external power ampli ers or powered speakers and turn it off last Th...

Страница 11: ...peakon Connection Speakon outputs are wired Pin 1 positive hot and Pin 1 negative cold 1 4 TS Connection 1 4 TS outputs are wired Tip positive and Sleeve negative These two types of outputs are wired...

Страница 12: ...ing Phantom owes its name to an ability to be unseen by dynamic mics Shure SM57 SM58 for instance which don t need external power and aren t affected by it anyway Connector Section This is where you p...

Страница 13: ...ans in your band to hear themselves clearly on stage and this can often be a good thing The monitor output can be carefully adjusted in level using the channel aux mon controls 17 If they want more me...

Страница 14: ...ster level 28 graphic EQ 25 and amp mode switch 12 will have no effect and the meters 26 will not show the levels Only the series 69 EQ switch 33 will affect the output Plugging anything into these in...

Страница 15: ...design just like the mono channel EQ The channel gain is xed U like Unity gain The U symbol on almost every level control stands for unity gain meaning no change in signal level The labels on the cont...

Страница 16: ...ind of mic changing the strings or hiring a new lead singer 14 HIGH EQ The high EQ provides up to 15 dB of boost or cut above 12 kHz and is at at the center detent Use it to add sizzle to cymbals an o...

Страница 17: ...t different presets using the preset selector 34 experiment and have fun 19 OVERLOAD OL LED This LED will come on when the channel s input signal is too high This should be avoided as distortion will...

Страница 18: ...1 to 8 when the band is taking a break This will prevent rogue karaoke singers from using the microphones at the interval The monitor output 9 and the drive signal to the internal FX are also muted Th...

Страница 19: ...mix signals are off with the level fully down the U marking is unity gain and fully up provides 12 dB of additional gain This additional gain will typically never be needed but once again it s nice to...

Страница 20: ...oes not affect the line level outputs Only loudspeakers connected to the rear panel speaker level outputs 3 will be affected Internal Effects The internal effects processor is a mono in stereo out eff...

Страница 21: ...e ections that would be found in a very large stone walled house of worship Gives amazing depth to choirs wind instruments organs and soft acoustic guitars 9 CHORUS This preset provides a soft etherea...

Страница 22: ...sumed dead connect it to the right output instead If the problem stays with the same speaker check the speaker wiring or any speaker fuses Unplug anything from the main line level outputs or other lin...

Страница 23: ...t applications always unbalanced The tip is connected to the audio signal and the sleeve to ground earth Some examples Unbalanced microphones Electric guitars and electronic instruments Unbalanced lin...

Страница 24: ...1 4 TRS balanced Line stereo input 1 4 TRS unbalanced Preamp main outputs 1 4 TRS balanced Monitor outputs 1 4 TRS balanced Loudspeaker outputs 1 4 TS and Neutrik Speakon Loudspeaker outputs Both chan...

Страница 25: ...ng waste electrical and electronic equipment EEE Improper handling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substanc...

Страница 26: ...GLOBAL PHANTOM POWER PHTM PHTM EFX EFX SUM MONITOR MICS EFX POST EFX POST MON MIC GAIN PHTM OL OL SELECT FX PRESET EFX EFX TO MAIN EFX TO MON BREAK SWITCH TAPE OUT MON LEVEL SERIES 69 EQ POWER AMPS 7...

Страница 27: ...te You must have a sales receipt from an authorized TAPCO dealer for your unit to be considered for warranty repair IMPORTANT Make sure that the Service Request Number is plainly written on the shippi...

Страница 28: ......

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